Members KINNORDAVIYD Posted August 28, 2007 Members Posted August 28, 2007 Is anyone using the cut or partial capo in any of their songs? I've heard some mention using a full capo and getting some alternative tunings, but I have been picking around with some Celtic/Irish Folk Melodies and rhythms and the Kyser Cut Capo works even better great. I can get some really neat tunings while using a full capo and a cut capo together. The cut capo seems to be good, alone, only on the 2nd Fret, but you can put a full capo on the 1st Fret and the Cut Capo on the 3rd Fret, for instance; form the chords the way you usually do and see what voicings you get. It seems that you must always place the full capo and the cut capo 1 fret apart (i.e. 1st/3rd; 2nd/4th; 3rd/5th; etc.) or nothing sounds good. kinnordaviyd guitarplayer@toast2.net www.meetyourband.com/kinnordaviyd
Members DonK Posted August 29, 2007 Members Posted August 29, 2007 Is anyone using the cut or partial capo in any of their songs? I've heard some mention using a full capo and getting some alternative tunings, but I have been picking around with some Celtic/Irish Folk Melodies and rhythms and the Kyser Cut Capo works even better great. I can get some really neat tunings while using a full capo and a cut capo together. The cut capo seems to be good, alone, only on the 2nd Fret, but you can put a full capo on the 1st Fret and the Cut Capo on the 3rd Fret, for instance; form the chords the way you usually do and see what voicings you get. It seems that you must always place the full capo and the cut capo 1 fret apart (i.e. 1st/3rd; 2nd/4th; 3rd/5th; etc.) or nothing sounds good. kinnordaviyd guitarplayer@toast2.netwww.meetyourband.com/kinnordaviyd I use one of those "drop D" things (I think it's a Kyser). It capo's everything except the low E, so if you use it at the second fret you've got a DADGBE tuning except a full step higher. I like it because you can do stuff with a D drone in the bass. I use alternate tunings occasionally, mostly DADGAD and DADGBD. Most of the other ones seem to require you to dedicate a guitar, because you've got to adjust your string gauges to avoid having too little or too much tension on specific strings from a stock set. I've thought about getting that capo that lets you capo or not capo each string individually: is that what you're using?
Members DeepEnd Posted August 29, 2007 Members Posted August 29, 2007 I've played around with using my Schubb on the 5 upper strings at the 2nd fret (drop D) and the 4th fret (drop E?). I've never actually played much of anything that way though.
Members KINNORDAVIYD Posted August 29, 2007 Author Members Posted August 29, 2007 Don K, I didn't find a use for the drop D capo, at least after I found the partial or cut capo. The cut capo barres only strings 3,4,5 thus leaving the Low E and the B and High E string open. Of course if you use the cut capo on the 3rd Fret with a full capo on the first, things change a bit as the Low E now becomes an F and the B becomes a C and the High E becomes an F. Check out www.kysermusical.com
Members DonK Posted August 30, 2007 Members Posted August 30, 2007 Don K, I didn't find a use for the drop D capo, at least after I found the partial or cut capo. The cut capo barres only strings 3,4,5 thus leaving the Low E and the B and High E string open. Of course if you use the cut capo on the 3rd Fret with a full capo on the first, things change a bit as the Low E now becomes an F and the B becomes a C and the High E becomes an F. Check out www.kysermusical.com I got into the drop D capo because I play so much of Steve Stills' stuff, and he constantly plays in tuning with a D in the bass. You can mimic a lot of his stuff just by dropping the low E to D, same with some of Neil Young's stuff. I might try out one of those capos that lets you adjust for each string separately. I wish I had the patience to mix two capos, but one throws me off enough. BTW, what's the guitar in your avatar (I assume that's a pic of you)? Is that your Tak? The little bit showing looks like a Martin.
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