Members metallica_00 Posted May 12, 2008 Members Share Posted May 12, 2008 As we all know, the Dumble name has a lot of mystique and many famous players attached to it. They're probably most noted for the Robben Ford/Larry Carlton tone - this fantastic smooth yet biting, sustain rich overdrive tone. I've never played an amp or amp/pedal combo that can achieve a tone like what they get. Obviously they are superior players and that is part of it, but I am good enough player where I would notice if a rig was able to generate those tonal characteristics. There is definitely something special about those sounds. What is so unique about this design? It's not necessary *the* Dumble, because I've heard clips of clones by Fuchs, etc. that get that kind of sound. But what separates the Dumble-style amp from other designs which are usually Marshall or Fender based? Why are the only amps that can get this sound so expensive? We don't need to get into the virtues of trying to copy someone's tone, or whether any amp is worth so much money. But the D-style amp is certainly unique - WHY? Link to comment Share on other sites More sharing options...
Members o.versteer Posted May 12, 2008 Members Share Posted May 12, 2008 Interesting topic. Start here: http://en.wikipedia.org/wiki/Dumble_Amplifiers It's an overview with some interesting links to more detailed background, including what makes them "special". Link to comment Share on other sites More sharing options...
Members peavey_impact Posted May 12, 2008 Members Share Posted May 12, 2008 Cork-sniffery Link to comment Share on other sites More sharing options...
Members Teranishi Posted May 12, 2008 Members Share Posted May 12, 2008 there was another lame thread about Dumbles really recently Link to comment Share on other sites More sharing options...
Members hondro Posted May 12, 2008 Members Share Posted May 12, 2008 is this the sound everyone's jizzing over? [YOUTUBE]h0NAofXeieM[/YOUTUBE] Link to comment Share on other sites More sharing options...
Members Faber Posted May 12, 2008 Members Share Posted May 12, 2008 As we all know, the Dumble name has a lot of mystique and many famous players attached to it. They're probably most noted for the Robben Ford/Larry Carlton tone - this fantastic smooth yet biting, sustain rich overdrive tone.I've never played an amp or amp/pedal combo that can achieve a tone like what they get. Obviously they are superior players and that is part of it, but I am good enough player where I would notice if a rig was able to generate those tonal characteristics. There is definitely something special about those sounds.What is so unique about this design? It's not necessary *the* Dumble, because I've heard clips of clones by Fuchs, etc. that get that kind of sound. But what separates the Dumble-style amp from other designs which are usually Marshall or Fender based? Why are the only amps that can get this sound so expensive?We don't need to get into the virtues of trying to copy someone's tone, or whether any amp is worth so much money. But the D-style amp is certainly unique - WHY? Hype is a BIG part of it. Some very fine players have used them and sound great with them. But then those great players sound great through most anything.Also, few people have tried one, and so it becomes the stuff of legends. Link to comment Share on other sites More sharing options...
Members mdog114 Posted May 12, 2008 Members Share Posted May 12, 2008 They're designed a little differently than most. They have a different way of accomplishing the OD sound from most amps. I have a Fuchs ODS30, a Dumble clone, and it's a great amp! The clean channel actually feeds the dirty channel, whereas most 2 channel amps have separate pre sections for each channel. My amp is not really like a 2 channel amp, it's more of a hybrid. Since the clean channel feeds the dirty, you're kinda stuck with one EQ setting. As most people like to EQ each channel differently, this can sometimes be problematic. I've had mine over a year now, and I'm thinking of getting it modded. I dial-in the clean channel to taste, but when I switch to the OD side, I'm not real happy with the sound. It's real close, but not perfect yet. The amp come stock with a 2 channel FS that selects channel/verb. The amp also has a few push/pull pots for a mid shift & a tone stack defeat. The settings I'm TOTALLY diggin' now are, dialing-in the clean to taste, then when switching to the OD side, defeating the tone stack. I run an Eventide Eclipse in the loop and my verbs usually come from that, so I don't need the verb on the FS. Fortunately, Fuchs can change my switch from affecting the verb, to defeating the tone stack. This way, I can stomp on both buttons at the same time and get the 2 tones I'm looking for. There seem to be many clone builders making copies of this format lately, so there will likely be some used ones popping up. It's not for everyone, but for those that are looking for "that" sound, it gets it. Link to comment Share on other sites More sharing options...
Members Welladjusted Posted May 12, 2008 Members Share Posted May 12, 2008 I think it's significantly more psychological than anything else. Fuchs and Two-Rock lack the same mystique, despite being about as close as you can get to them tonally for significantly lower cost. It does kind of make sense though. Guys who use Dumble's are generally known for having enviable tone, and they're exceedingly rare. Link to comment Share on other sites More sharing options...
Members RoboPimp Posted May 12, 2008 Members Share Posted May 12, 2008 is this the sound everyone's jizzing over? yeap, that elusive TS into a twin tone Link to comment Share on other sites More sharing options...
Members Brother_Budro Posted May 12, 2008 Members Share Posted May 12, 2008 http://schematicheaven.com/howard_dumble.htmi liked thisdumble is a big dudehe probably big boys people into loving his amps Link to comment Share on other sites More sharing options...
Members guitarcapo Posted May 13, 2008 Members Share Posted May 13, 2008 Alessandro is the man. Dumbles are way overrated. Link to comment Share on other sites More sharing options...
Members goth70 Posted May 13, 2008 Members Share Posted May 13, 2008 There is a very spendy pedal that is suppossed to be a Dumble in a box. Its called the Gain Stage Red made by Jetter. Link to comment Share on other sites More sharing options...
Members metallica_00 Posted May 13, 2008 Author Members Share Posted May 13, 2008 There seem to be many clone builders making copies of this format lately, so there will likely be some used ones popping up. It's not for everyone, but for those that are looking for "that" sound, it gets it. Well that's sort of what I'm saying...there's plenty of builders making similar circuits like Fuchs, Two Rock, Bludotone. And from clips I hear they do what they're supposed to do, I doubt the real Dumbles are much better. but every Dumble-style circuit is extremely expensive. Is there something inherent in the nature of the design that makes it extremely expensive to produce and replicate? I understand what you're saying about the EQing...from reading that wikipedia link above it seems like the sound goes through the EQ, then there are a couple gain stages after that which provide the distortion on the overdrive side. Link to comment Share on other sites More sharing options...
Members bloolight Posted May 13, 2008 Members Share Posted May 13, 2008 Honestly, this is such a hot-button issue that you'll probably never get much of an answer. The way I've always understood it, the enormous cost of real Dumbles is partly due to the fact that the guy custom-built them to player specifications...I also believe that the aftermarket value is way, way, way higher than Dumble himself ever charged. Link to comment Share on other sites More sharing options...
Members evh1984 Posted May 13, 2008 Members Share Posted May 13, 2008 Don't forget that Stevie Ray used the Dumble Steel String Singer as part of his famous tone. I think the high prices and mystique revolves around the fact that these amps were hand-made and made to order. Link to comment Share on other sites More sharing options...
Members RaVenCAD Posted May 13, 2008 Members Share Posted May 13, 2008 Gimme a Zinky blue Velvet anyday over the Dumble.. Not cuz I wouldn't like to own a Dumble, but because I'm a practical man.. $20k for an amp is NOT my idea of practical.. Link to comment Share on other sites More sharing options...
Members metallica_00 Posted May 13, 2008 Author Members Share Posted May 13, 2008 I think you guys are missing my point/question. Again, let me re-emphasize: I know there will always be this myth about Dumble brand amps because of the exclusivity, the famous names, and the fact that it is likely no of us will ever play one. And this doesn't have anything to do with whether you like that tone or not, or think they're overpriced. All valid points and arguments, but that's not what I'm asking here. What I'm trying to ask is: why has it so far been impossible to obtain this tone at a reasonable price. Why are the clones so expensive? What is intrinsic about the Dumble design that makes that sound largely unattainable? Why have none of the major manufacturers gone after this design even though for so many it's the "holy grail"? Link to comment Share on other sites More sharing options...
Members RaVenCAD Posted May 13, 2008 Members Share Posted May 13, 2008 Line 6 went after it, and I've got a pretty good one sitting here in my X3 =) Link to comment Share on other sites More sharing options...
Members rummy Posted May 13, 2008 Members Share Posted May 13, 2008 yeap, that elusive TS into a twin tone Touch'e. Link to comment Share on other sites More sharing options...
Members evh1984 Posted May 13, 2008 Members Share Posted May 13, 2008 What is intrinsic about the Dumble design that makes that sound largely unattainable? Why have none of the major manufacturers gone after this design even though for so many it's the "holy grail"? This: + This: = This: Link to comment Share on other sites More sharing options...
Members tinwhisker Posted May 13, 2008 Members Share Posted May 13, 2008 It's the SS diode fuzz/ tube hybrid thing, "TS into a Twin" indeed. Marshall tried the same thing, sort of, with the Jubilee/Slash amp. Link to comment Share on other sites More sharing options...
Members Runn3r Posted May 13, 2008 Members Share Posted May 13, 2008 This: + This: + = This: fixed:o Link to comment Share on other sites More sharing options...
Members metallica_00 Posted May 13, 2008 Author Members Share Posted May 13, 2008 You guys actually think a TS and a Twin sounds like a Dumble? I sure don't Link to comment Share on other sites More sharing options...
Members evh1984 Posted May 13, 2008 Members Share Posted May 13, 2008 You guys actually think a TS and a Twin sounds like a Dumble? I sure don't This just goes to show that the Fender Telecaster is the polygraph of electric guitars. Link to comment Share on other sites More sharing options...
Members Samnite Posted May 13, 2008 Members Share Posted May 13, 2008 I've always thought that a Dumble sounds more like a Vox than a Fender or a Marshall. That same smooth overdrive, but it seems like there's an SS-like component to it. I dunno. It sounds good. Link to comment Share on other sites More sharing options...
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