Jump to content


  • Content Count

  • Joined

  • Last visited

Community Reputation

13 Good

About Kramerguy

  • Rank
    Hall of Fame


  • Location
    Montgomery County PA


  • Interests
    Music, girls, music, more girls, booze, girls.


  • Occupation
    IT Manager

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. We're renaming right now and here's the frontrunners: The Effin Band Faceplant Crowd Sourcers Side Effects The guys chose one of them- Side Effects, which is the one I least care for, lol. What do you guys think?
  2. I agree tele's are kinda of repulsive looking, I've always loved strat styles myself. And this years color options on the Ultra's is a tragedy that is almost inexcusable. But man.. this might be the best model Fender has ever built. I've played a wide quality range of Fenders over the years, and this one is better by every measure so far, it's feel rivals the best guitars I've ever played. It's nice to finally own one again after many years
  3. I completely agree Grant, and my rant is probably just a byproduct of my frustration with players who cannot look at the composition as a whole. I try not to be negative in most spaces of my life, and occasionally have to have some verbal diarrhea to purge myself of these frustrations I'm all about what I call the 9th note - the rest. Most people I play with seem to have this desperate need to fill every possible moment with sound. A good example is the drummer who rides the crash symbols, which when in a non-creshendo moment tends to stomp all over everyone. I've seen guitarists do the same. One of my friends, who is arguably a better guitarist than myself, tends to drag out solos that have no point or story- just random phrasing tossed together in meaningless and endless existence. He also tends to turn up over everyone and there's been times where I was doing a breathable 4-measure solo only to have him step in on measure 2 or 3, and play over me, effectively stealing the solo. I avoid inviting him to jams now just because he cannot seem to control himself, and it's a shame as he is a childhood friend and a great guy outside of when he's got a guitar. Anyways, I'm sorry for being negative, I guess my frustrations are more about not being able to find the quality of musician that I had hoped to, but I don't give up easy... the search continues!
  4. Just got it on Friday, gigged with it on Saturday. Anyone who ever said a mexi or performer series was just as good is just ... wrong! 😛
  5. As usual, my passion overstates my ability to express my thoughts accurately. I would cite Peart and even Geddy Lee as great musicians who don't or didn't crush the guitar in the mixes. Sure, they play very intricate parts, and there's nothing wrong with that, but at no time do I ever hear either of them stomping all over the guitar work, most especially over any intricate parts. That's kind of what I was getting at. I believe I spoke better to the problem in my original post examples. Not a big deal, I was really just venting, but it continues to be an issue when it comes to creative projects. Funny that in my cover band, these issues don't exist.
  6. Lots of interesting perspectives and points made here. My initial post was more on the PMS'ing about bass and drums specifically because of the nature of their instruments.. they are supposed to be the rhythm section, and especially in the post-rock genre, where the guitar work and effects are so intricate, it just frustrates me to no end how "lead drummers" and "lead bassists" so vastly outnumber the actual rhythm players.
  7. So... Just something that's been gnawing on my mind the last few months. I'm from the 80's, cut my teeth on everything from Led Zep to Metallica and from Duran Duran to Stevie Ray, good times As an electric guitarist in these mostly rock-based cover bands throughout my life, I learned early on that 1) if there's another guitarist in the band, there's a 99% chance he's going to always be louder than me, and 2) If I try to turn up to get anywhere near his volume, he will just turn up more (not all, but most). For some reason many guitarists from that era are super competitive and feel the need to blast out any other guitarists. For that reason, I had always taken a back seat to them, avoiding the competition, and just dialed myself into the mix initially and left myself there, even after everyone else continued to ratchet up their volumes song after song in an endless competition to see who can permanently damage their hearing first. Of course I was buried in the mix at that point, but when things get to a certain level, it all sounds like garbage anyways, especially in smaller venues and practice spaces. Fast forward to today... I've been recently trying to put together a side project, specifically post-rock, and more specifically the no-vocals types of dream-pop and shoegaze post-rock. The guitar work in this type of music is very intricate, and requires a tone that can cut through the mix and retain it's dynamic nature. Shimmering cleans, and jangly echoes, reverb out the wazoo, some fuzz or dirt here or there, generally- a wall of sound, sometimes subtle, other times it builds into a tsunami. All of the guitar work I do in it is carefully crafted to be very dynamic, and yet it's completely lost to crankers. I recently worked with 2 local groups, and in both cases, the bass and drums were so obnoxiously loud that words cannot properly define the absurdity of it. With the first band, I just caved to the mix. All that great tone I've spend half a lifetime creating and perfecting, just lost in the mix. I did try to match them and turn up as needed, but some point I did a solo and left my boost on, and was still being drowned out, gave up and just stopped trying to overcome it. With the second band, I tried a new approach. I turned up, several times to match both of them. They actually told me I was too loud, several times that night. I explained to them that the style of music is completely focused on the guitar (and keyboard) being the "lead" parts and that the rhythm section shouldn't be burying them in the mix. The one guy looked at me like I was an idiot and the other just stopped acknowledging me. I used a zoom recorder to record it, and even with me "too loud", I was being drowned out by bass (with too many fx on it too) and what may be the loudest effin drummer I've ever played with. The guy rode the crash symbols so hard that I was still hearing them 2 hours after I left. So while in both cases, all of the guys had good chops, timing, and musicianship. Yet at the same time, none seemed to understand dynamic. It's just jack that crap to 11 and hold onto something... How can people my own age still be stuck in this cycle? Why does it seem like the majority of them rather than a minority, just don't get it- which is what I would think that over time these guys should have learned? I'm just beside myself today, thinking about it, listening back to the recordings and face palming it.
  8. Very Informative Craig! One thing I wanted to add is that the DIgitech GSP line has a setting in the unit that shapes the signal based on the type of amp, such as SS stack, Tube Combo, Tube Stack, etc.. that can make all the difference in the world- as these units do not come out of the box preset to work with tube amps. The usually come with the cabinet simulators turned on, and the shaping set to direct (PA), and when plugged through a guitar amp, as you know, sounds like garbage! I didn't realize the part about the input levels, but have had that digital distortion (I called it digital artifacting, not realizing what was causing it) - I chased a lot of dead ends trying to rectify it, including selling off an active pickup guitar that seemed to have more trouble in that area than the others. Now I will be checking my levels and hopefully improving my tone. Good times!
  9. We don't do banter much at all in my cover band. I never really thought about it until I did a fill in gig recently. The singer rallied the crowd, called for socials, held the mic out to them for crowd participation pars like "da da da" on sweet caroline (we didn't do that one, just using it as an example). The whole night, this guy kept the bar packed til close. He didn't spend more than 15-30 seconds just talking... it was either a quick rally, or a crowd participation event like doing the socials. The bar told us later that it was the best night they ever had on liquor. Now I get it.
  10. ...and prior to the 'new' forums, I had 10,000+ posts, and then it was knocked down to somewhere around 4k .. PFFT!
  11. I have delusional aspirations, so yeah, when I look in the mirror, there's always some delusional guy looking back at me
  12. My HDD went kaput a few days ago. Got a SSD to replace it, but cannot retrieve my old files. Most of it was backed up, but not my downloads folder... I lost my x-edit C63 download. I've scoured the internet and cannot find it- the website that hosted it previously is gone, disappeared, now goes to a generic godaddy landing page. Can anyone zip and send it to me ? PM for email address please, thanks!
  13. In this particular case, a band booked a gig, but then split. The drummer who booked the gig had a relationship with the club and didn't want to bail, so he put together this group. We all put all the songs we knew into email and settled on 40some songs. We did three rehearsals, which was a good thing.. there was a lot of arrangements and versioning to work out, we mashed up a lot of songs as well. We dropped a few songs that didn't come together so well, added others... In the end, we killed it at the gig. The club even gave us a bonus. It was a good experience and I had fun. I'm not in this for the money anymore, so I could give a crap about that as much as having fun and playing music.
  14. Oh, NOW I see this thread after creating a new one.. so here goes, I'll try to delete the new one I created in a moment My Board: Signal path starts at bottom right. Guitar goes to: Crybaby Wah (Standard model) Boss Volume Pedal Boss Chromatic Tuner MXR Super Badass distortion EQ Devices Hoof Reaper Dual pedal Xotic SL Drive Xotic BB Boost/Preamp EQ Devices Bit Commander Chain wraps back to right-middle into: EHX POG2 EQ Devices Grand Orbiter Phaser MXR Carbon Copy Analog Delay EQ Devices Sea Machine Chorus EQ Devices Data Corrupter Chain Wraps back to top-right into: Strymon Mobius - Chorus + Mod FX Seymour Duncan Vapor Trail Analog Delay Boss DD-6 Digital Delay TC Electronics Hyper Gravity Compressor EQ Devices Afterneath Reverb Boss GE-7 EQ.
  • Create New...