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info on gibson les paul smartwood


MichaelYoung

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As with any Gibson (or any guitar, really), look at the one that you want to buy. Have a critical eye, but know what counts and what doesn't. I have a friend with a mid 60's ES345 that has the center of the "book" at the top of the headstock off by 1/4". Great guitar. I've seen an SG Custom with the pickups 1/2" out of line with the strings. You can't fix stupid.

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Wikipedia can be your friend:

 

"Smartwood Studio

 

The Gibson Les Paul Smartwood Studio is a variant of the Studio model. It is made from wood certified by the Rainforest Alliance. While the back and the neck are made from mahogany, the carved top each of the six models in the SmartWood line featured tops made from a different but equally stunning wood: Curupay has a deep chocolate-walnut richness; Peroba recalls the orangey hue of the old pine ceiling beam; Banara has a golden, banana-like glow; Ambay Guasu boasts the even lightness of maple; Taperyva Guasu is reminiscent of a sun-bleached rosewood, and Chancharana is a deep, warm-brown russet.and the fretboards are all made from "Curupay harvested from forests certified in accordance with the rules of the Forest Stewardship Council (FSC). The mahogany used in the construction of this model is from similarly certified forests.[3]"

 

I have seen and played a couple -the can be very nice guitars, usually don't cost a lot - one today should be priced like a used LP Studio.

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Would it be a good trade to trade an american std fender for one

 

 

If the condition of the guitars is about the same, that should be a fair trade. I think they're both worth somewhere between $700 to $1000.

 

I have one and it's a great guitar. I should use it more often, but I've mostly been playing my Tele style guitars of late.

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If the condition of the guitars is about the same, that should be a fair trade. I think they're both worth somewhere between $700 to $1000.


I have one and it's a great guitar. I should use it more often, but I've mostly been playing my Tele style guitars of late.

 

 

Agreed. Also, if you're not playing the Fender, and you'll get good use out of the Gibson, it's very fair for you.

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gibson gets charged for endangered wood

>> everybody realized they're penny pinching horrible people (if they havent realized this already, then their head was buried in sand)

>> gibson names a new line in order to appear outwardly environmental

>> Greeeeeeeeeeeeeeenwashing


 

 

They have offered Smartwood guitars for nearly 15 years, as has Martin.

 

Henry J. sat on the board of the Smartwood Alliance, but had to give up that seat after the Customs bust.

 

As far as Greenwahsing, all marketing is deceptive, and everyone who flays the green banner has a bit of hypocrisy in them.

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Does anyone know anything about the quality of these guitars

 

Imagine, I've got four (4!) of them; 1 Studio and 3 Exotics (and still looking for more). Could be talking about them for days... :)

 

Wonderful looks, typical Gibson sustain and -tone although all 4 have very small individual tonal characteristics due to the different tops. And especially the Exotics are very comfortable because they are thinner and lighter.

 

See attachment with all Exotics. Mine are the 2nd, 3rd and 4th (starting from left), where the fourth doesn't say "Smartwood Edition" on the back of the headstock but actually "Limited Edition" (in the same layout)! :eek: Don't know why and never seen that before on Smartwoods...

 

They're all used for all practice and gigging, at home and on stage. They are very durable (in hardshell case!), clean (no shine so no fingerprints!), stable (detuning close to none) and lots of people asking me about them. They are also tonal very versatile and the only thing they could lack would be a splittable humbucker.

 

I've chosen to play Smartwoods exclusively for the rest of my life and therefore they're all being equipped with stainless steel frets which opens the tonal characteristics a little further and plays like bending in butter...

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I brought home one last week, a (new) 2006 Smartwood Studio. Mine has a Muir/Mahogany body & Curapay/Mahogany neck (Gibson CS seems to have deleted all info on these from their database according to the rep.). The look is what got me to play it. The body had a great, deep 3D look, but the sound is what made me bring it home. I compared it to 3 other studios hanging on the wall. The salesman and I did A-B comparisons with one amp and the guitars dimed out. All have the same electronics, but the Smartwood was noticeably louder with better tone. Unplugged its very resonant. It played great at the store and after a quick setup, it plays even better. The neck is a thicker than I prefer, but I have come to enjoy it as much as any of my other guitars. The burlap covered case was a nice finishing touch.

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They have offered Smartwood guitars for nearly 15 years, as has Martin.


Henry J. sat on the board of the Smartwood Alliance, but had to give up that seat after the Customs bust.


As far as Greenwahsing, all marketing is deceptive, and everyone who flays the green banner has a bit of hypocrisy in them.

 

He's a little slow.

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Congratulations! Wondering what you paid for it...

 

As said, I already own 3 Smartwoods Exotic (the original, older, thinner ones) and one Smartwood Studio, with a fourth Exotic on the way. :)

 

Anyway, I previously owned a Standard Faded (Honeyburst, as I *loooove* natural, matted finishes) and I ditched the Standard for the Smartwood Studio; it looked better, more special and I just love the sound better than the modern Standards with the Burstbuckers Pro... I don't care for the pearloid trapeze inlays and the PLASTIC bindings; just give me the "classic" rock-tone with the natural looks...

 

Again, CONGRATULATIONS!

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