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Other Mojo Dimensions


JasmineTea

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Posted

After owning a few overly fake-looking guitar I now like mostly natural stuff like bearclaw, silking, flaming, etc. A little herringbone is probably the only decoration that I really like. MOP just adds a cheap-looking bling factor IMO.

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Posted

For me, mojo has a use or a purpose in each of my guitars depending on what each is used for.

 

For electric guitar I like having a worn looking telecaster. One of those N.O.S. or closet classic things would probly suit me. I've been known to 'relic' my own guitars (add mojo to them) by artificialy aging them.

 

I play some jazz, but I don't use an archop. Cunfused mojo I guess. Seems like an archtop would just about be prerequisit. Instead I like a traditional OM/000. For some reason this type of guitar has the vibe for me, but I don't think I could explane why.

 

 

Here's another angle on my angle. Suppose you're in a rockabilly band, you'd probly go with a Grestch of some kind, maybe a Gibson archtop. Bluegrass guys use trad dreads..See what I mean? That's how the mojo thing works for me.

 

How does it work for you? Suppose you've got a "Kelvinator" Kay, what would you use it for? what kind of vibe do you get from it?

 

The point of this thread is to see what others get mojo from, or to describe as many kinds of mojo there are. Or what you think mojo is, or how it works. Sort of a d03nut type thread.

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Posted

Good point, JT. That's the exact reason I got my Strat: to play the blues like Buddy Guy and Robert Cray or rock/blues like SRV, Clapton, Jeff Healey, Mark Knopfler and Jeff Beck. I wasn't disappointed, but that was all I could really play on the thing which seemed to be a waste of money up until just recently.

 

Now on the acoustic side, I recently started experimenting with Travis-picking and found that my old $35 Kay had some latent mojo. It has crappy frets that make sliding and bending tough but if I stuck to first-position chords I could get that "thumb-thump" that my dread couldn't.

 

Every tool has its own special purpose, I suppose. I found that out the hard way when I used a drill bit instead of a reamer on the rosewood faceplate on my Tak's headstock. :(

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Posted

 

Originally posted by knockwood

Simplicity. One thing I love, looks-wise, about many Martins is that they look so basic... But when they make 'em right, which is most of the time, they sound anything but. This doesn't just apply to Martin. Generally I think when it comes to bling, less is more.


Example:


 

 

Ooooh, I want that Santa Cruz so bad I can taste it!

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Posted

 

Originally posted by tiger roach



Ooooh, I want that Santa Cruz so bad I can taste it!

 

 

and how many of us imagine we can hear it? Not a few, I bet. How do these companies get into our heads?

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Posted

 

Originally posted by tonedrops



and how many of us imagine we can
hear
it? Not a few, I bet. How do these companies get into our heads?

 

 

Same way the chick in the tight sweater gets into your head from across the room. The image suggests playability, pleasing sounds...

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Posted

 

Originally posted by knockwood



Same way the chick in the tight sweater gets into your head from across the room. The image suggests playability, pleasing sounds...

 

 

we are so so vulnerable to manipulation.

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Posted

I have an old Kay archtop of indeteminate age. 1940's, early 50's, I can't tell. It has an ugly white pickguard that's turning yellow with age, and a crap brown finish. High action, real beat up body, lots of nicks, scratches, dings and dents, it looks like it's spent far too much time hanging out at the bar, maybe got the crap beaten out of it once or twice. It's been around the block a few times and sounds like it, with the chunky thunk of a guitar destined to play the blues. Woody and agressive. Puts the notes right out front, in your face. Sustain ain't in its lexicon, but quick decay is. If you pick up this guitar, you'll end up playing something funky. Now to me, that's mojo.

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Posted

 

Originally posted by da mayor

I have an old Kay archtop of indeteminate age. 1940's, early 50's, I can't tell. It has an ugly white pickguard that's turning yellow with age, and a crap brown finish. High action, real beat up body, lots of nicks, scratches, dings and dents, it looks like it's spent far too much time hanging out at the bar, maybe got the crap beaten out of it once or twice. It's been around the block a few times and sounds like it, with the chunky thunk of a guitar destined to play the blues. Woody and agressive. Puts the notes right out front, in your face. Sustain ain't in its lexicon, but quick decay is. If you pick up this guitar, you'll end up playing something funky. Now to me, that's mojo.

 

 

Yup, that descrinbes the tone of my Kay flat top to a "T". Punchy with no sustain and good for playing the blues.

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Posted

 

Originally posted by da mayor

I have an old Kay archtop of indeteminate age. 1940's, early 50's, I can't tell. It has an ugly white pickguard that's turning yellow with age, and a crap brown finish. High action, real beat up body, lots of nicks, scratches, dings and dents, it looks like it's spent far too much time hanging out at the bar, maybe got the crap beaten out of it once or twice. It's been around the block a few times and sounds like it, with the chunky thunk of a guitar destined to play the blues. Woody and agressive. Puts the notes right out front, in your face. Sustain ain't in its lexicon, but quick decay is. If you pick up this guitar, you'll end up playing something funky. Now to me, that's mojo.

 

 

Good post. I have this 60's Harmony H162 I picked up for about $100. It's beat and scratched and gouged all to hell and it needs a neck reset, but something about the thing has been growing on me since the first time I picked it up. I notice that every time I put it in my lap, I automatically hit up some blues. "Chunky thunk" is about right. Mojo.

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Posted

i have a Blue mic... which has a real vintage/mojo vibe to me... my ears aren't trained enough to really tell you the nuances, but it sounds good... BUT i think i sing better into it than the neumann's we were using in the studio. its got some mojo workin.

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Posted

Yup, that descrinbes the tone of my Kay flat top to a "T". Punchy with no sustain and good for playing the blues.

 

:thu: Sounds like a keeper to me. Something about those old Kays. Well, some anyway.

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