Jump to content

I dislike playing strats through blackface fenders


Faber

Recommended Posts

  • Members

Is there a support group I can join :( Last night we shared a gig with another band and I had to play through that band's amp - a deluxe reverb. I see the attraction of the sound - it's clear and bright and snappy, but for my lking it's entirely entirely too nice. I like the thicker, more muscular clean sound of a strat through a marshall, a Vox or a Matchless. A Deluxe make me sound like freakin Hank Marvin all night, and that's just not a place I like to park.

 

Edit to add: If I had know in advance what amp I'd get I would have brought my semi. I do love the sound of a good semi through a fender amp. But the clarity of a strat + blackface = too much of a good thing

Link to comment
Share on other sites

  • Replies 52
  • Created
  • Last Reply
  • Members

 

Marshalls never really will be as clean as a fender.

 

 

Not sure how many Marshalls you have actually played. My JTM-50 (60s) is like a Twin in terms of its clean sound. Ditto a Club n Country that I had years ago.

Link to comment
Share on other sites

  • Members

I started out on AC30s, took a MAJOR wrong turning in the early 80s with a Peavey Deuce and found my ultimate happiness with a Super Reverb (1969 model: silverface cosmetics but essentially a blackface circuit). It's all down to personal taste, of course (subjective as fark, yunno), but a Strat into a Super Reverb is as close to the sound I want as I can get without actually, ahem, PLAYING BETTER.

 

This is my sound ... and I like it ...

 

*Like it, like it, yes I do*

 

[YOUTUBE]fp-Fy2VchYY[/YOUTUBE]

 

Not very much like Hank Marvin, whose classic sound was a Strat into ...

 

An AC30.

Link to comment
Share on other sites

  • Members

 

Not sure how many Marshalls you have actually played. My JTM-50 (60s) is like a Twin in terms of its clean sound. Ditto a Club n Country that I had years ago.

 

 

Exactly. I have a Bugera 1960 ( Marshall Plexi clone) and thing is super clean like a twin up until you get past like 6, and at 6 it is ear splitting loud.

Link to comment
Share on other sites

  • Members

I agree, Fender puts a dollop of that 'Syrupy Fender sound' on just about all of their amps. You can never get away from it. It is a clean tone, and can be quite enjoyable, but it is not really clean.

 

Clean is clean, without all the Fender syrup tone effect added on top of it.

Link to comment
Share on other sites

  • Members

 


Not very much like Hank Marvin, whose classic sound was a Strat into ...


An AC30.

 

 

great playing and tone. good stuff.

 

fwiw, i love the blackface model on the microcube -strat/tele/lp all sound good thru it.

Link to comment
Share on other sites

  • Members

 

I like an amp that can sound like a swarm of angry killer bees when it needs to...


A deluxe reverb just can't do that.


However, if I am tracking in the studio and need to put down a clean track the amp is great

 

 

you can get the killer bee sound w/a pedal, no?

Link to comment
Share on other sites

  • Members

And a fine sound it is - All I can say is that I couldn't get anything remotely like that out of the deluxe last night. The few times I've been ablo to turn up a Super I've played semis so I have no hands on experience with them and strats, but would you say that they are inherently fuller sounding than a deluxe, or is it all user ineptitute on my part? I also like that Marvin/knopler sound btw, just not when I use it :D.

 

i didn't know that Marvin used AC30s. Whatever he used he sounded fantastic.

 

 

 


Not very much like Hank Marvin, whose classic sound was a Strat into ...


An AC30.

Link to comment
Share on other sites

  • Members

I have a DRRI and a Strat, I HATE the bridge pickup with the DRRI especially without any distortion or overdrive. It's the brightest ear piercing sound ever. I use a ZVEX Box of Rock which is supposed to sound like a jtm 45 fattens up the DRRI great.

Link to comment
Share on other sites

  • Members

And a fine sound it is - All I can say is that I couldn't get anything remotely like that out of the deluxe last night. The few times I've been ablo to turn up a Super I've played semis so I have no hands on experience with them and strats, but would you say that they are inherently fuller sounding than a deluxe, or is it all user ineptitute on my part? I also like that Marvin/knopler sound btw, just not when I use it
:D
.


i didn't know that Marvin used AC30s. Whatever he used he sounded fantastic.

 

Ta for the kind words ...

 

I don't know much about the DRRI, never having used one, but the Super Reverb is 40w and 4x10, which means it's both more powerful than the DRRI and has a greater sound dispersion ... I run mine with the tone controls all starting out at 12 o'clock, and then tweaked to suit the room, with volume starting out at 4 or 5. The only pedals I use are a wah (obviously not in use for that song) and a mains-powered, tube-driven Blackstar HT-Boost just to kick the amp harder for solos rather than to colour the sound.

 

Not all Fender black/silverface amps are created equal -- the classic 85w '65-style Twin was designed to deliver a clean tone at skull-crushing volume, whereas the lower-powered Super and Deluxe were designed for gentler use. Remember, the older tweed amps were thicker, richer and throatier, and the first Marshalls were based on those Fender tweed circuits -- Pete Townshend lugged a Bassman head into Jim Marshall's shop and said, 'I want THIS, only ten times as loud.' To me, the Vox tone is somewhere between a tweed and a 'face' (clean it chimes; cranked it growls), and Vox was what all the early-60s British bands (Shadows, Beatles, Stones, Yardbirds, Animals, Kinks etc) used until Marshalls came along, because imported Fenders were wicked expensive. The exception was The Who: Townshend used Fender heads with Marshall cabs.

 

Final word: it's always a prob using an unfamiliar amp unless there's someone there who's familiar with it to dial in just the tone you want.

Link to comment
Share on other sites

  • Members

 


Not very much like Hank Marvin, whose classic sound was a Strat into ...


An AC30.

 

 

I can't get tired of this video. Great playing, csm. I love "Hideaway".

 

I don't know if I've found my own voice, yet. Right now I know I like Strats and semis, and play through a C30. It growls nicely when turned up. One day, I'd like to get a Bassman (love that sound!), or maybe a DRRI for the classic Fender sound.

Link to comment
Share on other sites

  • Members

I have a DeVille 4x10 which at 60 watts I find is just too loud for any kind of hall. I am now seriously considering changing to a British amp which I find warmer. An AC 30 would be great or a small Marshall combo. Heard great things about Blackstar too.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.


×
×
  • Create New...