Jon Chappell

FRANKFURT, Germany – Offering world-renowned professional audio equipment available for the studio to the stage, HARMAN’s AKG proudly introduces its C111LP earhook microphone, ideal for on-stage performers and corporate speakers for venues of all sizes. The C111LP is nearly indestructible, constructed out of stainless steel to ensure ruggedness and reliability. Still, the strong frame is pliable, able to adjust and fit the head of any performer. The small skin-colored boom visually disappears against the face, while its 7g weight provides a comfortable fit. “The C111LP’s flat frequency response ensures perfect audio quality, which we research, design and manufacture to meet the demanding needs of the professional audio industry,” stated Thomas Giczy, Business Development Manager, Installed Sound, AKG. “We understand the need to provide performers with comfort with a reliable microphone and the C111LP encompasses all of the qualities expected on stage.” The C111LP connects to all AKG pocket transmitters via 3-pin mini XLR for easy integration into any rig. Its frequency response ranges from 60-15.000hz, with an omni-directional polar pattern. C111LP includes a windscreen, cable clip and carrying pouch within its packaging. For more information about AKG, please visit http://www.youtube.com/AKGacoustics. HARMAN designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

FRANKFURT, Germany — The compact all-in-one HARMAN Studer Vista 1 console is now available in an even more compact 22-fader version, measuring just over 1 metre in width, and perfectly suited to small spaces such as found in OB vans. For smaller vans where the audio console fits into the cab area, the Vista 1 provides a comprehensive solution requiring no additional racks, including integral I/O, DSP and surround sound management including up and down-mixing. The low weight advantages of the new desk are immediately obvious. The Vista 1 is based largely on the Vista 5, so existing Vista users will be immediately familiar with all the functionality of the Vistonics™ user interface plus features such as true broadcast monitoring, talkback, red light control, GPIO, N-x (Mix Minus) busses, snapshot automation and DAW control. With an integral DSP engine of 96 channels, the Vista 1 can handle mono, stereo and 5.1 inputs with ease, and is provided with 32 mic/line inputs, 16 line outputs and four pairs of AES inputs and outputs on rear panel connections. I/O can be expanded using the standard Studer D21m card slot on the rear, to allow MADI, AES, AoIP, ADAT, TDIF, CobraNet, Dolby E/Digital, SDI connections etc. A MADI link can connect to any of the Studer Stagebox range for XLR connectivity as well as other formats. New to the Vista 1 is an integral jingle player, played from audio files on a USB jingle stick (such as station ID or background FX), and triggered by a series of eight dedicated keys in the master section. The Studer Vista 1 also features a redundant PSU for peace of mind, and RELINK integration with other Studer Vista and OnAir consoles means the Vista 1 can easily share signals across an entire console network. HARMAN designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

FRANKFURT, Germany – During Pro Light and Sound 2013, HARMAN’s AKG proudly introduces the latest version of its WMS45 wireless system with revised operating frequencies for the European market. WMS45 Band 10 operates on frequencies between 823 and 832 MHz known as the ‘duplex gap.’ This frequency range lies between the areas that will be used for upcoming high-speed Internet service for mobile devices, and will enable future proof, interference-free operation. “In many European countries the frequency range between 823 and 832 MHz will be exclusively reserved for wireless microphones and In-ear monitoring - in Germany the range can even be used for free,” said Thomas Umbauer, product marketing manager – PPA, AKG. “Band M operates with up to 6 channels simultaneously and compatible frequencies are stored in presets.” Designed for total ease of use, the WMS45 is ideal for basic applications including hotels, conference centers, houses of worship, schools, universities and other facilities. It’s also perfect for musicians and bands, especially those who will be travelling in different countries throughout Europe. Perception wireless transmitters HT45 and PT45 are powered using a just one single alkaline, lithium or Ni-MH rechargeable battery, providing up to 12 hours of use with lithium batteries. The PW45 Systems are available in a variety of configurations for live music, instrumental, sports and presentation use including handheld, headworn and lavalier mic options. Packages include the Vocal sets with a dynamic cardioids capsule, the Instrumental set, with the PT45 and an included guitar cable, the PW45 Sports set with C544 and the PW45 Presentation set with CK99. For more information about AKG, please visit http://www.youtube.com/AKGacoustics. HARMAN designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

FRANKFURT, Germany — HARMAN’s Soundcraft is showcasing its Si Expression digital console range, tagged as the most advanced digital console in this low price category. Available in three frame sizes, Si Expression 1, 2 and 3 offering 16, 24 and 32 fader and mic inputs respectively; all three are capable of up to a staggering 66 inputs to mix by connecting any Soundcraft stagebox including the two new Mini Stagebox 16 and 32 (16 x 8 and 32 x 16) models also launched today at the show (separate release) or by connecting additional inputs over MADI or AES/EBU. All external inputs are additional to the connections on the desk itself. In true Soundcraft style, the mixer is loaded with industry standard processing from HARMAN siblings BSS®, dbx®, Lexicon® and Studer® and many top-end professional features like a colour touchscreen, iPad ViSi Remote control and Soundcraft FaderGlow™, adopted from Soundcraft’s Vi Series large format flagship consoles. FaderGlow is a patented technology that automatically illuminates specific faders in varying colours according to their assignment enabling you to focus on the mix, not where signals might be. An incredibly powerful DSP engine provides 4-band parametric EQ, delays, gates and compressors on every input, parametric and 30-band graphic EQ, compressors and delays on all outputs, as well as four Lexicon stereo effects devices, all capable of being utilised at the same time, unlike most consoles in this class. Soundcraft ViSi Remote allows remote control of the console from an iPad. Freely assignable fader layers allow you to place inputs and outputs anywhere on any layer, optimising your mix control for the most important channels. Andy Trott, Soundcraft and Studer’s Vice President and General Manager says this is one of the most exciting new developments in his 10 years running Harman’s mixer business. “A Soundcraft at this low price point is a departure from tradition for us,” he noted. “The Si Expression is based on new technology bridging the current Si Compact and Si Performer ranges and meets a totally new price point for Soundcraft making this product highly attractive to those looking for a professional console, at a budget price. Other companies will continue to produce ‘cheap’ mixers, we make professional, high-quality, easy to use mixers in the same price range—which makes the customer’s decision easier!” The console is packed with professional features and a wide range of networking and option cards, the most recent of which is the BSS BLU Link card, also launched today enabling simple and automatic connection to the dbx PMC16 Personal Monitoring System. Si Expression is designed for all mixing applications ranging from gigging bands, performance venues, installations and tours, corporate AV and theatres to houses of worship and education facilities. HARMAN designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for the twelve months ending June 30, 2012.

Musikmesse, Frankfurt, Germany, April 10th, 2013 - Korg USA has announced the Volca series of portable, true-analog synthesizers. Following in the footsteps of the Korg Monotron, Monotribe, and the MS-20 Mini synth, these next-generation true-analog instruments offer on-the-go sounds and grooves along with MIDI functionality. The series is comprised of three models: the Volca Keys lead synthesizer; the Volca Bass synthesizer; and the Volca Beats rhythm machine. All models provide carefully selected parameters that allow users to create the distinctive, massive sounds that can only come from a true analog synthesizer. Each instrument features a loop sequencer for intuitively generating and recalling phrase-based performances. Multiple Volcas can be used in tandem thanks to vintage-style sync in/out, or with the user's DAW software via MIDI In. Convenient, optional battery operation and built-in speakers provide the ability to play anywhere at any time. The Volca Keys represents a new chapter in Korg's long history of analog synthesizers. This 27-key analog lead synth generates sound that's more powerful than its compact, low-profile body would suggest. Its three oscillators can be tuned against each other in a variety of ways-from one part unison to three-part chords-to provide the versatility needed to create a diversity of sounds. With a filter section that utilizes the circuitry of the classic miniKORG700S (1974) plus an easy-to-use interface that includes delay effects and a 16-step sequencer, Volca Keys offers the richly expressive sounds that are distinctive of an analog synth, and combines the enjoyment of basic sound creation with deep functionality. The Volca Bass is an analog bass line groove box that's capable of generating a wide range of bass lines. Though basic in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation, making it ideally-suited for acid house and many other styles of electronic music. Its step sequencer-distilled from Korg's Electribe series-offers a convenient, visually intuitive way to generate "free form" bass loops to stimulate inspiration. The three oscillators can be combined in several ways via a voicing function, to generate a variety of thick and modulated bass sounds. The Volca Beats offers six fat analog drum sounds: Kick, Snare, Hi Tom, Lo Tom, Closed Hi Hat, and Open Hi Hat. It contains a wide array of sound variations that could not be produced by any means other than analog, with special emphasis on the sounds that are considered indispensable for dance music. A PCM sound engine is also included for generating clap, crash and others sounds that are better suited for PCM. Simple knob-based parameters can be used to quickly create a variety of drum sounds. For example, simply by using the three knobs (Click, Pitch, and Decay), a variety of kick sounds can be crafted, ranging from rough sounds that dominate the low range to tight sounds that keep a precise beat. In addition, a 16-part sequencer is included to easily add or remove parts. The Volca series will be available in July 2013 for a U.S. street price of $149.99 each. Additional product information is available at Korg.com

Worldwide trade distributor JHS heads to Musikmesse 2013 to give an exclusive European unveiling to a host of new Fret-King Black Label guitars, with designer Trev Wilkinson on hand to explain his latest creations. Also on display is a brand new pair of of Trev's one-off, hand-built Fret-King Stvdio instruments, in the form of a matching Country Squire guitar and bass. New Black Label standard models on display in Europe for the first time include the offset Ventura, and four flavours of the much-loved Esprit: the Esprit bass – which features a brand new, groundbreaking Wilkinson Platinum Series pickup – and three different six-strings, with a choice of one stacked P90, two humbuckers, or three stacked P90 pickups. Country Squires are well represented too, with the breathtaking Country Squire Semitone De Luxe and the daring ash green Country Squire Semitone Special FKV21SAGB sure to turn heads. Also on show are new finish options for the established Country Squire Classic and Semitone models. The artist model Corona 'JV', designed in cooperation with UK blues legend John Verity, takes its European bow, as does a brand new collaboration between Trev Wilkinson and Gregg Wright, Michael Jackson's former guitarist. Gregg's artist model features two single coils and a stackedbridge P90, and the double cutaway body comes in an eye-catching red and white Japanese flag-style design with matching white headstock. Vintage guitars (which also have Trev's stamp of authority on them) are represented by the successful ReIssued and ICON electric lines, as well as basses and acoustics. Notable models include a Graham Oliver signature electric – based on the founding Saxon guitarist's long-time staple – and a Deluxe version of the award-winning Gordon Giltrap signature acoustic model. Always a head turner and a huge draw, the beautifully distressed Vintage ICON V52MRBS is in town to showcase just why a host of studio players from Nashville's legendary Grand Ole Opry show have chosen it to deliver their trademark country licks. As usual, the JHS booth is stacked full of other top brands, from the Encore line of electrics through to the classic tones of Santos Martinez and the folk instruments of Pilgrim by Vintage and Laka by Vintage. A bit of colour is added by the quirky SpongeBob SquarePants Real Musical Instruments line, and guitar guru Trev Wilkinson will be on hand to explain his latest creations and offer sage industry advice.

Musikmesse, Frankfurt, Germany, April 10th, 2013 - Korg announces the new KROSS keyboard. Kross is a mobile, affordable, keyboard workstation with audio/MIDI recording capabilities, AC or battery operation (6xAA), and a vast selection of cutting-edge sounds. Available with 61 keys or 88 fully-weighted keys, it's the first battery-powered, full-featured Korg keyboard workstation. With rich sounds that are top of its class, and practical features such as analog-style step sequencing and built-in audio recorder, all in a lightweight and portable package, Kross offers keyboardists of all levels a musical instrument with specs and style that will exceed people's expectation of a keyboard at this price point. A complete package of performance-ready sounds is provided. The piano, electric piano, and drum sounds have been taken from some of Korg's flagship instruments, offering a set of sounds that surpasses other instruments in its class. The grand piano features intricately-sampled decays with three levels of velocity, and also reproduces the noises made by the damper pedal, ensuring that every nuance is reflected in the sound. The distinctive sounds from Korg's famed SG-1D Sampling Grand and M1 Music Workstation are also included, as well as an upright piano--a rarity amongst PCM keyboards. The five classic electric piano sounds are as expressive as the acoustic piano sounds, and also include effect settings. In addition, careful attention has been paid to the drum sounds, which are indispensable for song writing and creation with the keyboard. Kross contains PCM data approximately twice as large as preceding Korg models such as the X50 and the PS60. Essential sounds like rock/jazz organ, strings, brass, and synth sounds have all been upgraded and enhanced. Also included are instruments such as toy piano, accordion, combo organ, church organ, and even vintage instruments such as a tape sampler. And unique to a keyboard of its class are unique sounds that excel in today's EDM dance music and electronica. The high-quality EDS-i sound engine is distilled from the EDS/EDS-X sound engines found on Korg's most advanced instruments. It allows a total of seven effects (five insert; two master) to be used simultaneously. Effect types include delay, reverb, chorus, flanger, and rotary speaker, as well as amp modeling powered by Korg's proprietary "REMS" modeling technology, and even a vocoder. In total, 134 high-quality effects are available. Kross includes a full-featured, 16-track MIDI sequencer with quantization, copy and paste, and individual note event editing, as well as an analog-style step sequencer inherited from Korg's Electribe series, for quick production capability. The easy-to-use sequencer design features sixteen buttons that are used to turn individual notes on or off, allowing the user to quickly and easily create original rhythm patterns of up to 64 steps. SMF-format data can easily be exchanged with a computer via an optional SC card. A full set of workstation and production tools include a stereo audio recorder with overdubbing capabilities, a one-touch Drum Track function, and an arpeggiator to animate any type of sound. The Kross' unmistakable color and design project a powerful presence on stage or anywhere else. The top panel is a sleek black color, while the rear and side panels feature a bold red color scheme. The 61-key model, with its distinctive carrying handle, is amazingly light; at only 4.3 kg/9.5 lb, it's the most portable in its category. The 88-key model packs a piano-touch hammer action keyboard into a mere 12.4 kg/27.3 lbs. Both models can operate on an AC adapter or on six AA alkaline or nickel-metal hydride batteries. The Korg Kross keyboard workstation will be available in August 2013 with U.S. Street prices as follows: 61-key: $699 and 88-key: $999. Additional product information is available at Korg.com

Latin Jazz Guitars features both Lead guitars (licks and solos) and Chords (Rhythm guitars) recorded at 2 different tempos (130BPM & 200BPM) with several different keys. The diversity and range of vibes and styles ensures Latin Jazz Guitars can be used not only in jazzy productions but also in Soul, Funk, Electronica, Chill Out, Downtempo and Dance music. Latin Jazz Guitars includes over 2000 samples all 100\% Royalty-Free. For more info and demos check out their website at: http://www.futureloops.com/product-latin-jazz-guitars.php www.futureloops.com

April 12th, 2013 – Mad Professor, the Finland based Boutique pedal effects manufacturer, in partnership with Guitar Center’s Director of Merchandise, Barry Mitchell, announce the new co-developed “1” pedal available exclusively at Guitar Center stores, Guitar Center online www.guitarcenter.com and Musicians Friend online www.musiciansfriend.com. This new pedal will be available for purchase on April 19th, 2013. The new “1” pedal is a combined distortion/reverb design that delivers the highly sought after “BROWN” guitar sound of the late 70’s early 80’s, when played through a clean amplifier. Like that legendary tone, this pedal produces intense drive while retaining high definition. The pedal also includes a built in reverb circuit that adds ambience and depth to your sound. Street price $199.99. This new pedal is featured in the Guitar Center and Musicians Friend May 2013 catalogs and the pedal will be available to ship internationally via www.musiciansfriend.com For Mad Professor “1” pedal videos, click here: http://youtu.be/jfpk5\_xReP0 Mad Professor was founded in 2002. A brainchild of two Finns: Harri Koski and Jukka Monkkonen and Swedish designer Bjorn Juhl. Combined they share 45 years of experience designing and building pedals and guitar amplifiers and are one of the fastest growing pedal companies in the MI business.

HAMBURG, GERMANY—Yamaha introduces the MGP32X and MGP24X analog mixing consoles at Musikmesse 2013, the latest addition to the groundbreaking MGP Series, which created a new paradigm for compact mixers by combining analog authenticity with comprehensive digital capabilities. In addition to offering expanded mixing capacity with the addition of more channels, the new consoles add three new digital features: USB device recording and playback, Graphic EQ and a multi-band compressor. Perfect for small to mid-sized venues, touring bands, educational institutions and houses of worship, the consoles also include newly developed discrete studio-grade Class-A D-PRE mic preamps that employ an inverted Darlington circuit design offering multiple circuitry elements, which delivers more power with lower impedance. With 48V phantom power and stunning high-resolution sound, D-PRE mic preamps meet the highest demands of professional use. “The MGP12X and MGP16X have been well-received for small portable PA and installed sound applications around the globe,” said Kazunori Kobayashi, General Manager of Yamaha’s Pro Audio Division. “With more input and output capability and useful features for live sound, the new consoles can meet the demands of larger venues and installations to support a wider range of users.” Developing compressors and EQ for high-end digital mixing consoles based on Yamaha’s acclaimed VCM (Virtual Circuit Modeling) technology, the company’s engineers recreated frequency response characteristics unique to classic analog gear, making the X-Pressive EQ more than just a means of tweaking the mix by turning it into a powerful sound-shaping tool that redefines the role that EQ plays in sound reinforcement. The Stereo Hybrid Channel combines flexible digital functionality with intuitive analog feel and the MGP Series’ powerful, proprietary DSP provides three essential features that are staples of both installed and live sound applications — Ducker, Leveler and Stereo Image. Each of these functions, accessible at the touch of a button, provide simple, flexible control. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound. In addition, the new MG large format consoles offer two separate studio-grade effects processors, Yamaha’s high-end REV-X reverb with three high-resolution reverb effects and the renowned SPX digital multi-effect processor, which provides a useful selection of 16 advanced digital effects. MGP32X and MGP24X also feature new 31-band Graphic Equalizer processing on the STEREO bus. The 14-band GEQ and Flex9GEQ modes allow for concise, detailed EQ-ing for more demanding or professional applications. Master compressors assigned to the stereo bus include Comp, a conventional style single band, and Multiband, which separates the audio into three bands for more subtle dynamic control. Three installed preset programs, with up to five user programs, are assigned to the stereo bus. In addition, the units come equipped with two USB ports, including one dedicated to USB device recording and playback and the other for iPod/iPhone connection. An updated version of the MGP Editor app is available for free download at the iTunes Store and allows for remote control of effects, Hybrid channel, Graphic EQ and Master Compressor. For more information, write Yamaha Corporation of America, Pro Audio & Combo Division, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail HYPERLINK "mailto:infostation@yamaha.com" infostation@yamaha.com or visit http://4wrd.it/livesound

BUENA PARK, Calif.— Yamaha introduces the new POCKETRAK PR7, an easy-to-use, ultra-portable linear recorder, which captures effortless high-quality recordings whenever and wherever needed, at the Musikmesse 2013 trade show. Equipped with newly developed XY stereo microphones, the PR7 captures high-resolution stereo recordings, achieving consistent quality and natural sound regardless of the surrounding environment. An invaluable tool for any musician, the PR7 offers essential practice functions such as an onboard tuner and metronome. It comes with 2GB of internal memory (with the ability to expand the capacity with micro SD/SDHC memory cards) and features long battery life, mic line inputs for microphones or instruments, 24bit/96kHz recording and a built-in speaker. “For a pocket-sized device, the PR7 comes with powerful recording functions,” said Athan Billias, Marketing Manager, Pro Audio & Combo division. “Despite the sophisticated features, we have made the interface simpler and more intuitive to operate.” The PR7 is equipped with a dedicated overdubbing button, which allows for the instant addition of solo sections and harmonies over an existing track and the ability to work out respective parts of a song. With this button, musicians can punch in and out at specific sections of an audio file to ensure that only the parts needed are committed to the file. Marker editing lets users insert up to 36 index markers in audio files either during recordings or playback, providing the location of a particular playback position. These markers can also be used to loop a specific section of a file for practicing certain phrases of a song. Because each environment comes with a different set of recording demands, the PR7 also features five optimized presets tailored to a variety of applications, perfect for rehearsing, songwriting, speaking engagements and field recordings. The presets are optimized with an enhanced High Pass Filter that eliminates low frequency noise along with dynamics control settings, which are customized for different recording environments. Settings include OFF, ideal for capturing musical performances, NEAR, which is suitable for personal instrument practice, BAND, optimal for multi-instrument performances, FIELD for outdoor recordings and SPEECH for meetings, seminars and other speaking situations. In addition, the PR7 comes with Steinberg’s WaveLab LE audio editing and mastering software that provides 2-track audio editing with high-end EQ and dynamics processing to improve the sound of the audio file. This software also includes professional level VST plug-ins, giving users a wide range of effects for mastering and enhancing tracks. Yamaha’s POCKETRAK PR7 (MSRP: $249) will be available in June 2013. For more information, write Yamaha Corporation of America, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; visit http://4wrd.it/mp

HAMBURG, GERMANY—Yamaha introduces the second-generation HS Series studio monitor and subwoofer series at Musikmesse 2013. The extended, revamped lineup features a new 6.5” monitor and reaffirms the philosophy of delivering sonic purity without any coloring or alteration of the original sound. This approach ensures that music production professionals and home studio aficionados arrive at the most faithful mix. “Yamaha studio monitors are designed to help music producers achieve the most accurate mix by ensuring that the sound coming from your speakers is true to the original,” said Athan Billias, Director of Marketing, Pro Audio and Combo Division, Yamaha Corporation of America. “While many manufacturers enhance their monitors to make them sound impressive, HS Series near-field reference monitors deliver a concise sound image, high resolution and flat response, providing an ideal sonic platform to build on throughout the mixing process.” Improving on the success of the original HS line launched in 2006, the completely redesigned HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1” tweeter (from the previous ¾” models) the new monitor series provides an extended frequency range and deliver superb high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments. The HS5 (5” cone and 1” dome tweeter), HS7 (6.5” cone and 1” dome tweeter) and HS8 (8” cone and 1” dome tweeter) are housed in bass reflex-type cabinets and reproduce tight low-end and smooth, high frequency response. Two inputs, a balanced XLR and a ¼” phone jack, can accommodate a wide range of balanced and unbalanced sources, including mixers, keyboards and audio interfaces. The ultra-responsive HS8S (8” cone) powered subwoofer employs large, carefully selected magnets to produce low distortion sound with a well-defined bottom end at all output levels. Two balanced XLR and two balanced ¼” phone jacks are provided for advanced connectivity and customization. All of the woofer’s components, including the woofer ring and basket, further contribute to the stunning bass and clear, accurate mids. Additionally, the new HS Series cabinets offer low resonance enclosure designs constructed from a dense, resilient MDF for a damped acoustic response that is perfectly suited for reference monitors. Each monitor and subwoofer is also equipped with a unique high performance amp unit, perfectly paired with each transducer. The coupled amp unit ensures that each HS Series speaker delivers high-resolution sound with exceptionally flat response across the spectrum. Each monitor speaker employs leading edge noise reduction technology, controlling and reducing the vortex at either end of the speaker port that can generate air vibrations inside and cause unwanted noise in many studio monitors. To combat this, Yamaha adopted advanced noise reduction technology when designing the ports. The HS5 (MSRP: $250), the HS7 (MSRP: $399), the HS8 (MSRP: $499) and the HS8S (MSRP: $599) subwoofer are currently available. For more information about Yamaha, write Yamaha Corporation of America, Pro Audio and Combo Division, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; or visit http://4wrd.it/yamahausa

HAMBURG, GERMANY—Yamaha premieres its completely revamped DTX-502 electronic drums at Musikmesse 2013. Based on the award-winning DTX-PAD, the new kits boast numerous innovations, including newly designed tom pads, a lighter-weight steel rack and a brand new drum trigger module that is more powerful than anything else in its class. With almost twice the wave ROM and more than 250 additional sounds than the previous model, the new DTX502 drum trigger module is the first to incorporate drum and cymbal samples from top VST developers that have been optimized for DTX by Yamaha’s sound engineers. For truly customized sounds and songs, the system lets users import audio samples and MIDI files for further expandability. During the development phase, Yamaha created proprietary laser technology to analyze drum strokes and precisely tune the trigger settings, so that the playing experience on each of these sets provides a more natural feel. It also includes advanced features from the higher-end DTX models such as cymbal muting, natural swells and smoother snare drum rolls. “Most of the changes to the new DTX502 series can’t be seen but they can be heard and felt,” said Athan Billias, Director of Marketing, Yamaha Corporation of America, Pro Audio & Combo Division. “There’s a lot more than meets to eye involved with this upgrade and drummers will be impressed when they get behind these new kits.” The new DTX502 module has a streamlined front panel layout that puts the most-used features at your fingertips, and features plug and play USB connectivity for easy interfacing with a computer. The new design allows the DTX502 to be easily mounted to acoustic drum hardware using a standard multi-clamp (such as the Yamaha CSAT924A) for use in a hybrid acoustic-electronic drum set. The DTX502 series includes new training and educational functions for drummers to improve their playing, no matter one’s current skill level. With eight practice routines that help develop rhythmic timing, pad accuracy and drumming endurance, the system calculates a score after each session so that drummers can track their progress. The DTX522K, the most affordable model in the series, includes the three-zone XP80 8” DTX-PAD snare and three newly designed TP70 7.5” tom pads. The new TP70 pad is softer and quieter, yet more expressive than the previous model. This kit, which comes with three-zone, choke-able ride and crash cymbals, showcases another technological advancement in electronic drumming – the Yamaha DTX522K is the first electronic drum kit ever to feature a three-zone hi-hat pad. The new RS502 rack system uses steel pipes to offer solid performance and flexible setup options in a lightweight package. The next kit in the lineup, the DTX532K, uses the same drum pads and rack system as the DTX522K but features an upgraded hi-hat and two large PCY135 13” three-zone choke-able cymbal pads. The RHH135 vertical motion hi-hat pad, which mounts to the included Yamaha HS650A hi-hat stand, provides a setup that more closely matches an acoustic kit. The top model in this series is the new DTX562K, which includes the large cymbals and real hi-hat pad, upgrades the toms to an all-DTX-PAD configuration with three XP70 7” pads so that playing the kit feels comfortable for even the most demanding acoustic drummer. Yamaha designed its innovative new DTX-PAD with input from the company’s legendary roster of drum artists. The Textured Cellular Silicone head features a proprietary manufacturing process that introduces small air bubbles into foamed silicone to provide playability and feel unlike any pad introduced to market. With years of designing and building some of the world’s finest drums, Yamaha DTXdrums’ new series of instruments lets drummers express their passion for rhythm just as they can on an acoustic kit. Whether for quiet practice, live performance or recording applications, the new DTX502 series is the perfect solution for the modern drummer. The new DTX562K (MSRP: $2,637), DTX532K (MSRP: $1,732), and DTX522K (MSRP: $1,507) are expected to ship in June 2013. For more information, write Yamaha Corporation of America, Pro Audio & Combo Division, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; visit www.yamahadrums.com

FRANKFURT - April 10, 2013 - The Taylor Grand Orchestra, the newest body shape in the company's guitar line, debuted earlier this year at the Winter NAMM Show to rave reviews from dealers and players. As part of a year-long rollout, Taylor is pleased to introduce the latest Grand Orchestra model, the all-koa K28e, at the Musikmesse trade show in Frankfurt, Germany. The K28e boasts the bold yet balanced voice of its Grand Orchestra body shape, while koa's appealing tonal flavors blend the midrange of mahogany with a splash of high-end sparkle. The koa top tends to impart a more controlled attack to the guitar's sound compared to spruce, explains Taylor master builder Andy Powers, who designed the guitar. "The koa top makes a more subtle entrance," he says. "The notes have a graceful, 'fashionably late' quality, giving the player a smooth and sweet-sounding sustain." The Grand Orchestra's proprietary bracing is a hybrid parabolic and scalloped design that produces unprecedented balance and responsiveness for a big-bodied guitar. Like other Grand Orchestra models that have been introduced this year (the 518e, 618e and 918e), the K28e makes its debut with a special release of 100 First Edition models. In addition to the beautiful wood-rich appointments that characterize other Koa Series models - Indian rosewood binding, a rosewood and maple rosette, and Island Vine inlay - premium touches include AA-grade koa and tone-enhancing Adirondack spruce bracing. Each First Edition model K28e comes with a custom label and ships in a Deluxe "First Edition" hardshell case. Once the guitar is registered, the owner will receive a custom GO First Edition guitar strap, a numbered certificate of authenticity, and a special commemorativebooklet. All models are equipped with Taylor's proprietary Expression System® acoustic electronics. The K28e will eventually become a standard model with the Koa Series. The Grand Orchestra was born from Taylor's passion for innovation and desire to revoice the Taylor Jumbo. Rethinking what a modern big-bodied guitar could be, Taylor's team of luthiers experimented with new body dimensions. One of the goals was to capture some of a Dreadnought's robust tonal personality to produce big, round, richly solid notes. The resulting Grand Orchestra shape is slightly longer than a traditional Dreadnought, features a tighter waist and a wider bottom bout to heighten the tonal properties, and a deeper body depth to increase volume output. Its voice is strong and complex, with the kind of tonal balance that fits perfectly into Taylor's family of shapes and sounds. The Grand Orchestra is the fifth body shape in Taylor's acoustic guitar line, joining other proprietary Taylor shapes including the Grand Concert, Grand Auditorium and Grand Symphony, along with the Dreadnought. Grand Orchestra models are designated within each Taylor series by ending with the numeral "8" (e.g., 618e). GO models will be available at Authorized Taylor Dealers around the world. To experience the new Grand Orchestra models while at Musikmesse, please visit the Taylor Guitars stand in Hall 3.1 E80 & E83. For additional news from Taylor Guitars, please visit: www.taylorguitars.com/news www.twitter.com/TaylorGuitars

NATICK, MA, April 10, 2013 — Genelec, the world’s pioneer in active monitoring, is debuting its new M Series Bi-amplified Active Monitors at Pro Light + Sound 2013 in Frankfurt (booth 8 H25). The energy-efficient M Series takes a new approach to monitor design as part of Genelec’s larger ongoing sustainable initiatives known as GES (Genelec Embedded Sustainability). The primary focus in developing the new M Series was to proceed with a sustainable mindset without sacrificing the accuracy and reliability for which Genelec has been known for the past 35 years – while also offering something new and innovative for project studio customers. The first two models being introduced are the M030 and the M040 Bi-amplified Active Monitors, which employ a Natural Composite Enclosure™ (NCE™) manufactured for Genelec in Finland from wood fiber and recyclable material. The M030 and M040 use Genelec enclosure design heritage, featuring rounded edges and gently curved front and sides to provide minimized cabinet edge diffraction and superb imaging. Both models also utilize a Laminar Integrated Port™ (LIP™) for accurate low frequency response and minimizing the enclosure vibration and each employ an integrated advanced Directivity Control Waveguide™ (DCW™), yielding large internal volumes with outstanding mechanical strength. The M Series models feature new class D amplifiers developed in-house by Genelec’s R&D/engineering team. The class D amplifiers are highly efficient, low distortion amplifiers that operate cooler and lighter than class A/B amps. They also feature Intelligent Signal Sensing™ (ISS™) power management with auto power-off/auto power-on and with the standby power consumption of less than 0.5W. Automatic voltage selection allows the monitors to operate throughout the world. Additionally, the M Series has high-performance drivers, intuitive room response controls and system calibration with XLR/TRS and unbalanced RCA inputs. The M030 utilizes a five-inch woofer and 0.75-inch metal dome tweeter, powered by a 50-Watt and 30-Watt amplifier, respectively. The free-field frequency response is 58Hz to 20kHz (+/-3dB), while low distortion peak SPL is 103dB at one meter. The M030 measures 10 3/4" H (273mm) x 7 1/2" W (190mm) x 7 1/2" D (190mm) and weighs 8.8 lbs (4.6kg). The M040 employs a 6.5-inch woofer with a one-inch metal dome tweeter, powered by an 80-Watt and 50-Watt amplifier respectively. The free-field frequency response is 48Hz-20kHz (+/-3dB), while low distortion peak SPL is 107dB at one meter. The M040 measures 13 1/4" H (337mm) x 9 1/4" W (235mm) x 9" D (229mm) and weighs 15.4 lbs (7.4kg). The Genelec M030 and the M040 Bi-amplified Active Monitors are available June 2013 with U.S. MSRP pricing as follows: M030 $695.00 (each) M040 $995.00 (each) For more information, please visit www.genelecusa.com/

FRANKFURT - April 10, 2013 -Spring abounds with exotic tonewoods and fresh inspiration in Taylor's line of Spring Limited Edition guitars. Celebrating the heritage of the 600 and 400 Series, Taylor is offering fresh voicing with the inclusion of two exotic tonewoods to the mix: African ebony and granadillo. Beautiful sapwood-infused ebony makes a striking impression with two models, the 614ce-LTD and 616ce-LTD. The ebony was sourced from a sustainably managed forest in Congo, and each set is visually unique, as swaths of light-colored sapwood and dark heartwood play off each other with stunning effects. Compared to Macassar ebony, the African species has a slightly higher density, which yields a ringing, overtone-rich character with a linear quality across the tonal spectrum. European spruce was chosen for the top because of the way it matches ebony's sonic personality. "It has a strong attack with a lot of headroom, making for rich, saturated notes," says Taylor master builder Andy Powers, who designed the guitar. The effect is intensified with Adirondack spruce bracing. Because of the rich overtones, this wood pairing is likely to appeal to fingerstylists and other players who favor a complex acoustic voice. Unique aesthetic touches include an ivoroid/koa "Spiked Ovals" fretboard inlay, ivoroid binding, curly koa top edge trim, an ivoroid/ koa rosette, and gold Gotoh 510 tuners. In the 400 Series Limiteds, players are treated to granadillo, a native wood to Central America. Granadillo is often compared to rosewood, but with a sonic crispness that resonates well with players of all styles. Paired with a Sitka spruce top, these guitars boast an impressive sustain and are available in four different body styles: Dreadnought, Grand Concert, Grand Auditorium and Grand Symphony, all with a cutaway. Granadillo was also used for the bridge and headstock overlay, and complementary appointments include rock maple binding, rosette and Progressive Dot fretboardinlays. The 600 and 400 Series Spring Limiteds both ship with a deluxe hardshell case and come equipped with Taylor Expression System® acoustic electronics. The models are currently available in the United States at Authorized Taylor Dealers. To experience the new Spring Limiteds while at Musikmesse, please visit the Taylor Guitars stand in Hall 3.1 E80 & E83 For additional news from Taylor Guitars, please visit: www.taylorguitars.com/news www.twitter.com/TaylorGuitars

SCOTTS VALLEY, CA • April 10, 2013 — Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is proud to announce the Apollo 16 Audio Interface. Delivering world-class conversion with 16x16 analog I/O, this uncompromising FireWire/Thunderbolt-ready interface combines superior sound and flexible routing with powerful onboard UAD-2 QUAD processing. With its professional DB-25 connectivity and multi-unit cascading for up to 32x32 analog I/O, Apollo 16 sets a new standard in high-resolution recording with classic analog sound. "Building on the success of the original Apollo interface, the Apollo 16 is our flagship audio converter," says Bill Putnam Jr., Universal Audio founder and CEO. "Its sound quality and scalability make it ideal for pairing with mixing consoles and outboard preamps, and the ability to track through UAD plug-ins in real time provides powerful sonic options for professional studios." Building upon decades of UA hardware expertise, Apollo 16 features meticulous analog circuit design, top-end converters, and DC-coupled outputs — providing the lowest THD and highest dynamic range of any converter in its class. Apollo 16's deep, wide soundstage and exceptionally open and transparent sound makes it the ideal centerpiece for professional recording facilities. With its standard UAD-2 QUAD processing onboard, Apollo 16 allows real time processing with UAD Powered Plug-Ins— with as low as sub-2ms latency — so recordists can monitor, audition, and "print" audio through stunning analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more. Apollo 16's onboard UAD processing is also available during mixing and mastering, so that music producers can employ UAD plug-ins (VST, RTAS, AU) throughout the creative process. Apollo 16 boasts straightforward 16x16 analog I/O via convenient DB-25 connections. Two Apollo 16 units can be cascaded over MADI for an expanded system with eight UAD processors and 32x32 simultaneous analog I/O, capable of handling large professional mixes. Dedicated XLR monitor outputs and stereo AES-EBU digital I/O round out the Apollo 16's rear-panel audio connections. Apollo 16's routing capabilities include four stereo cue mixes with individually assignable outputs, and a new "Virtual I/O" feature that allows for Realtime UAD Processing of DAW tracks and virtual instruments. Apollo 16 also offers compatibility with Intel's high-bandwidth Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card (sold separately). Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo's standard FireWire connection. Shipping in the second quarter of 2013, Apollo 16 will carry an estimated street price of $2,999US. Apollo's Thunderbolt Option Card is now available for an estimated street price of $499US.

Los Angeles, CA, April 4, 2013 — Roland is proud to announce the FR-8x (piano-type) and FR-8xb (button-type) V-Accordions, the new flagship models in the company’s acclaimed digital accordion lineup. Both models are filled with all-new features and enhancements developed through requests from professional accordionists, including Dynamic Bellows Behavior technology, onboard battery charging, new sounds and effects, a built-in looper, and many others. Dynamics Bellows Behavior technology is a true breakthrough for digital accordionists, delivering a playing response identical to an acoustic accordion. By adjusting the air transfer in the bellows in real time depending on the selected register and the number of notes played, Dynamic Bellows Behavior replicates the true acoustic accordion bellows feel that is comfortable and familiar to traditional players. Both the FR-8x and FR-8xb have onboard batteries that can be charged simply by connecting an included AC adapter directly to the instrument. All external device connections are located on the instruments as well, including MIDI, USB, and audio. In addition to a full selection of traditional accordion sounds from around the world, the FR-8x and FR-8xb are equipped with over 180 orchestra and percussion sounds, plus world-class Virtual Tone Wheel organs. Four powerful multi-effects engines (MFX) are also onboard, with dedicated MFX for Accordion, Orchestra 1, Orchestra 2, and Orchestra Chord sections. The all-new user interface is more powerful and easier to use, with a large color display and intuitive operation via many dedicated buttons. Three programmable chin switches let players control a variety of functions without lifting their hands off the keyboards, while 1400 user program memories allow them to save custom settings for every performing situation. With the FR-8x and FR-8xb, more layering and zone setup options are possible in the right-hand keyboard modes, providing the ability to play up to four tones at once. Left-hand keyboard modes now include layering options as well. The FR-8xb is equipped with a completely redesigned button-type keyboard, using a piston-style mechanism that is similar to an acoustic button-type accordion. In addition, the buttons are made with a synthetic pearl material for a professional look and feel. Another much-requested addition is the onboard looper, which provides the ability to record and overdub accordion performances to create instant backing accompaniment for improvisation. The MP3/WAV song player let users play along with pre-recorded musical tracks for practice and live backing via optional USB memory. Accordion performances can be recorded directly to USB memory as well. For more information, visit www.RolandConnect.com.

Los Angeles, CA, April 4, 2013 — Roland is proud to announce the FR-8x (piano-type) and FR-8xb (button-type) V-Accordions, the new flagship models in the company’s acclaimed digital accordion lineup. Both models are filled with all-new features and enhancements developed through requests from professional accordionists, including Dynamic Bellows Behavior technology, onboard battery charging, new sounds and effects, a built-in looper, and many others. Dynamics Bellows Behavior technology is a true breakthrough for digital accordionists, delivering a playing response identical to an acoustic accordion. By adjusting the air transfer in the bellows in real time depending on the selected register and the number of notes played, Dynamic Bellows Behavior replicates the true acoustic accordion bellows feel that is comfortable and familiar to traditional players. Both the FR-8x and FR-8xb have onboard batteries that can be charged simply by connecting an included AC adapter directly to the instrument. All external device connections are located on the instruments as well, including MIDI, USB, and audio. In addition to a full selection of traditional accordion sounds from around the world, the FR-8x and FR-8xb are equipped with over 180 orchestra and percussion sounds, plus world-class Virtual Tone Wheel organs. Four powerful multi-effects engines (MFX) are also onboard, with dedicated MFX for Accordion, Orchestra 1, Orchestra 2, and Orchestra Chord sections. The all-new user interface is more powerful and easier to use, with a large color display and intuitive operation via many dedicated buttons. Three programmable chin switches let players control a variety of functions without lifting their hands off the keyboards, while 1400 user program memories allow them to save custom settings for every performing situation. With the FR-8x and FR-8xb, more layering and zone setup options are possible in the right-hand keyboard modes, providing the ability to play up to four tones at once. Left-hand keyboard modes now include layering options as well. The FR-8xb is equipped with a completely redesigned button-type keyboard, using a piston-style mechanism that is similar to an acoustic button-type accordion. In addition, the buttons are made with a synthetic pearl material for a professional look and feel. Another much-requested addition is the onboard looper, which provides the ability to record and overdub accordion performances to create instant backing accompaniment for improvisation. The MP3/WAV song player let users play along with pre-recorded musical tracks for practice and live backing via optional USB memory. Accordion performances can be recorded directly to USB memory as well. For more information, visit www.RolandConnect.com.

Los Angeles, CA, April 4, 2013 — Roland is pleased to announce the BK-9 Backing Keyboard, the new flagship in the industry-leading BK-series lineup of portable instruments with auto-accompaniment features. With its enormous range of sounds and rhythms, intuitive user interface and dual LCD system, USB recording and song/rhythm playback, and much more, the BK-9 is a powerhouse music machine for professional solo performers and casual hobbyists alike. Equipped with a pro-quality 76-note keyboard, the BK-9 is incredibly light and easy to transport, weighing under 21 pounds (9.4 kg). It has over 1,700 fantastic sounds and 70 drum kits, including 22 SuperNATURAL sounds and 500 new sounds from the acclaimed Roland library. There’s also a Virtual Tone Wheel organ with harmonic bars for authentic organ performance, plus a User Tone area dedicated for future sound expansion collections from Roland. For accompaniment, there are 540 built-in rhythms—including 25 that are brand new—and all the rhythms have been fully remastered for enhanced sound. Via optional USB memory, users can add unlimited additional rhythms and play MP3, WAV, and SMF files as well. A powerful enhancement for live playing is the Mixer function, which allows for instant adjustment of rhythm and real-time part levels, MFX parameters, and more using the harmonic bars on the front panel. Five independent multi-effects engines (MFX) offer an enormous range of sound processing possibilities, with three MFX dedicated to rhythms and two MFX dedicated to real-time parts. Two Mastering Processors allow stage performers to optimize the sound of the rhythm and real-time sections separately to suit particular venues and add final polish for recordings. The BK-9’s interface has been designed for maximum efficiency and ease of use while performing, with a dual LCD system and simple, intuitive controls. Players can store up to 10 Favorite tones for each real-time part, an extremely convenient feature for live playing. There are 1000 onboard Music Assistants, and users can save unlimited Performance Lists to USB memory. A built-in 16-track sequencer provides a professional platform for composing and editing SMF data, while the Rhythm Composer allows users to create and customize their own rhythms with ease. The convenient Chord Loop feature instantly captures rhythm backings as WAV audio loops, and also lets players build chord sequences from rhythms to use as the basis for song composing in the sequencer. With the Audio Key function, audio files stored on USB memory can be assigned to the top seven keyboard keys, allowing for quick-access playback while performing. Additionally, BK-9 performances can be easily recorded directly to USB memory as CD-ready WAV audio. Vocalists will appreciate the convenient XLR microphone input, which features phantom power, a dedicated reverb effect, and easily accessible front-panel controls. A Video Out jack is provided for displaying embedded MP3/SMF lyrics and chord symbols on an external display. The BK-9 is compatible with Roland Wireless Connect, which provides cable-free communication with Apple’s iOS devices via Roland’s optional WNA1100-RL Wireless USB Adapter. Alternately, an iPad can be connected to the BK-9 with a USB cable when using Apple’s iPad Camera Connection Kit. Many free apps are available to enhance the BK-9 experience, including Air Recorder for jamming and capturing performances (iPhone/iPad), BK Partner for selecting tones and rhythms (iPad), Lyrics Viewer for displaying SMF lyrics (iPad), and a number of others. For more information, visit www.RolandConnect.com.

Inheriting technology from the acclaimed GLD and iLive digital mixing systems, Qu-16 features total recall of settings (including 17 motorised faders and digitally controlled preamps), an intuitive Touchscreen, Qu-Drive integrated multi-track recorder, dSNAKE for remote I/O and personal monitoring, multi-channel USB streaming to Mac, Qu-Pad control app, and iLive’s renowned FX library to deliver class-leading audio quality. Qu-16 features 16 mic/line inputs, 3 stereo inputs, 4 FX engines with dedicated stereo returns, 14 mixes (including LR, 10 aux mixes, plus 2 dedicated FX busses), 12 mix processing channels, patchable AES digital output with a further 2-channel ALT output, dedicated Talkback mic pre input, and 2-Track output. The mixer is packed with massive processing capability. Five high speed dual core DSPs provide comprehensive channel and FX processing, with ample room for future processing updates and functionality. Five latest generation 200MHz super-efficient ARM core processors run in parallel to efficiently deliver startling performance, one to drive each of the Touchscreen and surface, the Qu Drive USB interface, USB streaming, Ethernet port, and the moving faders. Qu-16 is equipped with a high resolution (800x480) full colour Touchscreen featuring the easy to drive ‘Touch Channel’ access to channel processing, the FX racks and all the setup and system management controls. In keeping with the iLive user interface, the SuperStrip provides control knobs for a selected channel’s key processing parameters, such as gain, HPF, parametric EQ, gate threshold, compressor threshold and pan. Qu-Drive, the mixer’s integrated USB recorder, which works with an external USB drive, can record and playback multi-track and stereo audio .wav files. The USB interface can also be used to store scene and library data for archiving and later recall. If using the Qu-16 in the studio, there is also a USB audio streaming interface for record and playback to Mac DAW systems. A&H’s proprietary dSNAKE low latency audio connection enables the mixer to connect over a single 120m Cat5 digital snake to a remote audio rack, such as the AR84 or AR2412, and is compatible with the ME personal mixing system. Motorised faders provide total recall of mix levels giving the user full benefit from the scene recall system and ensuring the fader is always in the right position even when swapping between the 2 layers, which allows instant access to all channels and masters or the Graphic EQs. To customise the fader layout to suit certain applications, a third user definable layer is also available. A free iPad app connects to the mixer via a Wi-Fi router plugged into the Ethernet control port and gives instant wireless control of the mixer’s key parameters and settings, enabling the user to tweak the PA, adjust the monitors on stage, and even mix the show from the audience. Qu-16 also contains sixteen crystal clear AnaLOGIQ total recall pad-less preamps, optimised for transparency and low harmonic distortion. In keeping with the excellent audio quality the Qu-16 is equipped with many of the iLive pro touring series’ FX emulations, used by many engineers in place of top-end plug-ins and external FX units, including classic reverbs, gated reverbs, delays and modulators. Glenn Rogers, MD of A&H, said: “The Qu-16 represents the best technology we could pack into a 19” unit to deliver all the benefits of professional digital mixers and I am very proud of the looks, performance, ease of use and sonic quality from this great new product. The R&D team has done a fantastic job.” Launching at Pro Light & Sound, Frankfurt, Qu-16 will be shipping in May, SRP: £1699 ex VAT. www.allen-heath.com

Los Angeles, CA, April 4, 2013 — Roland is pleased to announce the FP-80 and FP-50, the next-generation models in the popular FP series of portable digital pianos. These updated instruments feature SuperNATURAL Piano sounds, 88-note Ivory Feel keyboards, a large selection of onboard rhythm accompaniments with advanced full-keyboard chord recognition, easy operation, and more. Stylish, compact, and available in two different colors, the FP-80 and FP-50 are equally suited for both home enjoyment and stage performing. Roland’s renowned SuperNATURAL Piano sound engine delivers pro-level acoustic pianos with extremely natural response, wide dynamic range, and seamless variations in tone. Also onboard the FP-80 and FP-50 are a large selection of SuperNATURAL-based classic electric pianos, as well as strings, organs, and many other versatile sounds. Dual Play and Split Play functions allow users to easily layer two tones together or split two sounds across the keyboard. The FP-80’s Ivory Feel-S Keyboard with Escapement features the same progressive hammer action and escapement found in Roland’s top-line pianos, plus keys that replicate the unique appearance, texture, and moisture absorbing properties of real ivory. The more affordable FP-50 is outfitted with the Ivory Feel-G Keyboard with Escapement, an excellent keyboard that also features a progressive hammer action and an authentic ivory feel. At the touch of a button, users can add impressive accompaniment as they play the FP-80 and FP-50. 90 newly created rhythms cover jazz, rock, and many other musical styles, and feature backing instruments along with drums for a rich ensemble sound. Thanks to full-keyboard chord recognition, the accompaniment intelligently follows chords played anywhere on the keyboard to create interactive real-time backing. Via optional USB memory, users can easily record their performances and play along with their favorite WAV audio songs. Both the FP-80 and FP-50 offer full, dynamic sound with built-in stereo speaker systems. Additionally, the FP-80 is equipped with Roland’s Acoustic Projection technology, which adds an additional speaker pair for an even more impressive sound with extra depth and dimension. The FP-80 also has a microphone input with a dedicated harmony effect, allowing vocalists to sing along and enjoy pleasant vocal harmonies that automatically follow the chords in the rhythm accompaniment or chords played on the keyboard. The FP-80 and FP-50 are compatible with Roland Wireless Connect, which provides convenient, cable-free communication with Apple iOS devices via Roland’s optional WNA1100-RL Wireless USB Adapter. Two free Roland apps are available to use with the new FP-series pianos: Air Recorder (for the FP-80) allows players to record and share their performances as audio data on their iPhone or iPad and play along with their favorite songs stored on the devices, while Air Performer (for the FP-50) plays iPhone/iPad songs through the piano for play-along fun and practice. The FP-80 and FP-50 are available in attractive black or white finishes. Optional matching stands include the KSC-76 (FP-80) and KSC-44 (FP-50). For more information, visit www.RolandConnect.com.

Los Angeles, CA, April 4, 2013 — BOSS is pleased to announce the RC-505 Loop Station, the newest addition to its industry-leading lineup of live looping devices. Featuring five phrase tracks, onboard effects, rhythms, and a powerful tabletop design that can be easily operated with the hands, the RC-505 is ideally suited for next-generation loop artists such as beatboxers, singers, and club performers. In addition, the RC-505’s extensive MIDI control options and ability to import audio phrases via USB open up a wealth of creative opportunities for all musicians. The RC-505 is equipped with five phrase tracks that can play simultaneously, the most yet in a BOSS Loop Station. Independent record/overdub/play and stop buttons for each track let users capture loop performances with easy fingertip control. Dedicated volume faders allow for quick level adjustment of track playback, while the ALL START/STOP button controls all five loop phrases with a single command. Up to three hours of stereo recording is possible in a single track. A large selection of built-in effects allows loopers to enhance their sounds as they perform. INPUT FX such as ROBOT and VOCODER offer unique textures while recording loops, while TRACK FX like VINYL FLICK and BEAT REPEAT provide real-time post-processing for dynamic DJ and sampler effects. Six dedicated buttons (three for INPUT FX and three for TRACK FX) can be loaded with favorite effects for one-touch access while looping. 99 phrase memories provide storage for phrase track data, playback and effects settings, and more. 85 different onboard rhythms can be used as backing for loop recording, with a large selection of odd-measure beats for advanced performing. The rhythm part can be routed to the rear-panel PHONES jack only, giving users a dedicated click track for monitoring purposes. Inputs include an XLR microphone jack with phantom power, mono/stereo instrument inputs, and an AUX mini-jack for connecting a music player, smart phone, or other stereo device. All inputs can be used simultaneously to capture a variety of different sources into loops. The USB port allows users to connect to a computer and import/export WAV audio phrases. This provides backup for RC-505 loop recordings, as well as the ability to load up RC-505 phrases with pre-made tracks for on-the-fly, sampler-style performing. The RC-505’s USB port also provides USB-Audio and USB-MIDI functionality, letting users interface with their favorite DAW software for audio recording and MIDI synchronization. Track recording and many other RC-505 parameters can be controlled externally. Foot switches (one BOSS FS-6 or two FS-5Us; optional) or an expression pedal (Roland EV-5; optional) can be connected via the CTL 1,2/EXP jack on the rear panel. MIDI I/O is provided for a wide range of integration with other devices, such as MIDI foot controllers, drum machines, or another RC-505. For more information, visit www.RolandConnect.com.

(STEVENSVILLE, MD) April 9, 2013 -- The best of both worlds just got more versatile with the introduction of PRS Guitars’ P22 Trem model. The solidbody piezo-equipped P22 Trem is essentially two guitars in one, providing the same classic humbucker tones and authentic acoustic sounds as the original P22 now with the added versatility of PRS’ prized tremolo bridge. The P22 Trem’s voicing, EQ, layout, and feel as well as the redesigned PRS/LR Baggs piezo board are all maintained in this trem-equipped model, and the materials and design of the bridge have also been upheld without sacrificing any proprietary specifications. There are two output jacks on the P22 Trem, allowing guitarists to plug into their favorite electric or acoustic guitar amp or DI into a soundboard. By utilizing the separate blend control, the tone of the P22 Trem’s 57/08 pickups can also be combined with acoustic sounds through a single output. Starting with the tried-and-true combination of a figured maple top, a mahogany back and neck and a rosewood fretboard, the P22 Trem looks as good as it sounds. For more information and to watch a demo video, visit www.prsguitars.com/p22trem. About PRS Guitars: Paul Reed Smith Guitars is a leading manufacturer of high quality instruments in Stevensville, Maryland and has provided some of the world’s most renowned musicians with instruments since 1985. The PRS team of highly skilled craftspeople design and build a wide variety of musical instruments and gear for worldwide distribution, including electric, acoustic, and bass guitars as well as boutique-style guitar amplifiers. The PRS SE line of products complements the Maryland-made PRS line by offering highly approachable and more affordable electric and acoustic guitars and guitar amplifiers. Carlos Santana, Neal Schon, John McLaughlin, Linkin Park, Orianthi, Opeth, Zach Myers of Shinedown, Mark Tremonti of Creed and Alter Bridge, Ricky Skaggs, Cody Kilby, Martin Simpson, Tony McManus, Warren Haynes, and Derek Trucks are among the artists currently playing PRS instruments and/or amplifiers. PRS Guitars Info: www.prsguitars.com

Nektar Inc. /Frankfurt April 10th, 2013 (ictw) - Hall 5.1 #88 - Nektar have announced Impact LX49, the first in a new range of Nektar USB controller keyboards, aimed at users looking for an affordable, yet fully featured solution. With intelligent mapping for major DAWs, Impact LX49 makes it easy for musicians and producers to get up and running without having to worry about MIDI assignments to get started. Based on the technology developed for the acclaimed higher end Nektar Panorama series, Impact comes pre-mapped and configured. Just like Panorama, which features multiple modes for main control navigation, Impact LX49 allows the user to switch between Mixer, Instrument and Preset modes. Presets include 5 memory locations for users to store their own setups. Navigation options include track change, patch change and a Plug-in button that opens or closes the currently controlled plug-in window on the computer display. Impact LX49 also features 8 velocity sensitive pads that also can be used as MIDI buttons. A unique pad learn function enables pad presets to be programmed quickly by just pressing the target note on the keyboard. Four pad memory locations store pad settings for later recall, completely independent of the preset settings. Features: · 49 note full-size, velocity sensitive keyboard · 4 keyboard velocity curve options · Pitch bend and modulation wheels · 2 Transpose buttons (assignable also to Program, MIDI channel and Preset -/+) · 2 Octave Shift buttons (assignable also to Program, MIDI channel and Preset -/+) · 8 velocity-sensitive trigger pads · 3 Digit LED display · 8 Function buttons · 9 30mm control faders · 8 control pots · 9 control buttons · 6 transport buttons for cycle, rewind, forward, stop, play, record · 5 preset memory locations · 4 Pad memory locations · USB port · Sustain foot switch jack (pedal not included) · Supports Standard DAWs right out of the box (installation required): Reason, Logic, Cubase, Nuendo, Garageband, Sonar, Bitwig, Reaper Pricing and Availability Nektar Impact LX49 will be available in Q3 2013 at an RRP of USD 159.99/EUR129.99/GBP 109.99 in stores worldwide. The Impact range will also feature a 25 and 61 note keyboard option, expected late 2013.