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BDJohnston

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About BDJohnston

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  • Birthday 04/01/1965

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  1. I'm really enjoying this amp... love the lead tones:
  2. The best I've tried is the clean channel on The Countess (by Victory Amps). You can buy this as a pedal pre-amp if you don't need the power amp section (and simply go into your amp's fx loop to bypass your amp's preamp). This clean channel is thicker and slightly warmer than the Fender recommendations, resulting in a nice full sound.
  3. I used to have one... paid $500 at the time. Some very unique effects on it, and one that I've yet to replicate with today's technology.
  4. Popularized by Jimmy Page, this plug-in is based on Eventide’s H949, its first de-glitched micro-pitched harmonizer. You can operate it as a single unit, but also in Dual mode for stereo widening, doubling and reverse link pitch alteration. Besides micro-pitch shifting (including reverse pitch-shifting) and intervals (e.g., octave, minor second up, perfect fifth down, etc.), there are great sounding delays (randomized and reverse), flangers and special effects, with presets ideal for human voice and instruments.
  5. Features The Classic AC has a 24.75-inch scale length, and a chambered mahogany body with a flamed maple top (it comes in natural and green, whereas the model I’m reviewing is natural). The top is natural with white edge binding (and three black pinstripes), whereas the sides and back are transparent cherry. The Classic AC has a mahogany set neck design, a zero fret (set above the other frets to reduce buzz), a 1-5/8” nut, and a rosewood fingerboard with unique Shark’s Teeth inlays. The bridge is an adjustable Tune-O-Matic wrap around, which matches the Gotoh style nickel/chrome hardware. The pickups are two EW-Retro (Eastwood) Humbuckers, controlled by 1 tone and two volume knobs (one for the bridge and one for the neck) and a three-way switch (bridge, bridge + neck, neck). It comes stock with #10-#46 strings, whereas a gig-bag or case is extra. Action/Fit/Finish The guitar’s action is relatively low and the string bend easily (even on the highest frets, which is not always the case with higher priced guitars). The entire body (and back of neck) has a quality gloss shine without any perceivable flaws. There does not seem to be any flaws in the binding and there are no visible rough edges or cracks around the pickups. There are no rough edges to the frets (all appear to have a slight bevel for smoothness) and the neck binding (with side dots) appears to be well done. The headstock, and its binding, also is of good quality. The one minor flaw is the sharks tooth inlay at fret 17 – when bending the lowest strings you can feel a slight edge of that inlay, although not sharp or uncomfortable.
  6. The easiest way to use Tone Spot Electric Pro is to select a preset that makes sense for what you’re playing and trying to improve upon. For instance, if playing acoustic or clean electric and you want to boost the midrange, then you would select such a preset in the ‘general’ category, or perhaps something like Indie Chords or Picking would sound better (from the Classic folder). You then can tweak one of those presets if required, or select a ‘default’ preset (with everything flat) and adjust each section, which explanation I’ll keep brief (you can download a trial version of the program, as well as the user manual for more detail). The VOICING section applies legendary EQ shapes used in studios, including Classic (classic rock tones, obviously), Heavy (aggressive and thick, great for rhythms), Choco (lots of midrange), Hyper (modern, e.g., Diezel or Friedman amps), Sing (even more mids than Choco, ideal for lead tones) and V (a scooped curve typical in hi-gain amps). CHARACTER allows you to select how the VOICING should sound, with Vintage, Natural or Modern, but also if you want the tone a bit brighter, scooped or Lo-Fi. And SATURATION allows you to add grit and fullness. SHAPING is the big EQ section, and this really makes a difference. I find a lot of EQ plug-ins a bit hit or miss… constantly tweaking to get the right tone before you get ear fatigue and everything starts sounding the same (or the original tone sounded better than what you eventually ended with). This plugin’s EQ is unique in that the results are fast and each section is relative to its own range. For instance, Boom adds that bass thump, whereas Body increases the thickness of the low and middle range. More mid-range tweaking can be had with Paper and Wood, whereas the upper mids and treble are affected with Steel and Air. SMASH is the Compressor section, and it does a great job without that overly squishy effect (and there’s a boost in that section in case you lose some volume via compression). SURGERY allows you to fine-tune the EQ, and it does this in very fine amounts (for bigger changes you need to go back to the SHAPING section). EFFECTS provide a host of typical guitar fare, including Tremolo, Modulation (phaser, flanger and chorus), Delay and Reverb. These are very straight forward, and so you don’t get a lot of unusual choices (e.g., reverse delay), but they are very solid sounding and will fill the niche of typical basics used by most guitarists in most instances. FINALIZER is the mastering section of your tone, allowing you to add a touch of fatness, tightness or smoothness to the overall result (and you can adjust the mix/boost of those elements).
  7. Easy to operate, just like any basic wah or volume pedal. Give it juice via a 9VDC adapter or with a 9V battery (via the quick clip battery door in the bottom). If using a battery, you will need to unplug the input when not in use to prevent battery drainage. The input and output are standard for this type of pedal, along the sides and with ¼-inch cables. Choose whether you want to use the Volume or Wah aspect of the pedal with the side footswitch (in wah mode the LED lights up). The pedal is switchless, and so simply step on and use. In Volume mode there is no sound with heel fully down, whereas there is full signal strength with toe fully down. In wah mode you activate the lower frequencies with heel down and the higher frequencies with toe down. Moreover, you can adjust the strength of the wah signal with the Wah Boost knob, which gives upward of 20dB of clean boost. Of course, you can use either volume or wah in specific and limited settings, e.g., use the Wah as tone filter by leaving in desired position or set the volume level by leaving in any desired position.
  8. I find this plug-in easily matches any Flanger pedal I have used, including flanging effects in the Axe-Fx II.
  9. A reminder that I used all presets in the plug-in for my demo, whereas there are a lot of editing features possible, including the Add Age button (which really varies the quality and tone of the phaser).
  10. If you're looking for this plug-in and a LOT more, you may want to consider the Eventide H9 (hardware) for $399
  11. A ton of editing options, which can seem intimidating at first, but stick with the presets (and the degree of mix for different result) initially and you will have plenty of fun.
  12. With over 70 presets you may not need much tinkering beyond selecting a key/scale mode. Regardless, there is a lot of complexity with the Octavox if so desired as you can add or delete voices (up to 8), control the loudness of each voice, adjust any degree of pitch, delay and panning, etc. If you don't like to tinker, then there are plenty of presets from which to choose... if you do, then you will have a lot of fund with the Octavox.
  13. Several sound effects that do not require an input (you tweak the controls to make sounds), but obviously hundreds of effects for guitar, voice, drums, synth, bass.
  14. You can request free trial downloads to experience how much this software can wake up a mix and make it POP! https://www.eventideaudio.com/products/third-party-plug-ins/mastering/elevate-bundle
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