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How about a little Pacifica love?


Phil O'Keefe

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I recently had the chance to spend some quality time with the limited edition Pacifica 611VFMX. This is the first time I've reviewed a Yamaha Pacifica, but I was pretty darned impressed with it...

 

For all the details, please have a look at the full review.

 

 

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http://www.harmonycentral.com/expert...cifica-611vfmx

 

 

As always, if you have any questions or comments about the review, or want to discuss the guitar, please feel free to post your thoughts here.

 

 

 

 

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I own a Pacifica 30312 string and it sounds as good as any 12 string I've owned at about 1/5 the price. The pickups are good but I replaced the bridge with a Barden Strat PU no noise and more treble. I own a Gibson EDS 1275 and have owned a Rick 360 12 and a Firebird XII.

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I have one of their low end budget versions someone gave me. I pulled it apart to refinish it but never got around to starting the project.

Its got a very cheap neck and the body is likely plywood so I haven't been very motivated to get to work on it. I likely have to make my own pickguard for it too. The one you posted does look like its a much better build.

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Nice review. Yamaha makes a nice product all across their various lines. Personally, I think the "root beer" color is cool. The 611VFMX wouldn't specifically appeal to me unless I blocked the trem and I think it would look better with all black hardware but those are minor issues.

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Interesting that you prefer the trem flat instead of floating. I really don't like the of only down instead of warbling around a note above and below. It is more of a pain for tuning' date=' you're right.[/quote']

 

I hold notes against bent notes a lot, and I have perfect pitch, so with a floating bridge, as the one note is bending, I can hear the other note being pulled slightly out of tune, which is annoying for me - but it's probably something most people won't notice, or if they do, it probably won't bother them as much as it does me. :0

 

I have the bridge on my Strat set flat against the top and cranked down pretty hard to avoid the problem, but the downside is that you can only use the bar to drop the strings - you can't do a true vibrato with it that goes up / down and slightly above and below the true pitch of the note with it when it's set up that way.

 

 

 

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Agreed - I keep my Anderson decked with the springs tight, so it doesn't do that. I don't put the bar on the guitar.

 

I have the Strat set up to float in the unlikely event (eg: Lenny by SRV) that I need that. I can't play that song with a trem that only goes down.

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  • 4 weeks later...
I'm a fan of Yamaha electric guitars in general' date=' but I was disappointed that they have regressed to a squared-off, blocky neck joint. [/quote']

 

Were they using a rounded-off or otherwise modified bolt-on neck for some of the previous Pacificas? If so, I must have missed those... but FWIW, I never felt like the neck joint was a major issue in terms of blocking upper-fret access. YMMV.

 

 

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Were they using a rounded-off or otherwise modified bolt-on neck for some of the previous Pacificas? If so, I must have missed those... but FWIW, I never felt like the neck joint was a major issue in terms of blocking upper-fret access. YMMV.

 

 

This is the heel or complete lack of on a PAC921. This neck joint was used on guitars down the 5XX level.

 

 

 

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Odd man out here.

I have never owned a Yamaha stringed Instrument.

I have owned a few of there fx stuff like the SPX90 and I do own a set of there digital drums.

 

This set to be more exact.

 

Digital drums are awesome for keeping a smaller house in harmony. I git real drums too, but there's less harmony in my house when I am beating on them. 30 more minutes can easily turn into 3 more hours. Especially for a guitar player.

 

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I can't join the Pacifica love cuz I've never owned or even played one.

 

But over the years I've accumulated:

 

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And more recently a

 

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So one could say, I'm a bit of a fan, but actually, aside from the Revstar, it took me a little while to warm up to the other 3. The SBG700S was a poor mans SG2000, but I got happier with it after I swapped in some Gibson 496/500 p'ups. Those turned out to be a good compliment after my first attempt to upgrade with Duncan '59/PG failed to be good tonal matches.

 

The RGX A2 probably took me the longest to "get into" but I discovered it to be quite comfy and a nice sounding guitar with moderate OD, just not a guitar one would grab for cleans, but with some OD, it comes alive.

 

The Troy Van Van Leeuwen SA503 also comes alive with a little OD, and it kicks the ass of my Epi Riviera P93. I brought the TVL to my first ever paying gig because I decided I could cover more bases with that one guitar than anything else I could think of in my arsenal.

 

The Revstar pleased me out of the box.

 

I can't remember where the first two were made, but I have the say, the last 2 came from Indonesia and I learned there's some quality manufacturing coming out of that country. Same holds true with the Supro I bought last year. But I was glad that I was able to pick up the TVL for about 5 bills.

 

But although this might be a bit OT, I thought I'd share my Yamaha stable mates. When I get home tonight, I'll be sure to paw my Revstar.

 

:0

 

P.S. the first pic is my guitar, the other 3 are images I had to grab from the web since the Armageddon of photobucket hosted images. :angry47:

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I can't join the Pacifica love cuz I've never owned or even played one.

 

But over the years I've accumulated:

 

 

Very nice!

 

I've never owned a Yamaha guitar (although I have a fair amount of other Yamaha gear), but I've played a few (besides the Pacifica, which I really liked) that I thought were really nice instruments - several have tempted me over the years. I think the one I liked the most was a Weddington Custom. It played like butter and sounded great too.

 

 

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A Yamaha guitar worked very well for Carlos Sanatana, back before he became a PRS guy.

 

 

 

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Is this Jeff Beck, playing a Yamaha? IDK.

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[video=youtube;7ZMtRXeFezA]

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Yeah, they tend to strike me as instruments that would be less than an A rating, but fairly solid bargains in a B- to B rating, sorta like, their tone may not be top notch, but there's usually something unique in their sound that can provide the essentials along with good stability and durability. Kinda like love at second or third sight. ;^)

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