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John Sayers

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Ken - the recordings were made at Armstrong's studios in Melbourne. It was a converted terrace house. The studio was around 25' x 15' and the control room was 10' x 10' with a pair of 15" Tannoy Reds as monitors! The console was a locally made Optronics and the recorder an 8 track Scully and 2 track AG440 ampex.

 

The bandtracks for the album were all laid down in one session over a 16 hour day. The next day all the vocals, harmonies and overdubs were recorded. A third day for mixing.

 

The Valentines had come over from Perth and were the new kids on the block. Initially they were a hippy band, hence the recorder etc, but they later changed their image and wore those pantsuit affairs that were blue. The other band around at the time (the Zoot, Rick Springfield's band) wore Pink pantsuits :) the Valentines had two lead singers, Bon and Vince.

 

Bon was always a rager, all those tats were real and very radical for the time, always out for a laugh but really knew how to hit the drugs hard. I have great memories of Bon, he brightened up everyone's life.

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That is very cool, thanks for sharing that!

 

The SG must have been very popular down under.

 

I was a HUGE AC/DC fan back in high school and always preferred the Bon Scott version. His voice of course was amazing but I think another thing that was lost when he died was the wit, fun, social observations and wisdom inherent in a lot of his lyrics.

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I saw a Documentary on Bon on YT. It said on of the early bands he was in he played drums on some songs, then switched to vocals while the singer would switch to drums. I'm not sure if this band posted was the one he did than in though, but the documentry is interesting.

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that first vid rocked.

I could hear ol' bonny me ladd kickin' it OUT!

 

Intending to learn the entire album after hearing the band on der raddio; I bought the album BACK IN BLACK and thought BON had blown out his voice.

I was mad when I realised he was'nt on the record at all. I could'nt finde his name anywhere.

it became very evident on the B side.

 

I was saddened to learn of Bons death.

I eventually learned a lot of licks and stuff off that album BIB.

 

The early ACDC (before the OTHER GUY) is some of my all time, out of this world, fave jams.

had to learn some of that stuff: RIDE ON is a fave.

I learned a bunch of that stuff.

 

Bon was amazeing.

thanks for lettin me share

TD

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Thanks for posting! Bon's work in Fraternity definetely points to the fact that he had vocal skill (vibrato, nuance) that he consciously chose to jettison in favour of grimy, bluesy belting. I like both versions of Bon. Ironically, alot of AC/DC fans got into Fraternity through Bon's work in AC/DC and were less than, um, pleased at the maturity level he displayed, and maybe playing a flute and rocking an Abe Lincoln beard rather than cutoff Daisy Dukes and some bagpipes.

 

According to the AC/DC book "Maximum Rock n' Roll", it would correspond with what John is saying here--Bon had to cover them up and hide the fact that he was a real carouser. His management, apparently, at the time didn't want his rowdy rocker ambitions to be known, because that would ruin the teenage teenybopper demographic ambitions that the band was going for (or told to go for). It was said that the management made him wear long sleeves and applied pancake makeup to his tattoos on any sleeveless shirts or partially seethrough shirts.

 

Interesting to note that Bon was originally AC/DC's chauffeur in the Dave Evans era, and that he originally was considered on drums in some capacity, as he really was a drummer at heart. One of their last jams, right before "Back In Black" was written, Bon was on the drums for some loose rehearsals.

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