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Blast (Furnace) from the past (embarrassing pix content)...


csm

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Just heard, via Facebook, from Kevin Allen (aka Dee Praved), the bass player in my punk-era band, Blast Furnace & The Heatwaves, and he sent me some old pix of the band which I haven't seen since I was a mere toddler.

 

Cheeses, I can't believe I was ever that young ...

 

Or that thin.

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Hah. I'm the one with the curly hair and shades.

 

Top right-hand corner in the set of live shots, foreground in the (heavily-posed post-Ramones gritty-urban-vibe) group shot. The guitar you can't really see, BTW, was a 1962 SG Jr I SERIOUSLY wish I still owned.

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IIRC, the live shots were from a gig at The Nashville Room in Hammersmith (I remember those curtains) and the group shot was taken near The Clash's old 'Rehearsal Rehearsals' building in Camden.

 

The Nashville, incidentally, was the place where the Pistols opened for Joe Strummer's band The 101ers ... at that gig Joe saw the future, left the his band and joined Mick and Paul in The Clash.

 

And the amp you can't see in my live pic was a fabulous and stupendously battered old piggyback AC30 which I got from The Count Bishops' Johnny Guitar (later in Dr Feelgood and, even later, in the late 80s/early 90s edition of my band) and SERIOUSLY wish I still had ...

 

See, the foolishness of youth in action. I had an amazing rig and didn't appreciate it enough to keep it ... let that be a lesson to us all.

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I had interesting stuff that I let go too in my teens and twenties....amps, guitars, women, cars,....there was always something I wanted more.


Mostly that stuffs worth more now...apart from some of the women that is.

 

I know the feeling intimately guys. There are some guitars, and a couple of amps that I could kick myself nowadays, for getting rid of. But you know the impatient mindset we have when we're young and boneheaded. For me, it would have to be:

 

1. Original run Charvel Surfcaster - what was I thinking!? Of course it sounded kind of shrill and nasal. I was playing it through a Hiwatt Custom 100!!! Duh!! Oh how I miss the neck on that thing, and the cool shades of Rickenbacker meets Fender Jazzmaster/Jaguar look. Get another one? You ever see what they're going for on eBay?

 

2. First version Gibson Howard Roberts Fusion - I needed a change in my sound? Why did I go so far as to sell that guitar, to do so? Get another one? They're hard to find, and almost as expensive as the ones being made nowadays (well over $2000).

 

3. '62 Blonde Fender Tremolux, with matching 2x12 cab - sure it's not a metal amp. Duh!!! But it sounds killer for doing dirty sounding blues, and indie stuff (the lead guitarist for Teenage Fanclub used to use a Tremolux). And, being a 20 watt head, it wasn't deafening, if you decided to get your dirt the old fashion way - by turning it up.

 

4. Marshall Artist head - it sounded like crap at low volume (thin and shrill like most 80s Marshalls). But, turn it up, and enter the land of "oh my!!" I only got rid of that amp, because at the volumes I ran it at (Gain on 10, Master typically at 6 or higher), it was so loud, that I was killing the other band members on the dinky little bar stages we played on. Oh, if only attenuators had been more common back in the early 90s.

 

:facepalm::facepalm::facepalm::facepalm:

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Do you have a problem with your back, csm? Just curious:confused:

 

 

Yes.

 

A combination of typist's slump and guitarist's slouch, exacerbated by old age and decades of crap posture ... but yeah, my back is rubbish.

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Skid Marx is frankly an awesome stage name. Much respect. Did you come up with them?

 

 

Yep -- and he was the ORIGINAL Skid Marx, too. Accept no substitute.

 

We all took 'punk names' -- Blast Furnace, Skid Marx, Blitz Krieger, Dee Praved, Tim Pani -- because, it was 1977 ...

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