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Sm57 OR 58.


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You're talking real-world Gigland here, making reliability a main concern, and both of these are pretty rugged. Any sonic differences between them would probably be swamped out by other "live show" factors. It would make (a little) more difference in the studio.

 

-CAG

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Unscrew the ball end wind screen from the 58 and you essentially have a 57.

 

The 58 is well armored and generally the best choice for the worst of battle conditions but if you remove the wind screen it is more fragile than the 57.

 

You can get the actual Shure A2WS wind screen for the 57 or many standard foam pop filters or in the studio you could use a hoop style pop filter.

 

Choose your weapon...

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57s are extremely directional. They dont have a large proximity effect for working your vocals like a 58 has. I learned to use them quite well for vocals cause it was one of the first I ever owned, I use a Beta 58 now which is a very good mike for live vocals, but theyre not cheap.

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57s are extremely directional. They dont have a large proximity effect for working your vocals like a 58 has. I learned to use them quite well for vocals cause it was one of the first I ever owned, I use a Beta 58 now which is a very good mike for live vocals, but theyre not cheap.

 

 

Wouldn't something with a tighter pattern (more directional) have greater proximity effect? That's certainly the case with all my mics. I don't own a 58, by the way.

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57s are extremely directional. They dont have a large proximity effect for working your vocals like a 58 has. I learned to use them quite well for vocals cause it was one of the first I ever owned, I use a Beta 58 now which is a very good mike for live vocals, but theyre not cheap.

 

 

The 57 and 58 are cardioid mics, directional but certainly not what I would call "extremely directional" mics at all.

 

They both exhibit what I would consider a pretty large proximity effect.

 

I would say you have it backwards there, the 57 has a bit more proximity effect because you can get closer to the capsule than with the 58 which makes you stay a bit further away because of it's ball end pop filter.

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Then get the 58. Just unscrew the ball if you think you need a little more presence on guitar cabinets. They're the same mic with more foam filtering in the ball of the 58.

 

 

Is this really true? I'm not so sure...

 

I deffinatly would use a 58 for vocals over a 57, if for no other reason than the 58 sounds better to ME when I'm singing. I seem to struggle with a 57.

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Is this really true? I'm not so sure...

 

 

From the Shure Q/A page.

http://shure.custhelp.com/cgi-bin/shure.cfg/php/enduser/std_adp.php?p_faqid=1118&p_created=988777595&p_sid=NxR7lY*i&p_accessibility=0&p_redirect=&p_lva=&p_sp=cF9zcmNoPTEmcF9zb3J0X2J5PSZwX2dyaWRzb3J0PSZwX3Jvd19jbnQ9MTg3LDE4NyZwX3Byb2RzPTIsMCZwX2NhdHM9MCZwX3B2PTEuMiZwX2N2PSZwX3NlYXJjaF90eXBlPWFuc3dlcnMuc2VhcmNoX2ZubCZwX3BhZ2U9MiZwX3NlYXJjaF90ZXh0PXNtNTg*&p_li=&p_topview=1

 

You can't underestimate what an additional 2" of proximity effect and some foam will do to the bottom and top end of a mic.

 

 

[ATTACH]266877[/ATTACH] [ATTACH]266879[/ATTACH]

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I've found that the 57 is better for live use for acoustic guitar or vocals because the directional pattern makes it easier to control feedback,

 

Please tell me that you are not saying the 57 is better than a 58? :freak::mad:

 

Both the 57 and 58 have the same pattern, as has been mentioned here a number of times they are essentially the same mic except for the wind screen which does affect the tone a bit but the pattern of both mics is cardioid.

 

 

 

This just shouldn't be this difficult.

 

Say it with me now "the SM57 and SM58 are very similar mics that use the same dynamic element." [deep breath] "The windscreen on the 58 and how exactly the capsules sit in the bodies of the two mics differs a bit resulting in slightly different frequency response" [begins banging head against wall] The patterns and output of the mic are the same because they use the same element. :freak::freak::freak:

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