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Sir Paul's best basslines?


In Absentia

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With A Little Help From My Friends

 

Hard to top that one. :thu:

 

Everybody's Got Something To Hide is pretty badass.

 

With McCartney, it's more his overall cumulative approach than any one particular tune. He did some really well constructed harmonic underpinning while keeping the groove right. I think George Martin may have coached him some too.

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Hard to top that one.
:thu:

Everybody's Got Something To Hide is pretty badass.


With McCartney, it's more his overall cumulative approach than any one particular tune. He did some really well constructed harmonic underpinning while keeping the groove right. I think George Martin may have coached him some too.

 

 

 

 

Total agreement here - although not difficult, I always liked the bass on Taxman...

 

 

 

- georgestrings

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One of the first basslines I was conscious of was "Something." Going back, I realize that it is a perfect example of how he was able to construct a counter melody in the bass that was able to perfectly complement the vocal part. "Lady Madonna" has a pretty cool bass part too, and he does a bunch of cool licks in "Birthday" which I think is also his bass playing at its most aggressive. I love many of his bass lines on the White Album, along with the aforementioned Sgt. Pepper's.

 

I'd also say any song he sang lead on while playing bass. Sir Paul is an even better singer than bassist, and manages to sound like two people when he sings and plays simultaneously.

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All great basslines!


For early McCartney, listen to I SAW HER STANDING THERE and ROLL OVER BEETHOVEN, he SMOKES on those tunes!!
:thu:

 

I think I remember Paul saying that he stole the bassline from Roll Over Beethoven. Said it didn't have to be original to be brilliant. I always liked that he said that.

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Maybe the better question would be 'show me a McC bassline that is not a masterpiece'...cause really, just about everything you listen to is like 'your bassline is so phat it's nickname is Dayum....'

 

the guy was just very very musical...and in the pocket...all the time

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I think I remember Paul saying that he stole the bassline from Roll Over Beethoven. Said it didn't have to be original to be brilliant. I always liked that he said that.

 

 

Yeah, his early playing was like a lot of 50s stuff, I just think it already had his "stamp" on it, and he was singing while playing those lines, like on ALL MY LOVING.

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