I've got a small system and for about the past ten years or so, I've hooked up usually w/a steady band, for extra income to supplement my main gig as a recording engineer. Console/Processing: A&H Mix:Wiz 16:2, Series II Ashly 15-band graphic, Comp/Limiter 1RU thingie for FOH - might like to upgrade to a Driverack... Ashly 7-band parametric EQ for monitors, works fine, but you've got to know your numbers. Lexicon MPX100 in dual mode for 'verb/delay, on two sends. dBX 166 comp/limiter, inserted on lead and main BG vocal channel Alesis D4, to trigger kick (my secret weapon) The rack stuff is racked in a 6RU Anvil shallow rack. FOH: JBL SR-4722 for highs EV S-18 front-loaded subs. Small, and sound great in small venues. Someone in the band carries these for me, in exchange for a small fee reduction. Monitors: EV S-200 molded plastic ones - small and sound GREAT. I've also got 3 EAW 2x10 + HF horn wedges, but I can only fit one in the car. The drummer uses this. One mix, presently, but I may go to two soon. I've got another Ashly Parametric EQ and a space in my rack... Power: QSC PLX-3002 for mains QSC PLX-2402 for monitors LOVE 'em. One 4RU shallow Anvil rack, 42 lbs. Mics, etc.: EV 457s, Shure SM-57s, Shure Beta 58, AKG D880. Whirlwind Medusa 16x4 100' snake Whirlwind speaker cabling, mic cables are a variety. I wind them carefully and have only had a couple go bad in ten years of heavy usage. Cables go into two Rubbermaid tubs, which seem to be indestructible. Over ten years of HARD use and no problems. Hard to find now, tho. Walmart -28dB earplugs. I've worn these for years, and after the first song, in they go. I run the mains off of "R" buss, and the subs off of "L." This allows me to blend different sources. Both are run full-range. Not sure if this is a great idea, but it's worked for years for me - I've never blown a driver. Except for the subs, the whole rig fits in my Ford Escort sedan. Many are dubious when they see how small it is, but they usually like the way it sounds. I've put a great deal of thought into optimizing all the components for greatest performance/size ratio. Sometimes I wish it had a little more kick, as I have to run everything right on the edge at some shows. I also would like to be able to get a little more out of my monitors, there's a certain midrange freq that just will NOT go away, and it rings sometimes. Other than that, I've made thousands of dollars over the years and had some good times. MG