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Guitar Heroes using a Fender Vintage Tremelo (Versus) Heroes using a Floyd Rose!


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Guitar Heroes using a Fender style Vintage Tremelo (Versus) the artists using a Floyd Rose Tremelo!

 

Is there a difference between the overall playing and tonal qualities delivered by artists using Vintage Fender Tremelos versus those that use a Floyd Rose system?

 

Obviously the Floyd Rose stays in tune due to the sheer mechanics of a locking tremolo.

However, does the Vintage tremolo and its inferior mechanics help to create a superior guitarist or does the Floyd Rose achieve the latter?

 

FYI: Van Halen used a vintage tremolo on the first VH record of which seemed to capture his best playing.

 

Here is a list of a few great guitarists that predominantly use either a vintage tremolo or a Floyd Rose. (Of course there are thousands of players, but we just grabbed a few names we usually associate with either tremolo)

 

The Vintage Tremelo users !

Hendrix = Vintage Tremelo

Eric Clapton= Vintage Tremelo

Eddie Van Halen = First two VH Records

SRV = Vintage Tremelo

Eric Johnson = Vintage Tremelo

Ritchie Blackmore = Vintage Tremelo

Rory Gallager= Vintage Tremelo

Rhandy Rhoads= Vintage Tremelo on both Jackson V

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The Vintage Tremelo users !

Hendrix = Vintage Tremelo

Eric Clapton= Vintage Tremelo

Eddie Van Halen = First two VH Records

SRV = Vintage Tremelo

Eric Johnson = Vintage Tremelo

Ritchie Blackmore = Vintage Tremelo

Rory Gallager= Vintage Tremelo

Rhandy Rhoads= Vintage Tremelo on both Jackson V

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Huh?


Clapton doesn't use ANY trem on his Strats, and never has. Neither did Rory Gallagher. Both discarded the arm and locked or blocked the bridge/spring assembly.


Jeff Beck, on the other hand, wrings amazing sounds and effects from non-locking trems -- technically, they're not really 'vintage' because he's used a modern Fender 2-point trem for the last twenty-years, as opposed to Leo F's original 6-screw trem.

 

 

That is correct, But none the less Clapton used a vintage tremelo for his bridge even if he did not use the functionality.

FYI: The feel is completely different on a Fender Vintage Bridge than that of a Floyd Rose even if you do not use the bar capabilities.

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That is correct, But none the less Clapton used a vintage tremelo for his bridge even if he did not use the functionality.

FYI: The feel is completely different on a Fender Vintage Bridge than that of a Floyd Rose even if you do not use the bar capabilities.

You might as well include Tele players or even Gibson players with that line of logic.

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The tragic flaw with this theory is that if you look at the timelines of the players in question they didn't have an option; it was the vintage tremolo or perhaps a Bigsby.

Given the option of a floyd it's really hard to say what they would have used.

I will say that I've heard that the vintage tremolo has better tone; but like anything tone is extremely subjective and we all know that guitarists are flakey as hell when it comes to embracing technology. Sometimes it's warranted and sometimes it's just caveman mentallity.

I like both types; completely different vibe and both have their place.

One other thing about Beck is that he uses a roller nut and perhaps locking tuners. I am sure that CSM knows for sure.

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One other thing about Beck is that he uses a roller nut and perhaps locking tuners. I am sure that CSM knows for sure.

 

 

Yep -- a Wilkinson nut on his personal instruments (tho' production models of his sig use an LSR because it'll take higher low-struing gauges than the Wilkie) and lockers -- Schallers on the regular production guitars and Sperzels on the Custom Shop edition, plus the American Standard 2-point trem.

 

Non-locking, though -- which is the point.

 

Incidentally, mention of Bigsby suggests another (off-the-cuff and necessarily incomplete) list:

Neil Young

Brian Setzer

George Harrison (in early Beatle days)

Eddie Cochran

Chet Atkins

Duane Eddy

Merle Travis

Lonnie Mack

Billy Zoom

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what tone? he used far too many effects to make a difference.

 

 

Fuzz, wah and UniVibe. And not necessarily all at the same time.

 

Yeah, a veritable rackful ... less than you'd find these days in an entry-level Zoom FX unit.

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I just don't think he was an Eric Johnson Golden Ear type...The coily cord alone affected his tone more than what bridge he would have used not to mention echoplex, octavias, fuzz pedals, wahs

Fuzz, wah and UniVibe. And not necessarily all at the same time.


Yeah, a veritable rackful ... less than you'd find these days in an entry-level Zoom FX unit.

 

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The tone seems to be maximized when using a vintage bridge -- due to the fact that the string travels through the block. In addition, the string vibrates past the nut and into the tunning pegs which seems to increase the sustain of the open strings.

Do you think the tension is better on a vintage bridge versus a locking tremelo?

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I just don't think he was an Eric Johnson Golden Ear type...The coily cord alone affected his tone more than what bridge he would have used not to mention echoplex, octavias, fuzz pedals, wahs

 

 

Well, and his setup was so sensitive to RF interference that multiple bootlegs (especially Isle of Wight) have instances of the organizers' walkie-talkies actually playing through Hendrix's amps louder than the guitar. That said, he also had Roger Mayer working for him modding stuff, and he also switched from rosewood to maple fretboards at some point in 68-69, so I think maybe he just got more tone-conscious as he went along--something I think we all do as guitar players.

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Great Point about Hendrix!

He probably would have enjoyed using a floyd, but would that have effected the way he played and his tone??

 

 

To be honest, I think you can make way weirder noises with a vintage trem than a floyd. For one thing, I have heard hendrix strum the strings above the nut and then dive the trem. It makes the coolest noise.

 

I don't think he would have been a 100% floyd guy.

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