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Vocals over Walden D2040


digitalsnipe

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Posted

Been trying to get used to this Walden (1-11/16 thin neck) so I could post a clip of it. Turns out it seems a bit in the background in the song. Pardon the finger-stumbles. It really is a sweet-sounding, albeit quiet, guitar. Needs a setup. Haven't had it long and I need to get back to the shop for tweaking. Can't adjust the vocals down as the song is one track that I recorded this morning. When I get the guitar set up I will post it on Tioga_Man's new sticky. The song is called Long Silent Heart.

 

www.soundclick.com/bands/9/digitalsnipemusic.htm

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I've been trying to form an opinion for this recording, I must've listened five times. I think the style is throwing me off. It's nice, but not the kind of thing I listen to or play.

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Yea, I wrote it 2 nights ago and recorded it yesterday morning. Rushed it a bit. I should have taken more time in development but, patience is not one of my virtues. The song was more of an experiment in fingerstyle than anything else I think. I seldom use full chords and this particular piece did not lend itself to carrying a base line throughout because the "chords" were difficult to play as it is.

 

If you can put your finger on what you see needs resolving I would like to know. The actual lyric was just something we've all experienced before so it was an easy lashup to put with the instrumental.

 

Thanks for giving it a listen. I like the site it is on because there's none of the buffereing to wait for. And, it's free.

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Posted

End of the first chorus it goes G, A, B. If you could sneak an E in there after the B, before going to the Csharp it would resolve better, and send it back into the verse better... At least that's what I'm hearing.

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Posted
Originally posted by JasmineTea

End of the first chorus it goes G, A, B. If you could sneak an E in there after the B, before going to the Csharp it would resolve better, and send it back into the verse better... At least that's what I'm hearing.

     

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    Okay. You nailed the chords down but I'm trying to shoehorn the E to resolve the change where you hear it. Haven't picked up the guitar to actually try it yet. I'll try anything once. And, yes, I am free.

     

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    UGB - Thanks for the listen and positive comments. Actually, I am trying to "break away" from traditional fingerstyles. Troubling part is, to do that and not use a lyrically competitive instrumental that overpowers simply for the sake of being unique. That becomes counter-productive and, at least to the springboard of experience plying this forum, quite noticeably so.

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    Posted

    Here's the shoe horn I hear, and this is only a suggestion:

    • Anyway, I can't believe I'm makeing suggestions like this. I'm not very good at recieving them from others.
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    Posted
    Originally posted by JasmineTea

    Here's the shoe horn I hear, and this is only a suggestion:

       

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      Your suggestion is not just some arbitrary statement posted for the sake of posting it (hearing yourself talk), nor do I take it that way. But, the posting of a song is just that, albeit in musical fashion. It's really reducible to just an expression of musical opinion usually attended with the (unnecessary) excess baggage of defensiveness. I travel light in that regard. Sticks and stones...

       

      Probably the biggest let-down I can think of is no response at all.

      Some people really put a lot of themselves into a piece and then with hearts pounding tenuously hang it out there, with their hopes for a better tomorrow, based on responses. That's ridiculous. So, JasmineTea, I will try your suggestion. If I can make it work I will repost the song a la JT.

       

      On another note...just what style do you subscribe to? This particular song is just one style for me. I have other music/songs that I find interesting and play often.

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      Posted

      I find that sound kind of soothing really. Kind of a Celtic sound ,at least to my ears anyway. Your voice matches the playing,that says a lot. Walden guitars are kind sleepers,not too many play them,they sound great in my opinion,your song too.

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      Posted
      Originally posted by digitalsnipe


      Probably the biggest let-down I can think of is no response at all.

      Some people really put a lot of themselves into a piece and then with hearts pounding tenuously hang it out there, with their hopes for a better tomorrow, based on responses. That's ridiculous.


      On another note...just what style do you subscribe to? This particular song is just one style for me. I have other music/songs that I find interesting and play often.

      I tried answereing this question the other night, and although it was an honest answere I thought better of it. Hopefuly you saw it before I deleted it..

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      Posted

       

      Originally posted by JasmineTea

      I tried answereing this question the other night, and although it was an honest answere I thought better of it. Hopefuly you saw it before I deleted it..

       

       

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      Nope. Missed it.

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      Posted

       

      Originally posted by KATMAN

      I find that sound kind of soothing really. Kind of a Celtic sound ,at least to my ears anyway. Your voice matches the playing,that says a lot. Walden guitars are kind sleepers,not too many play them,they sound great in my opinion,your song too.

       

       

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      Soothing song. Quiet guitar. That nails it doesn't it? I never thought of it that way. Purely coincidence on my part.

       

      The Walden definitely is a sleeper. I normally use fingernails and the side of my thumb but on this guitar I have to use a thumbpick to get the base to respond. Standard dread body, solid S. African mohogany B/S with solid Sitka spruce top, traditional pre-war internal structure and yet I have to dig to get it to talk. I bought the thing from a luthier/distributor and played it in his empty basement. Should have taken it upstairs to his livingroom and played it there. It sounds great but it asks a little more from the player to get it there. That said, I'm going to take it back for a setup including a nut change to maximize string separation and minimize height. Perhaps a different saddle material will help with volume.

       

      Thanks for the positive comments, especially the Celtic part. I love Celtic music though I wasn't striving for it here.

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