Members learn'r Posted January 21, 2007 Members Posted January 21, 2007 I put a mic near the bridge and one of these pups on the top of the neck (treble side?) - I like it. By putting it up that far from the body of the guitar I took away much of the squeak and percussive sounds. http://jacksmusicstore.com/images/products/ftd/acc/pku/ast/wcp-60g-big.jpg
Members Terry Allan Hall Posted January 21, 2007 Members Posted January 21, 2007 I put a mic near the bridge and one of these pups on the top of the neck (treble side?) - I like it. By putting it up that far from the body of the guitar I took away much of the squeak and percussive sounds.http://jacksmusicstore.com/images/products/ftd/acc/pku/ast/wcp-60g-big.jpg Ever try sticking a contact P/U directly to the neck block? Likely a similar sound. Back when I used a magnetic soundhole P/U on my acoustics, I'd do this as well, then mix the two signals together, using an internal "panpot" to get the balance right. Sounded better on my 6-strings, as the 12-strings still has the octaves on A, D, and G leaping out at you (due to the magnetic properties), which is why I finally went to USTs.
Members learn'r Posted January 21, 2007 Author Members Posted January 21, 2007 Ever try sticking a contact P/U directly to the neck block? Likely a similar sound.thanks TAH
Members Terry Allan Hall Posted January 22, 2007 Members Posted January 22, 2007 Ever try sticking a contact P/U directly to the neck block? Likely a similar sound. thanks TAH Hope it works for ya!
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