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headless

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  1. Custom-Made, scratch-built, Tele Thinline-type. $550 (w/strap and gigbag)

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    SPECS:

    -Two-piece, chambered mahogany body

    -Two-piece, bookmatched, mahogany top

    -Maple/Ebony neck/fretboard (unstained fretboard)

    -Wilkinson (by Gotoh) VS-100, Tremolo bridge

    -Gotoh locking tuning-machines

    -Traditional-looking Tele controls, that actually provide 12 coil-switching options (via 4-way switch and push/pull pots). Currently wiring is for the pots to switch between parallel and series humbucking-modes (could be re-wired to split the humbuckers)

    -25.5" scale

    -10" fretboard radius

    -1.687" nut width (bone nut)

    -21 medium Jumbo, nickle-silver frets

    -Two custom-wound humbuckers (7.5k & 8.0K ohm, Alnico V)

    -Traditional single-action truss-rod, adjusted at heel

    -C-shape neck profile

    -Trans "Rootbeer", body color. Gloss poly finish

    -Neck is attached via machine-screws and threaded inserts

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    I won't be shipping this guitar, so I'm looking for a local Southern California buyer, who will either come to me, or I can go to (perhaps within 150 miles of the Zip Code 92342). Please PM or email me at: dalenoir10@yahoo.com

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    This guitar was built by me, under the supervision of a master-luthier, and was my final-project at Musician's Institute's luthery school (circa: 2004). It was not a pre-made parts-build, but rather the wood was carved from raw lumber, and hand constructed. Documentation of my attendance and completion of the school will be provided. ("New Economy", forces sale)

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    The guitar is in very good condition (never gigged), but does have a few small dings (none expose the wood) on the body, and does have some light scratches. The neck has no dings. The frets have light wear. the hardware is complete, including the tremolo-bar and back-plate.

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    Currently set-up to Fender action/relief specs, with .009" strings

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  2. Maybe my eyes are going, but in that one pic, it doesn't look like the pickup rings line up properly.



    I believe that is an artifact of a bad digital image. If you look at the fretboard inlays, they appear to "sliced" and out of alignment (perhaps it was an artistic choice by the photographer, who is a fan of Picasso).

    I'm far from an expert, but I could make no judgment based on those bad pics.

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