Members Neal Posted August 19, 2016 Members Share Posted August 19, 2016 So carved or pressed..the way the professional forum experts have described the reasons and methods, like tap-tuning, shaving just that slight bit, listening for the tapped note, repeating, caressing, repeating...and finally having a top that will put a Stradivarius to shame, it sounds like it wouldn't be cost effective to do that. Unless it's just marketing, in which case it wouldn't matter, right? . Just get a top sized thick blank, CNC machine, and zip 'em out like you said. Link to comment Share on other sites More sharing options...
Members Verne Andru Posted October 29, 2016 Members Share Posted October 29, 2016 Got my hands on a Zenith in a shop yesterday. Excellent fit and finish. Very solidly built and a bit on the heavy side for what it is. I didn't get to try it plugged in but found the acoustic tone to be on par with a sightly over-built guitar. On picking up my Loar 300 when I got home, I'd say the Loar is lighter and the tone big and singing relative to the Epi [there's really no comparison between the two if you are an acoustic purist]. I'd say it sits somewhere between the Godin 5th Ave [pressed plywood] and The Loar [hand carved solid-tops] as far as acoustic volume and tone goes, which is what you'd expect from a pressed solid-top build. Link to comment Share on other sites More sharing options...
Members tbry Posted October 30, 2016 Members Share Posted October 30, 2016 Hey Phil, since you said ask...Have you ever compared a Taylor 14 series(Grand Auditorium) and compared it to a Martin 000 size? I think those are the approx same size. If not sub the right one for the compare. There are the 114,214,314,414 and so on. In Martin I am not sure model numbers. What I wanted to know is which MFG would have the most wide application across different styles all things model wise being equal. Link to comment Share on other sites More sharing options...
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