Members JimAnsell 0 Posted April 3, 2009 Members Share Posted April 3, 2009 besides the fact that it was awesome. what do we know about what they used? cause i know nothing. Quote Link to post Share on other sites
Members EdgeOfDarkness 0 Posted April 3, 2009 Members Share Posted April 3, 2009 must be a marshall cause the jvm 410 can nail it. Quote Link to post Share on other sites
Members guitarbilly74 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Gibsons through Plexis... Wolf Hoffman actually recorded a lot of stuff with a 335 believe it or not. Quote Link to post Share on other sites
Members DyeMusica 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Gibson/marshall. Quote Link to post Share on other sites
Members DARKMETL/ 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Speaking of Germans.......always loved the Scorpions Blackout era guitar tones too. Quote Link to post Share on other sites
Members JimAnsell 0 Posted April 3, 2009 Author Members Share Posted April 3, 2009 Gibsons through Plexis... Wolf Hoffman actually recorded a lot of stuff with a 335 believe it or not. i believe it about the es-335. any source on that? Quote Link to post Share on other sites
Members JimAnsell 0 Posted April 3, 2009 Author Members Share Posted April 3, 2009 Gibson/marshall. back when both companies actually meant something. we need specifics. Quote Link to post Share on other sites
Members Eric Hellstyle 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Gibsons through Plexis... Wolf Hoffman actually recorded a lot of stuff with a 335 believe it or not. and bill lawrence pickups now he uses EMGs live and Duncans at studio Quote Link to post Share on other sites
Members Capulin rhino 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Restless and Wild is supposed to be 100% Wolf on all guitar parts! Quote Link to post Share on other sites
Members guitarbilly74 0 Posted April 3, 2009 Members Share Posted April 3, 2009 i believe it about the es-335. any source on that? I read it on an old Guitar For The Practicing Musician magazine. Waaaaaaaaaaaaaaay before the internet was created by Al Gore. But let me try a google search. Quote Link to post Share on other sites
Members Mesa/Kramer 3 Posted April 3, 2009 Members Share Posted April 3, 2009 Here's some of those great tones............. Part of thier secret was just how damn tight the 2 of them played together. Listen to Fast as a Shark 1:45 - 2:45 for example. lOp8Zz50f6U 5RsACJJLfkk Quote Link to post Share on other sites
Members ReckedTrek 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Go to http://www.dinosaurrockguitar.com/new/node/475#Hoffmann The guy who runs this site is a great guy and a huge Accept (and all classic and old school metal) fan. He owns one of Wolf's guitars (a hamer V) and a VERY rare Marshall head made custom for Wolf. It has (2) 100 watt sections in it! Insane. I've jammed with the guy (Dave) before and as soon as you plug in- guitar into amp- no effects needed- it is THE Accept tone. Quote Link to post Share on other sites
Members 13bats 0 Posted April 3, 2009 Members Share Posted April 3, 2009 I think they are JCM800's on the BTTW album Quote Link to post Share on other sites
Members Mesa/Kramer 3 Posted April 3, 2009 Members Share Posted April 3, 2009 Go to http://www.dinosaurrockguitar.com/new/node/475#Hoffmann The guy who runs this site is a great guy and a huge Accept (and all classic and old school metal) fan. He owns one of Wolf's guitars (a hamer V) and a VERY rare Marshall head made custom for Wolf. It has (2) 100 watt sections in it! Insane. I've jammed with the guy (Dave) before and as soon as you plug in- guitar into amp- no effects needed- it is THE Accept tone. That power section is unbelievable. Quote Link to post Share on other sites
Members Exocaster 1 Posted April 3, 2009 Members Share Posted April 3, 2009 I :lol:ed at the guitarist nicking the melody from F Quote Link to post Share on other sites
Members GibsonVMan 0 Posted April 3, 2009 Members Share Posted April 3, 2009 back when both companies actually meant something. we need specifics. Zakk Wylde would disagree with that statement :poke: They played gibson flying v's in the early days. Quote Link to post Share on other sites
Members sah5150 0 Posted April 3, 2009 Members Share Posted April 3, 2009 besides the fact that it was awesome. I only know this... and that a bomb must be put up everyone's ass! Steve Quote Link to post Share on other sites
Members SiCkboy78 0 Posted April 3, 2009 Members Share Posted April 3, 2009 That power section is unbelievable. HOLY SHIT. Quote Link to post Share on other sites
Members vic 0 Posted April 3, 2009 Members Share Posted April 3, 2009 holy shit indeed Quote Link to post Share on other sites
Members JimAnsell 0 Posted April 3, 2009 Author Members Share Posted April 3, 2009 Zakk Wylde would disagree with that statement :poke: . sure. i might feel the same way he does if i was drunk most of the time, and both of those companies were paying me to like them. Quote Link to post Share on other sites
Members Badside 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Seriously, take a Les Paul, a Tubescreamer or similar, a JCM800 or DSL (or even Plexi if you crank it enough), crank the mids, and if you don't get the Accept tone... well maybe there is simply no tone in your fingers. Quote Link to post Share on other sites
Members John S. Shinal 0 Posted April 3, 2009 Members Share Posted April 3, 2009 That's an impressive amp, but why not just use two normal 100 watt JCM800s ? Quote Link to post Share on other sites
Members Digital Jams 0 Posted April 3, 2009 Members Share Posted April 3, 2009 JMPs is what I heard. Quote Link to post Share on other sites
Members triumphant_gleam 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Can't crank my Marshall at home really, but I can get a pretty close approximation with a TS9 or ZW44. I'll charge my camcorder and post a vid later Quote Link to post Share on other sites
Members JoJo68 0 Posted April 3, 2009 Members Share Posted April 3, 2009 Man I was a big Wolf Hoffman fan back in the day. I swear he always used that white strat on the records. Obviously it didn't have a standard single coil in the bridge.Trying to find some info on it.... Quote Link to post Share on other sites
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