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fingerstyle blues guitar


darksun

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im thinking about buying a guitar spacifically for fingerstyle blues, as some of you may know im currently taking classical lessons- this is to improve my fingerpicking-but my ultimate aim is to play blues, after 6 months of lessons im beginning to fall in love with classical so my blues ambitions may change, i'll probably end up playing a combination of both,:) anyhoo, i know very little about fingerstyle guitars is there a spacific body shape? does the action have to be a certain height (would shimming the saddle to raise action on ANY guitar suffice) ? a friend suggested seagull guitars (but couldnt remember spacific model) as being good for fingerpicking, any suggestions? as many suggestions as possible please some brands are not easily available here,:thu:

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hey darksun-

the field is wide open to you. just about any ol' thang works for blues. lots of folks like a mahogany top, like a 15 series Martin. many go for a small-bodied guitar, such as an 00. But people play blues on all guitars. OMs are nice. In your part of the world, all the Canadian makers should be readily available; A & L, Larrivee, Seagull. Pick your budget and run with it!

Now, I know there's some Taylor-haters here, but I'm not one of them. I have one and I like it pretty well, but I believe it is too bright for the blues. I prefer a Martin or a Larrivee with a more traditional look, feel & sound for the blues which fits into that frame better.

Of course resonators are all about the blues. Don't overlook those in your quest.

happy hunting, darksun.

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Get a used Yamaha FG75. LB suggested this guitar to me a while back. He nuts into the blues and he says this guitar makes for a great blues box. He also said they could be had in decent condition for around 75-100.00 US on ChEat-Bay.

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Darksun,

You got some great advice so far. String height is a matter of personal preference. I prefer low action for fingerstyle and medium-low action for strumming / flatpicking.

 

Small body guitars tend to be prefered for fingerstyle guitar. They produce strong, clear mids. In other words, individual notes of chords / arpeggios ring out clearly without being drown out by over powering bass tones (like a typical dred). That's not to say that small body guitars lack basss, they are just more balanced.

 

I got a Larrivee OM-03 last week. It sounds great for a variety of styles.

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for fingerstyle you might look at a guitar with a wide fingerboard, for easier finger picking, and more 'room' between the strings.Also you might want a flat neck radius(how flat or rounded the fingerboard and frets are) as classical guitar fingerboards are wide and flat compared with regular acoustics and electrics. might be more comfortable.

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for fingerstyle you might look at a guitar with a wide fingerboard, for easier finger picking, and more 'room' between the strings.Also you might want a flat neck radius(how flat or rounded the fingerboard and frets are) as classical guitar fingerboards are wide and flat compared with regular acoustics and electrics. might be more comfortable.

ya, thats something i forgot to mention, i prefer the wide neck on my classical

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thanks guys,great replies, lots to work with there, funny you should mention dreads hud, thats what i have at the moment.

 

Some people prefer to play fingerstyle on a dred. There is no "right" answer. I hate to limit my choices in anything in life by always sticking with tradtional methods. I feel it limits my choices and hurts my creativity.

 

Another factor mentioned by quackzed is the width of the nut and radius of the fretboard. Many small body guitars tend to have a 1 3/4" nut and a fairly flat radius. The wider nut normally translates to wider string spacing at the saddle, therefore allowing the player a bit more room to use their fingers between the strings better. It is another reason fingerstyle players tend to prefer a wider nut.

 

Most dreds have a 1 11/16" nut. That keeps the strings closer together at the saddle, therefore making strumming and platpicking a bit easier. Again, it is a matter of personal taste. Your dred may be fine for fingerstyle blues, but I'm positive a new guitar would motivate you more. ;)

 

With that said, I've been using my new OM for fingerstyle AND strumming.

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All really good advice - in reality you can play the blues on almost anything (except maybe a Taylor LOL). Lets look at what some old (and new) players have used

RJ - Gibson L1
MJH - Martin OM of some sort (in some pictures at least)
Rev GD - Gibson SJ-200
Heddy Ledbetter, Barbeque Bob - Stella 12 string
Bukka White and so many others - National style 0
Bonnie Raitt (early days) - National style 0, (I remember a tricone too)
Rory Block - OM-28RB, OM-28V
(interestingly, Rory says that both she and Raitt had Stellas as their first guitars)
EC - 000-28EC (and others), old Dobro on "Unplugged"
Doc Watson (I guess Deep River Blues is the blues) - Gallagher dread

If I were setting out to buy a blues only acoustic guitar today I personally would want a small body, wide neck and bridge, probably mahogany (maybe all hog), 12 fret slothead ('cause they've got that mojo) - mmmm, sounds a bit like the 000-15S. Then I would take it down to the Crossroads and start dealin' with old Guy...

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If you can find one, a Tacoma parlor might be your best bet for fingerstyle blues - the body size is based on the Gibson Nick Lucas model, and it has a 25.5" scale and 1.75" width at the nut. Seems to me to be the obvious choice.

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I bought a Seagull dread cutaway. It has the wide board. The factory action was okay but I like mine pretty close so it's at the repair tech getting lowered - hope to pick it up tonight. I'm learning to use a flatpick but I prefer to play fingerstyle and the Seagull is great for it.

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i need to do some research on body types because i dont know what 00-OOO or OM mean,what im looking for is a steel string with the body type (whatever it is) of a classical, plus as close as possible to the nut width, martins are not easily found here so im thinking SEAGULL folk size, anyone have anything good or bad to say about them?

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i need to do some research on body types because i dont know what 00-OOO or OM mean,what im looking for is a steel string with the body type (whatever it is) of a classical, plus as close as possible to the nut width, martins are not easily found here so im thinking SEAGULL folk size, anyone have anything good or bad to say about them?

 

 

Take a clean towel and throw it inside the guitar as a resonance damper and voila, instant plucky blues snap. Or, invest in a soundhole type. There's a lot you can do to harmlessly experiment with adjusting the sound of your guitar for pennies without buying a new one. If nothing works, then at least you've tried.

 

Me? I replace all of my guitars when just one gets me bugged. Just thought I'd admit to that before someone else here noted I don't take my own advice.

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lots of blues player's instrument choices here


http://www.earlyblues.com/blues_singers.htm

howard's link got me thinking about early blues players and how they made do with whatever guitar was available to them, and did pretty well you must agree, makes me wonder if GAS is impeading our progress, if we cant get what we want from a guitar we ditch it and get another when often the problem is not the guitar but our ability, a lot of those guys made great music on what would today be considered low end beginner guitars, are we looking for easy options and avoiding the 99% perspiration talent is supposedly made of? oh the other hand is'nt GAS great?:D

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