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Rollin' and Tumblin': When a Guitarist Plays So Strong the Gear Doesn't Matter


JasO

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While writing a blog about "Rollin' and Tumblin'," a song that links the earliest blues artists with modern artists such as Bob Dylan and Jeff Beck, I came across something Ry Cooder told me some years ago when I played him the Baby Face Leroy Trio version of the song with Muddy Waters on guitar. Ry listened intently, and then said about Muddy Waters' slide playing on the record:

 

"To me, that track

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That's, for sure, the beauty of playing slide. No boundaries for expression. It's more like singing. Emotional. Bending and other techniques help a guitarist feel the music more than play it. Who here hasn't hit a note "accidentally" when in the spirit and found it fit in just perfectly? :)

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this is where I am these days in music.

 

Not so much about "what can I buy to play" or "how's my tone?", but more "what's behind these bits of music?"

 

When I was a student forty years ago, I wished for a study option of Music and Philosophy but the nearest they got was Music and Math.

 

Your pieces of Ry Cooder and Jerry Garcia wisdom are illuminating.

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