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another "how much amp do I need" thread


poomwah

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ok, as you know, I've got the 810 up for sale. I'm strongly thinking of putting the bx1200 head up for sale too.... I have a hartke 3500 that is my backup head, and I have an OLD carvin pro bass 300 that is a backup to that. So I don't need three amps. 350 watts of juice is plenty ... right? I mean, under what circumstance would 350 not be enough? I don't want to sell the 1200 then find out I should have kept it. I have a 410 and a 210 right now. So the 3500 with 6 10's and the probass 300 with 410 as a backup.

that should be all I need right? if so, I can sell the bx1200 and buy another bass :p

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It depends on PA support. If I have to carry the room, I love having 600-700 watts on-tap and a cab that slays.

 

My heavy-rig can liquify small children at ten paces.

 

If you play spots with a good PA, you really are only using your rig as a monitor anyway... so how much monitor do you need?

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so since I have NO idea what kind of band or situation I'm going to get in, I should keep the 1200 just in case?

I've been kicking the idea around of going with the 350 watt hartke into the 410 and getting a 200 watt hartke to go into the 210. OR a 200 watt hartke into the 410 and the 350 watt hartke into a 115. Just this crazy bi amp idea I've been having

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350W is not enough when you don't push enough speaker area with that 350W. Sure, headroom is nice, but speaker area is necessity when playing a gig in a loud setting.

So...

1st priority- is deciding how much speaker area you require

2nd priority- is deciding how much additional (clean) headroom you want

If I was in a band where 350W behind 6 tens wasn't enough, I'd be looking for a different band. Hearing is precious.

That said, I'd use the highest power head(also being the newest) to push your rig for plenty of clean headroom...keeping the old Probass Carvin as your backup.

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When you turn it up too loud. You have a finite amount of headroom. When you exceed that limit your sound quality begins to deteriorate.

 

wrong. the more i turn my GK up the better it sounds. no breakup. at all.

 

 

 

:love: :love: :love:

 

 

i also play my GK 1001 in my bedroom. its overkill, but... :love:

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It depends on PA support. If I have to carry the room, I love having 600-700 watts on-tap and a cab that slays.


My heavy-rig can liquify small children at ten paces.


If you play spots with a good PA, you really are only using your rig as a monitor anyway... so how much monitor do you need?

 

Bwahahahahahaahahahaha! I gotta sig that one :lol::lol::thu:

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There is a point where your amp will break up. You saying that statement was wrong was what got you the
:facepalm:



Dan

 

the GK (not the 800RB) but the rest of the series, are the amps that i've that sound the best, cleaner, at higher volumes, and the higher up you turn them the better they sound.

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the GK (not the 800RB) but the rest of the series, are the amps that i've that sound the best, cleaner, at higher volumes, and the higher up you turn them the better they sound.

 

 

Every amplifier has a limit, is his point. It's not like you can dime the amp and play as hard as you want and it won't break up.

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My 320 watts GK combo is sufficient, with his single 15", for any situation for monitoring me on stage. (that said, i never played on LARGE stage.. )

But for little to medium gig, i clearly hear myself; with a clean and clear sound.

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i know. sometimes i hit the strings really hard to make it distort that way, i never got any breakup with it except that way.

 

You know, just because you know how to work your gain doesn't mean physics doesn't apply. Your amp, like all others(including the GB1200 & Carvin B1500) will run out of headroom eventually. Your GK head is nice, but it doesn't have magical properties. :D

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Your GK head is nice, but it doesn't have magical properties.
:D

 

My old GK 800RB had magical properties... it was full of magic-smoke. I let that smoke out twice, in fact the second time it was accompanied by fire and blackened the paint on the wall behind it:thu:

 

I left it at the bar, and never heard from it again.

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I'm playing my Peavey Pro Bass 500 head through a 4 ohm 410 cab. The head's output is 350w @ 4 ohms. I played a smaller bar on Saturday night, and I used my rig to fill the room rather than using the DI through the PA, and I had the volume at around 5. Honestly, I may not have needed the Master that high if I had adjusted the Gain controls a bit higher.

 

For most venues, I'm used to using the DI on my amp, so the amp only needs to cover the stage area. Personally, I think 350 watts should be plenty for any gig.

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350W is not enough when you don't push enough speaker area with that 350W. Sure, headroom is nice, but speaker area is necessity when playing a gig in a loud setting.

So...

1st priority- is deciding how much speaker area you require

2nd priority- is deciding how much additional (clean) headroom you want

 

Read it. Learn it. Live it.

 

:thu:

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I'd keep the 1200 man. It kind of depends on what kind of bands/situations you play in, but i'm in a band with two guitarists (Mesa Triple Rectifier, Fender Stage Pro) and i've fried 2 Ashdown Mag600's in the last 4 months. You really need that headroom to get over loud guitarists (the drummer doesnt help either) without doing serious damage to your gear. I just got an SWR700 and the extra 125 watts makes so much difference.

 

That and it actually HAS tone...

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My old GK 800RB had magical properties... it was full of magic-smoke. I let that smoke out twice, in fact the second time it was accompanied by fire and blackened the paint on the wall behind it:thu:


I left it at the bar, and never heard from it again.

 

 

 

All amps should come with free fire:thu:

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