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Black Ice Review


Apendecto

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I bought a used American 92 Peavey Fury P bass copy for 25 bucks. It was beat up and had crappy pickups in it. After a set up and a Seymore Duncan Quarter Pounder P put in it sounds nice. But I wanted to change where the input jack went in becuase it seemed like too much stress on the pickguard. Now the jack is on the side, just like a Les Paul. So now that it's Gibson style I had an extra hole where the jack was so I decided to install a Black Ice passive distortion.

 

5065_1sm.jpg

 

I put three new 250 k pots in and new wiring. The SD Quarter Pounders are pretty hot and put out enough to drive the diode.

 

I was surprised how the distortion sounded. I thought it would sound like {censored} but it drives the signal pretty well.

 

There seems to be a slight volume drop probably due to some bass cutting out . With cheap distortion pedals I find this very annoying but it's not as bad as those and I can only really notice it when I recorded it.

 

Your fingers really affect the distortion the most. These clips were played with my thumb resting on the P and plucking pretty hard. Playing on the neck produces less overdrive.

 

All in all I am impressed. Although, I'd rather play through my Full Tone Bass driver, this thing is pretty solid. It also works for me since I can plug into one of my practice amps and not have to plug in a bunch of pedals to have distortion.

 

The clips are through a Peavey Fury P copy with SD Quarter Pounders with the tone on full. When the Ice is on, it's on full too. I'm running it through a Mesa Boogie M Pulse 600. The eq and gain are flat, with a slight boos in the bass and a slight cut in the treble. Under the amp are SWR 4x10 and 1x18. One of the Goliaths speakers are miced with a SM 58 one inch off the center of the speaker. This goes into an Akai digital recorder with no alterations to the sound.

 

The clips don't sound perfect but it was quick.

 

http://www.soundclick.com/bands/pagemusic.cfm?bandID=398042

 

Yo.

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Originally posted by Apendecto

I bought a used American 92 Peavey Fury P bass copy for 25 bucks. It was beat up and had crappy pickups in it. After a set up and a Seymore Duncan Quarter Pounder P put in it sounds nice. But I wanted to change where the input jack went in becuase it seemed like too much stress on the pickguard. So now that it's Gibson style I had an extra hole so I decided to install a Black Ice passive distortion.


5065_1sm.jpg

I put three new 250 k pots in and new wiring. The SD Quarter Pounders are pretty hot and put out enough to drive the diode.


I was surprised how the distortion sounded. I thought it would sound like {censored} but it drives the signal pretty well.


There seems to be a slight volume drop probably due to some bass cutting out . With cheap distortion pedals I find this very annoying but it's not as bad as those and I can only really notice it when I recorded it.


Your fingers really affect the distortion the most. These clips were played with my thumb resting on the P and plucking pretty hard. Playing on the neck produces less overdrive.


All in all I am impressed. Although, I'd rather play through my Full Tone Bass driver, this thing is pretty solid. It also works for me since I can plug into one of my practice amps and not have to plug in a bunch of pedals to have distortion.


The clips are through a Peavey Fury P copy with SD Quarter Pounders with the tone on full. I'm running it through a Mesa Boogie M Pulse 600. The eq and gain are flat, with a slight boos in the bass and a slight cut in the treble. Under the amp are SWR 4x10 and 1x18. One of the Goliaths speakers are miced with a SM 58 one inch off the center of the speaker. This goes into an Akai digital recorder with no alterations to the sound.


The clips don't sound perfect but it was quick.


The clips comming are thanks to Lug.


Yo.

 

Better try the second addy, I'm not seeing it.

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Originally posted by illidian

Sounds like it turned out well for you.


How does a passive distortion work? I'm curious as to how that would not introduce active circuitry.

 

 

http://users.chariot.net.au/~gmarts/ampovdrv.htm

 

Look in the section under clipping.

 

[edit] those examples use the diodes in an opamp FB loop, but the principle is the same , IIRC.

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Originally posted by Apendecto

Hmmm....I sent them all to Lug, at two addresses and he said he didn't get them.


Anyone know how to put up music for free?


Thanks.

 

 

Still don't see it on either addy, sorry.

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Originally posted by beam

That sounds pretty cool actually, how do you control the difference between the clean and distorted tones?


Is it all about how hard you play?

 

 

since it's designed to replace the tone control cap, i think that makes the tone knob a "gain knob", if i remember the description from the Stew Mac catalog correctly.

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Originally posted by bikehorn



since it's designed to replace the tone control cap, i think that makes the tone knob a "gain knob", if i remember the description from the Stew Mac catalog correctly.

 

 

Ahh ok, didn't realize it was connected to a knob. I thought it was just "on" hehe.

 

That's pretty cool though

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I thought it was geared to guitar too, but I like how it sounds on bass.

 

Beam, I wired it to a third pot where I can dial in as much distortion as I want. But it's pretty much none at all, a little or full on.

 

It's only one diode and it was about 30 bucks.

 

By the way, I'm throwing up another cilp for the hell of it.

 

Yo.

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