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Chromatics in Jazz


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Posted

Are an essential tool for improvisation.

 

Just using chromatic notes a semi-tone out of the tonic, 3rd and 5th of a chord tone are great tools for interesting sounds in Jazz, and a huge amount of jazz musicians do this. Just listen to the opening phrases of Kenny Burrels solo in "Midnight Blue"

 

just had to share that

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Posted

I dig the semitone out of the 3rd and the 5th (and even some of the quarter tones you can squeeze out with bends), but I'm no fan of the major 7 in a blues. I think you'll have better luck with the b7. Maybe you were referring to the b9, which can be hip.

 

Midnight Blue is an amazing session -- it's the guitarist's Kind of Blue.

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Posted

In what resolution are you thinking?To the triadic tones I think of them as leading tones,to a leap I think of them as higher tension devices,degree dependent.

Chromatics don't have to resolve by half step and I know you're not trying to say they do but someone reading this quick could be mistaken.

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Posted

I dig the semitone out of the 3rd and the 5th (and even some of the quarter tones you can squeeze out with bends), but I'm no fan of the major 7 in a blues. I think you'll have better luck with the b7. Maybe you were referring to the b9, which can be hip.


Midnight Blue
is an amazing session -- it's the guitarist's
Kind of Blue
.

 

the major 7 as a passing tone can sound perfectly fine, as documented by Clapton countless times with Cream. see politician live.

 

And yes, the Midnight Blue sessions are super excellent :thu:

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Posted

the major 7 as a passing tone can sound perfectly fine, as documented by Clapton countless times with Cream. see politician live.

 

As I mentioned, it's a personal preference. ;)

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I really want to learn that bebop type phrasing. I have a few licks and devices (like aproaching chord tones). But it definitely needs work. Duke Robillard has this rhythm changes tune called 'Calillac Slim'. I think if I just sit down and transcribe it I'll be a better person.

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Posted
I really want to learn that bebop type phrasing. I have a few licks and devices (like aproaching chord tones). But it definitely needs work. Duke Robillard has this rhythm changes tune called 'Calillac Slim'. I think if I just sit down and transcribe it I'll be a better person.

[YOUTUBE]XeHiYJQSs6A[/YOUTUBE]

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Posted

 

I really want to learn that bebop type phrasing. I have a few licks and devices (like aproaching chord tones). But it definitely needs work. Duke Robillard has this rhythm changes tune called 'Calillac Slim'. I think if I just sit down and transcribe it I'll be a better person.

 

 

Playing over Rhythm Changes wouldn't necessarily be based around chromatics. Just follow the "changes"..."rhythmically".

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Posted

 

Playing over Rhythm Changes wouldn't necessarily be based around chromatics. Just follow the "changes"..."rhythmically".

 

 

True dat. But...the chromatic bebop thing would be good to know. That particular track I mentioned has that swing to it. Of course bird is the archetect of that style.

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