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Share your thoughts on the strat middle pickup.


Jkater

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I like the middle pup. I use the mid/neck combo quite a bit but not fond of the mid/bridge. The mid/bridge is a little to thin sounding for my liking but I use all the other positions on my Strat. The middle pick up is one of the things that makes the Strat sound IMO.

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I'm still new to the strat (had one for 2 days now) and I see some uses for it, but I think for the most part there's overlap.. I guess what I mean is if I'm going for a neck sound I'll go for the neck usually, since, to me, the middle pup sounds sorta like a "slightly less necky" neck pickup.

 

middle pickup: http://www.gulchcomic.com/images/stratsounds.mp3

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I use the middle all the time on rhythm for classic and southern rock. Sounds great.

 

If I go gain, I usually go to the middle and bridge. But with the tone split, I can dial out some bridge harshness. Sounds great.

 

I like the middle and neck for blues solo stuff.

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I play the middle pickup on my Strat more than any other pup. I like the glassy tone and I play a lot of rhythm guitar. Of course, I use the other positions as well.

 

My main Strat is a little bit different from the traditional setup. I have a master tone knob and a blender knob. Also, my bridge pup is wound high output with ceramic magnets. I use the middle/bridge for a quack sound. Also, if I want a bit of hum cancel without the quack, I use middle/bridge and dial in some neck pup with the blender until I've cancelled out the quack.

 

There are times when I dial in neck/bridge with the blender. It's a different sound that is not typical of a Strat. It sounds a little bit like the middle position on a 2 SC pickup Tele without the hum cancellation.

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That's a great vid. For those who don't know, Carl Verheyen's a first-call session player who's played on soundtracks to The Crow, The Usual Suspects and Ratatouille.

 

I'll have to try the 'pluck the B string then grip the bottom bout' trick the next time I'm trying out a guitar.

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I have started using it more and more lately. I really like the middle pickup in my Warmonth - Kent Armstrong Tweedtone. It just sounds sweet! I saw Tom Principato a couple of months ago and he used the middle pickup on his strat quite a bit. I believe Clapton also uses his middle pickup quite a bit for solos.

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I mostly use the middle in combo w/the neck or bridge. It's also really great sounding in series with the bridge. By itself, it's useful, but I rarely use it that way and tend use the neck by itself WAY more often then any other pickup alone.

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My strat like Vigier Expert is wired so that the middle position is neck & bridge pick ups together - does get some lovely woody straty tones from it.


The good thing is that it sounds distinctively different from all other 1-2-4-5 positions.

 

 

I get the bridge neck thing from my Fender Deluxe Player strat as well. It's a great setting for a strat. I also like the glassiness of the middle pup. Gives a nice jangle.

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Well, the strat has several raison d'etres - the contoured body, the trem, the versatility, etc. - but the middle pickup is a raison d'etre in its own right. Let's just say a strat with no middle pickup is no strat in my book. Pace Yngwie, who doesn't use it.

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The middle pickup is the sweet, balanced pickup. It doesn't bark like the bridge, and it doesn't growl like the neck. It's a compromise that compromises nothing. It gives a wonderful, singing tone, and it's probably my favourite of the standard five positions on a Strat.

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