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Fret Markers. Why are they THIS way?


squealie

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Just sitting here staring at one of my guitars...

 

It occurs to me that the fret markers seem kind of random. If you move the 9th fret marker to 10, it lays out a minor pent. Several other 'close but not quite' patterns can be found by laying out a major scale across the board.

 

Who thought this contraption up? :confused:

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They're just there to help you find your place and quickly visualize intervals, not necessarily to outline any specific shapes or scale patterns.

 

 

Um, yeah. I get that part.

 

My point is, is that they are ARBITRARILY (seemingly) laid out. And the system must be old. Old old. Where did it come from?

 

Thanks for forcing me to overstate the obvious.

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I dont know, I think theyre pretty well designed. Its alot easier to find your place with it as 9-12-15 than it would be if it was every 2 frets, as then everything would just jumble up.

 

Besides, old people dont know scales, tsht.

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It's not true of all guitars - gipsy jazz guitars, for instance, have the fret marker at the 10th fret, not the 9th, and none at the 3rd.


Obviously classical guitar do not have marker at all.

 

Interesting! A buddy of mine just brought home his dads old archtop. I forget the brand but apparently he got it in Isreal a long long time ago. Well, we were giving it a once over and noticed the fret markers were a different layout; marked at the 10th and none at 3. We hypothesized why but came up with nothing. Must be modeled after some of the gypsy jazz guitars. Thanks! :thu:

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I have an old parlor guitar made in Riga that has markers only at 5, 7, and 12. The 9/10 marker is odd. 10 is common on older instruments, and I think traditionaly built European guits, It is standard on banjoes and mandolins.

 

Thoughts on the positions- If you play a straight E chord, move it up to bar at the marked frets, you get 3-G, 5-A, 7-B, 9-C#, 10-D. So 10 kinda makes more sense. Anyway, regarding the markers as a nut or base line it's a help in orienting yourself as to where chord patterns andscals can be repeated in other keys.

 

As to why, it seems it's a clear and practical system.

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That chart bounces up and down everywhere - not to sure it would have to do with the harmonics so much as the main scales used in most of western music, C & G major, E minor/G major pentatonic.

 

Where as the doting on the gipsy jazz guitar fits nicely with a A harmonic minor.

 

So, I'd think they've just placed the markers to mke it easy with the most common type of music played. :idk:

 

My head hurst now......:rolleyes:

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