nethanpaul

You've got some great options for a budget-friendly ES-335 style guitar! The Epiphone Casino is a tried-and-true classic, known for its affordability and punchy P-90 pickups that are perfect for blues and rock. The Guild Firestar 1 and Gretsch G2622T offer something a little different. The Guild has a brighter sound thanks to its Filter'Tron pickups, making it a good choice for those who want to handle heavier distortion while retaining a vintage vibe. The Gretsch leans into that brand's signature sound with two larger Filter'Tron pickups, ideal for rockabilly and even jazz. Ultimately, the best way to decide is to try them out in person and see which one feels and sounds most inspiring to you!

There is a connection between finger length and preferred neck radius! Longer fingers can conform to a curved fretboard more easily, making a tighter radius (7.5") feel more comfortable for you. This allows for a more natural finger placement and easier fretting. However, this is not a universal experience. Some players with long fingers may prefer a flatter neck for faster playing styles. Ultimately, the best way to find your preference is to try out guitars with different neck radii and see what feels most comfortable for you.

Hi all, *I think this is the right forum, but let me know otherwise I’ve got a 1957 tele (not the original owner ). Other than a refin a long time ago, and a pickguard replacement, it’s all original. The bridge pickup seems to be losing all its ‘oomph’. It’s registering at around 2.2 on a multimeter and after bringing it to a reputable local shop, it is their opinion that it will need to be rewound. Price not being an option: who is handing this sort of pickup rewind now-a-days? Thanks!

The first fret on a bass can feel odd for a couple of reasons. Firstly, the nut, which separates the strings from the fretboard, is slightly higher than the frets themselves. This is to ensure proper string intonation (playing notes in tune) higher up the neck. This slight height difference can be more noticeable when first playing at the first fret. Secondly, the J-Bass neck has a classic "C" shaped profile. This curvature might feel unfamiliar compared to a flatter neck profile you might be used to. It can take some adjustment to play comfortably in the first few frets on a C-shaped neck.

I think this is a fantastic initiative to showcase the musical talent within the Harmony Central community. I'll definitely be checking out the playlist and giving it a follow to support everyone's work.

Any opinions from those who have used the Brenner piezo in an eletric guitar? I was concerned about whether it would work with my neck radius (9.5 inches, sounds like it should) and whether the stereo output would degrade the sound quality of the regular magnetic pickups (sounds like it shouldn't). Any opinions on the system itself (or those above questions) from those who have used it? I'm looking at installing it in a Fender tele style partscaster, maple neck, vintage ashtray bridge plate. The neck pickup will be a TV Jones T-armond and the bridge pickup will be a Gemini Suprocaster. So both pretty fat sounding pickups. Thanks!

Interesting point about Crate amps. While they may not be as widely used as some other brands, there are definitely players who still enjoy them. It sounds like you haven't had the best experiences with them in the past, but the modded Blue Voodoo you played through is a good example of how modifications can really enhance an amp's sound. Ultimately, the best guitar parts are subjective and depend on individual preferences and playing style.

When it comes to fretboard radius on guitars, finger length and hand shape matter. Longer, thinner fingers often prefer tighter radius fretboards, like 7.5", because they match the natural curvature of fingertips, offering a comfortable "cupped" feeling and easier finger stretches. These tighter radii also provide better control for techniques like fingerpicking or lead lines. However, comfort varies, so it's essential to try different guitars to find what suits your hand and playing style best.

Your experience with Seymour Duncan Psyclone pickups on your MIM Telecaster offers some valuable insights. On the positive side, they provide a fuller sound, improved chord intonation, and better string interaction, which can suit various music styles. However, they might lack the slight dissonance blues players often seek, potentially affecting their "blues character." While these pickups offer versatility beyond blues, it's essential to consider personal preferences and musical goals before making a decision.

What a stroke of luck to stumble upon such a fantastic find at a pawn shop! Initially dismissed due to its high price, a friend's alert about a significant price drop led to the discovery of an Epiphone Les Paul Custom Pro in excellent condition. Despite concerns raised by the seller, thorough inspection revealed no issues, and an added bonus was discovered with the volume knobs functioning as coil taps, expanding the guitar's versatility. Kudos to your wife for braving a difficult commute to confirm its condition. Overall, it's clear you've scored a remarkable deal on a beautiful and fully functional instrument. Congratulations are definitely in order!

Sounds like you're a big fan of your P90 pickups! It's great that you've found a reliable and comfortable setup with the Vintage Vibe replacements in your HARM.

Hi, I have absolutely 0 experience with guitars and i'm looking to buy a second hand guitar What to look for once in front of the guitar ? General state of the guitar is a given, but what else should i look for ? Thanks

Hey, man, sorry to hear about the issues with your Gibson Les Paul Tribute. Sometimes even the best guitars can have some quirks, you know? Regarding the high action, it's a bummer that the setup didn't fix it completely. You could try adjusting the truss rod or maybe get it looked at by a professional guitar tech for a more precise setup. As for the strings cutting into the rear of the les paul bridge, that's definitely not cool. Maybe you could look into getting a better-quality bridge or even filing down the sharp edges a bit. Now, about the Plek'd thing, not all Tributes are Plek'd, so it might be worth checking with Gibson to see if yours is or not. As for the static issue, touching the cavity covers, that's definitely frustrating. You could try shielding the cavities or getting it checked by a tech to see if there's a fix. Lastly, don't let those forum trolls get you down, man. Everyone's got different opinions, and just because it's a Gibson doesn't mean it has to be flawless. You know your guitars better than anyone else. If you feel like this Tribute isn't up to par, trust your gut, and maybe consider exploring other options. Keep rockin' !

Hey there! Congrats on snagging that bass! Now, let's talk about that floppy bridge situation. Yeah, it's definitely not the best setup, but fret not (pun intended), there are ways to improve it. One popular upgrade among Bass VI owners is using threaded receptacles called "body bushings." These bad boys provide a sturdy fit for the bridge, keeping it nice and stable. Another option, if you're feeling adventurous, is drilling directly into the body. Just keep in mind that it's a more permanent mod. For the best online guitar parts, hit up some legit stores and explore your options. And hey, if you're unsure, don't hesitate to consult a guitar tech for some pro advice. Rock on and enjoy that solid bridge action!

Because the overtones vary as you walk down the neck, effectively changing the length of the strings, there is actually only approximately 1/2" to work with before you reach the middle pickup area. As a result, shifting the guitar bridge pickup merely serves to shift the "sweet spots" to other fretboard locations (but only by a little) But I play differently from most people since I play a lot of palm muting (metal) and need a fast attack and just enough bass to make the muted notes thud perfectly. I place my strings a little bit closer to the bridge than stock makers (between 1/8" and 1/4"). another thing to keep in mind is that a tom can sound thin if you get too close, in my opinion. If you move the pick up location, the pick up will either read and register the even-ordered harmonics (round, fat tones) or the odd-ordered harmonics (more biting, "jangley" sounding tones), so be careful to find the tone you're after before deciding on the final placement of your pick up. Then, from there, you should make your distance placement based on the overall colour of THAT SERIES over overtones you want t. In essence, there are two components to the recipe, not just distance. If two guitars have their rear pickups positioned at roughly the same basic distance from the bridge, but one is tuned to produce odd-order harmonics and the other even-order harmonics, the two guitars will sound very different overall.