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To Live and Die Without Playing a Ric: A Huge Deal?


Cobalt Blue

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I'm sincere about this.

Those of you who have played or owned Rickenbackers, would you say that playing a Ric is an experience of which every guitarist should partake?

 

[1] Is there truly something unique about Rickenbackers--their feel, their sound--that every guitarist needs to experience at least once.

 

[2] Or is it more true to say that Rics are very good or even great, but they're not quite the "religious experience" that people attribute to them?

 

[3] Or, lastly, would you go so far as to say that your experience was one of disappointment, because the Ric you played/owned simply did not live up to the hype?

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My dad is a huge Ric fan. He had a beautiful blonde Ric back in the early 70's with the slanted frets and if I can ever find one at a good price I'll probably snatch it up for him. He's got a 360 right now and likes it a lot.

 

I on the other hand love the way they look, like the sound for some things, but I don't particularly love them or even want to own one other than the sake of having one which is kind of frivolous IMHO. They don't fit my style very well tonally or playability wise so it's just not my thing.

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I think part of the frustration with Rics is everyone (okay, maybe not everyone) says you need to have the toaster pickups. But all the basic models have the hi-gain pickups instead, and if you can track down a set of the toasters, they are prrricey, before you even get them installed.

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I have two and I love them, and they're very unique, but I've always wondered about that sort of mind-shattering experience everyone seems to associate with them. My 650 is a fantastic instrument, and I wish I still appreciated guitars the same way so I could appreciate it. My 4001 is great, but it's pretty old and quirky, so it takes a bit of fighting with.

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I think part of the frustration with Rics is everyone (okay, maybe not
every
one) says you need to have the toaster pickups. But all the basic models have the hi-gain pickups instead, and if you can track down a set of the toasters, they are prrricey, before you even get them installed.

 

I dig the hi-gains.

 

img_5167.jpg

 

Although, I'm no fan of their humbuckers.

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In the late 80s, I thought they were pretty cool... I've played several of the 330/340/360 series and I've never really got along very well with anything in the 335 size.

 

They are distinctive, but if semi hollows aren't your thing, a 330 isn't any more like to change that than a 335 is. :idk:

 

I'd love to play and perhaps even own one of the 620/650 series but the only one I ever played was a 12 string... which was just barely enough to whet my appetite.

 

I missed out when they were blowing out the 650 Dakota and Sierra... I probably would have bought one of those if I was hip at the time.

 

But back to the original question... my basic answer would be, 'Why would you NOT play a Rick?" Plenty of guitars out there... why not play one or a few if you get the chance... Same thing with several other offbeat and quirky guitars... Older BC Riches for example. Rock an old Bich if you get the chance. Or an ugly-ass Gretsch with the fugly hockey puck headstock. Or all those Airlines and Supros and Kays and whatnot. Maybe you'll hate them and feel a strong desire to ritualistically burn them with lighter fluid, but you won't know for sure until you try one. Same thing on the modern end... Try a new Charvel. Try a G&L with a oil-finished neck. Try a Ernie Ball.

 

Why keep playing the same ole same ole if you're looking for something that's missing?

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I don't see why players shouldn't try out a Ric at least once. You may not like it, but then again, you may surprise yourself, and find out that you do. I sure didn't like the first Ric I tried out back in 1990 (a 480 with toasters), but I sure liked my first jetglo 360 enough to not only own it for 4 years, but buy it back, when I found it at a Music Go Round 9 years later. When I foolishly sold it to get money for a Gretsch, I missed it enough to get another 360 this past summer (a mapleglo one). When I had to sell that one to help pay for dental work a few weeks ago, as soon as I could come up with the money, I bought it back. Yeah, I guess you could say I like Rickenbackers.

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In the late 80s, I thought they were pretty cool... I've played several of the 330/340/360 series and I've never really got along very well with anything in the 335 size.


They are distinctive, but if semi hollows aren't your thing, a 330 isn't any more like to change that than a 335 is.
:idk:

I'd love to play and perhaps even own one of the 620/650 series but the only one I ever played was a 12 string... which was just barely enough to whet my appetite.


I missed out when they were blowing out the 650 Dakota and Sierra... I probably would have bought one of those if I was hip at the time.


But back to the original question... my basic answer would be, 'Why would you NOT play a Rick?" Plenty of guitars out there... why not play one or a few if you get the chance... Same thing with several other offbeat and quirky guitars... Older BC Riches for example. Rock an old Bich if you get the chance. Or an ugly-ass Gretsch with the fugly hockey puck headstock. Or all those Airlines and Supros and Kays and whatnot. Maybe you'll hate them and feel a strong desire to ritualistically burn them with lighter fluid, but you won't know for sure until you try one. Same thing on the modern end... Try a new Charvel. Try a G&L with a oil-finished neck. Try a Ernie Ball.


Why keep playing the same ole same ole if you're looking for something that's missing?



I agree with your advice completely. In fact, always wanting to try something different than I have tried before is--along with affordability--exactly what governs all of my guitar buying habits. And that is where the main problem lies with me in regard to Rickenbackers. They are far too expensive for me. So that, I suppose, might be the most honest way to have stated my question: Does the experience one receives from playing a Ric justify what would be for me an outlandish expenditure.

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