Members vangkm Posted November 25, 2012 Members Share Posted November 25, 2012 I've worked with a few DAWs (tracktion, garageband, line6 stuff, Reaper)...the quality of the final product never sounds as good as when you're listening to the tracks through the DAW. Why is that? Any solutions? Link to comment Share on other sites More sharing options...
Members Zooey Posted November 25, 2012 Members Share Posted November 25, 2012 It really shouldn't unless you are exporting to a lossy format like MP3. There's an experiment you can try: bounce or render your mix as usual in uncompressed format. Import that mix back into a stereo track in your DAW and listen to it. Does it sound the same as it did before you rendered the mix, or not? If it sounds good in the DAW, then the difference you're hearing is due to the difference in playback systems. Link to comment Share on other sites More sharing options...
Members CME Posted November 25, 2012 Members Share Posted November 25, 2012 Also are you doing any SRC or bit-depth changes? If so those change the sound also. So if you're recording at say 44.1khz with 24-bit files, running through a 32 or 64-bit mix engine, and bouncing down to a interleaved 44.1khz 16-bit file, there's a fair amount of places for the sound to change. And yes are you comparing it inside the DAW? In the same room? All of those things change the sound also. Link to comment Share on other sites More sharing options...
Members BushmasterM4 Posted November 25, 2012 Members Share Posted November 25, 2012 I know in Tracktion it offers "real time" rendering which I always do. Some plugins may introduce artifacts when doing a quick render. Real time renders do it, well in real time. If the song is 4 minutes then it takes at least 4 minutes. You may check and see if your current DAW offers that option. I would imagine they all do. Link to comment Share on other sites More sharing options...
Members ShadowsofBirds Posted November 26, 2012 Members Share Posted November 26, 2012 This may or may not be the issue but - mixing down with your levels too high will make it sound not good. (even if you can't hear obvious clipping.) You want your peaks to be roughly -3db. Link to comment Share on other sites More sharing options...
Members vangkm Posted November 26, 2012 Author Members Share Posted November 26, 2012 I'm pretty much a noob when it comes to recording so I'll give all those tips a shot. Even when I export to a high quality wav things don't sound quite as good played back in itunes. Link to comment Share on other sites More sharing options...
Members mister natural Posted November 26, 2012 Members Share Posted November 26, 2012 or turn it up - even a 1/2db of attentuation between the original and the recording will make a difference Link to comment Share on other sites More sharing options...
Phil O'Keefe Posted November 27, 2012 Share Posted November 27, 2012 Originally Posted by vangkm I'm pretty much a noob when it comes to recording so I'll give all those tips a shot. Even when I export to a high quality wav things don't sound quite as good played back in itunes. iTunes has all kinds of things that can affect the sound quality. First of all, if you import it into iTunes and have iTunes set to convert everything to AAC or MP3, that will definitely affect it. There's also automatic audio level matching, EQ, and other user-adjustable settings in iTunes that can significantly change the sound too. Changing the playback system, or any significant part of it, or changing the playback location (room) is pretty much guaranteed to change the sound to some degree too. But assuming you did a 24 bit 44.1kHz recording, then bounced down to a 24 bit, 44.1kHz stereo file (rendered in real time), and the bounce down was all digital, there should not be any difference in the sound of the DAW's stereo output and the DAW's rendered / bounced down stereo mix - especially if they're played back at the exact same level, and through the same system. I agree with the suggestion to try re-importing the stereo mix into a new stereo track in your DAW, alongside the existing multitracks. That way, you can use mute groups to jump back and forth between them and the stereo mixdown in an instant, and do direct, side-by-side, level-matched comparisons. Link to comment Share on other sites More sharing options...
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