Members Jones_Tone Posted June 20, 2003 Members Share Posted June 20, 2003 Originally posted by devast8r What would be the 'correct' (i.e. how a classically trained guitarist would do it) way to finger this passage? I'm experimenting with a few ways but I'd imagine the correct way would be to emulate a single position? yes i'm very interested to know that as well! Link to comment Share on other sites More sharing options...
Members CustomGR Posted July 2, 2003 Members Share Posted July 2, 2003 Originally posted by CarvinRock Here's something I use to warm up. Its based on a Bach theme, ripped off directly from Vai, but I have fun with it. Great speed builder, too. Is there a sound clip of this I can have a listen to? The things I like about it, is its so much easier than the arpegeos I normally see.. Link to comment Share on other sites More sharing options...
Members Promethius Posted July 11, 2003 Members Share Posted July 11, 2003 Originally posted by DD You got me confused for a moment, Oscar.You mean GM7 = Gmaj7.Right?The way you wrote it made me think you where doing a Gminor7 arpeggio. Good that answers my question. I thought he meant mionor too. I was about to ask why you had an Am as the ll, wouldn't the 1 have to be a major chord? But the world once again makes sense to me. Link to comment Share on other sites More sharing options...
Members Jimmy James Posted July 14, 2003 Author Members Share Posted July 14, 2003 I've always seen a small "m" as minor and a large "M" as major. Sorry for the confusion. Link to comment Share on other sites More sharing options...
Members Fluffy_Bunny Posted July 21, 2003 Members Share Posted July 21, 2003 I'm starting to get it speeded up now... very nice fingerpractise thanx a lot! Link to comment Share on other sites More sharing options...
Members - SG - Posted August 5, 2003 Members Share Posted August 5, 2003 cool riffs and lessons!im just wondering why is this the only thread with a number of views or is there others?also whats up with the rating line thing? Link to comment Share on other sites More sharing options...
Members nagesha Posted August 31, 2003 Members Share Posted August 31, 2003 Originally posted by CarvinRock Here's something I use to warm up. Its based on a Bach theme, ripped off directly from Vai, but I have fun with it. Great speed builder, too. Hi, Would you please let me know what arpeggios we are working with here. After the Am, I'm not sure what we're doing. Thanks. Bob Link to comment Share on other sites More sharing options...
Members NYC-Rider Posted September 2, 2003 Members Share Posted September 2, 2003 I originally posted the rambling arp under the CarvinRock moniker. (Lost the password) Anyway, I tried to answer fingering questions and the names of the scales. I believe the names are correct, but I am not sure the fingering is "technically" correct. The fingering indications are representative of how I play the scales. Others may have better suggestions/styles. Link to comment Share on other sites More sharing options...
Members Stanley Posted September 26, 2003 Members Share Posted September 26, 2003 . Link to comment Share on other sites More sharing options...
Members devast8r Posted September 26, 2003 Members Share Posted September 26, 2003 Thanks for the fingering thingee. If anything, it can serve as a point of reference for people to try/experiment off of, etc. Awesome exercise, in any case. Link to comment Share on other sites More sharing options...
Members electrobank Posted September 30, 2003 Members Share Posted September 30, 2003 Man, I'm so psyched!!! I sat down at work and figured this thing out, and came up with the exact same arpeggios the other guy did....so I know I'm on the right track. What I want to know is.....how do these different arpeggios "fit" scale-wise with each other??? anyone??? Link to comment Share on other sites More sharing options...
Members fretwizard4hire Posted December 14, 2003 Members Share Posted December 14, 2003 butch has got it. its pretty simple in the diatonic format (not that i am saying that ripping out malm or vai is easy). but i'm a jazzer guys, probably one of the only ones here, and if your interested in getting into jazz the arppegios are a must!!!! most non-diatonic substitution from those like Wes Montgomery, Coltrane, Grant Green, Charlie Parker, are heavily phrased in arppegios. arrpeggios will enable you to understand the construct and rotation of inversions like "drop 2s" as well. which is great for "block chording" w/melody lines. Link to comment Share on other sites More sharing options...
Members GorillaLover Posted December 20, 2003 Members Share Posted December 20, 2003 Originally posted by BlinkRulz!!! man i'm confused:confused: __________________ my fav guitar playez tom delonge billy joe armstrong kurt cobain I can think of three reasons why you're confused... and you already named them in your sig Link to comment Share on other sites More sharing options...
Members roofus Posted December 24, 2003 Members Share Posted December 24, 2003 Does anyone here know how to play the actually song Arpeggios from Hell by Yngwie Malmsteen? he's right man, tom delonge, billy joe armstrong, kurt cobain, arent that great at guitar. Good song writers, especially Kurt, but not that great of riffs. Link to comment Share on other sites More sharing options...
Members gimmejava Posted January 21, 2004 Members Share Posted January 21, 2004 Hey Guys,I went ahead and put the arpeggio exercise in Powertab. For you advanced guys, you may want to play the arps as 32nd notes, but since I'm learning, I kept everything at 16th note pace. Enjoy,Randy Link to comment Share on other sites More sharing options...
Members Keeping Face Posted May 23, 2004 Members Share Posted May 23, 2004 ummmm... i'm looking at that powertab. i'm thinking it might not be 16ths. looks more like it'd be sixtuplets to me. i could be wrong though. Link to comment Share on other sites More sharing options...
Members StevieRaveOn Posted August 31, 2004 Members Share Posted August 31, 2004 Originally posted by NYC-Rider I originally posted the rambling arp under the CarvinRock moniker. (Lost the password) Anyway, I tried to answer fingering questions and the names of the scales. I believe the names are correct, but I am not sure the fingering is "technically" correct. The fingering indications are representative of how I play the scales. Others may have better suggestions/styles. Anyone have any other stuff similar to this? I really like it, I've been working on it as part of my daily (If I get to play everyday ) jammin'. Anybody? Link to comment Share on other sites More sharing options...
Members aboynoir Posted October 25, 2004 Members Share Posted October 25, 2004 Originally posted by CarvinRock Here's something I use to warm up. Its based on a Bach theme, ripped off directly from Vai, but I have fun with it. Great speed builder, too. Thanks a bunch bro!! I learned that and then practiced through it for an hour. Then I went to run some scales for good measure and I blew through them faster than ever! What a great site this is. Link to comment Share on other sites More sharing options...
Members aboynoir Posted October 25, 2004 Members Share Posted October 25, 2004 Originally posted by GorillaLover I can think of three reasons why you're confused... and you already named them in your sig I was gonna say the same thing. Although, you have to respect Billie Joe Armstrong (Green Day). His music may be simple... but he has style! Link to comment Share on other sites More sharing options...
Members RJpilot Posted March 20, 2005 Members Share Posted March 20, 2005 Somin I just worked up..It utilizes two popular (forms) ways to play a three string diminished arpeggio in an ascending format. I'm working on a good way to come down (descending) ----------------------- 3-6-3--------------------------- 6-9-6------------------2-5-2---------5-------5---------5-8-5---------8-------8--------------3-------3---3-6-----------6-----6-------6---6-9-----------9---------2-5-----------5-----------------5-8-----------8---------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ---------------------------- 9-12-9--------------------------------8-11-8-----------11--------11-------------------------------9--------9----9-12--------------9----------------------8-11------------11---------------------11-------------------------------------------------------------------10------------------------------------------------------------------------------- Link to comment Share on other sites More sharing options...
Members Moggo Posted November 7, 2005 Members Share Posted November 7, 2005 Originally posted by Jimmy James Hi, and welcome to hell! No. Not the Yngwie tune. I just thought it was a cool title for the lesson I Link to comment Share on other sites More sharing options...
Members amplayer Posted December 19, 2005 Members Share Posted December 19, 2005 Originally posted by Jimmy James Hi, and welcome to hell! No. Not the Yngwie tune. I just thought it was a cool title for the lesson I Link to comment Share on other sites More sharing options...
Members EDS Posted December 27, 2005 Members Share Posted December 27, 2005 I think that in the context of the this thread, the Am chord is not serving a subdominant function. Esp. in the case of Santana, it would be modal harmony, not funtional harmony, so the raised 6th scale degree in minor serves to give the charateristic modal coloring of Dorian. Even if the 6th was flatted, it would still probably sound modal in the context that the original poster intended. In jazz, it is common knowledge that a raised 6th scale degree is most commonly used over most minor chords. I see your point about the using the 6th "gives away" the leading tone of the dominant before it appears, but I think many jazz musicians think in terms of dominant-tonic, not subdominant-dominant-tonic. This is not to say that this always occurs, but I think it is worthwhile to point out that using natural 6th on minor is very common in American music. Link to comment Share on other sites More sharing options...
Members typedeaF Posted January 15, 2006 Members Share Posted January 15, 2006 This thread is extremely weak. It has one example of playing a 7th flavored arpeggio and then a transcription of the ever common "Crossroads" section. I expected to see some crazy arpeggio sequences and theory. This does not deserve to be a sticky! Link to comment Share on other sites More sharing options...
Members Paragraph51 Posted February 11, 2006 Members Share Posted February 11, 2006 I put this on another thread, but this is the recurring arpeggio break I play in one of my instrumental pieces. #This file is the author's own work and represents their interpretation of the##song. You may only use this file for private study, scholarship, or Author/Artist: REFTitle: Arpeggio break from one of my songsAlbum: The best of ZENTranscribed by: MeWritten in 1995, this is the break between melodies of an instrumental for guitar and band. ----------------8-12-8-----------------------------8-12-8-----------------------------------8--------8-------------------------8--------8-------------------------------9------------9---------------------9------------9--------------------------10----------------10---------------10----------------10--------------------10----------------------10---------10----------------------10------------8-12----------------------------12-8-12----------------------------12-10-14-- -----------10-14-10---------10-15-10----------10-14-10---------------------------------10--------10----10----------10----10----------10----------------------------11-------------11----------------11----------------11----------------------12-------------------------------------------------------12----------------12-------------------------------------------------------------12-------------------------------------------------------------------------------14--------- ----------------8-12-8-----------------------------8-12-8-----------------------------------8--------8-------------------------8--------8-------------------------------9------------9---------------------9------------9--------------------------10----------------10---------------10----------------10--------------------10----------------------10---------10----------------------10------------8-12----------------------------12-8-12----------------------------12-10-14-- -------------10-14-10----10-------------------------------------------------------------10----------10----10----10-------------------------------------------------11----------------------11----11----11-------------------------------------12----------------------------------12----12----12-------------------------12----------------------------------------------12----12----12-------------------------------------------------------------------------14----14-10--------- ----------------8-12-8-----------------------------8-12-8-----------------------------------8--------8-------------------------8--------8-------------------------------9------------9---------------------9------------9--------------------------10----------------10---------------10----------------10--------------------10----------------------10---------10----------------------10------------8-12----------------------------12-8-12----------------------------12-10-14-- -------------10-14-10----------10-15----------10-15-10----------------------------------10----------10----10-------10----10----------10----------------------------11----------------11-------------11----------------11----------------------12-------------------------------------------------------12----------------12-------------------------------------------------------------12-------------------------------------------------------------------------------14-10------ ----------------8-12-8-----------------------------8-12-8-----------------------------------8--------8-------------------------8--------8-------------------------------9------------9---------------------9------------9--------------------------10----------------10---------------10----------------10--------------------10----------------------10---------10----------------------10------------8-12----------------------------12-8-12----------------------------12-10-14-- -------------10-14-10----------10-15-10----------------|--------------------------------10----------10----10----------12-------------|-----------------------------11----------------11----------------12----------|--------------------------12----------------------------------------12-------|-----------------------12----------------------------------------------14-10-|-----------------------------------------------------------------------------|---------------------- Link to comment Share on other sites More sharing options...
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