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Help Setting Mains EQ


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Hi everyone - new to these parts and new to live sound. I'm a musician who has limited knowledge of live sound.

 

My question - What are the steps to EQing the FOH. Do you ring it out, or use an analyser? Or run recorded music thru? I've got a 31 band. The system is in a church - modern facility.

 

Right now its set flat. Am using a Mackie 2404 mixer. Just never was taught what is the best method.

 

Right now, the system sounds harsh, cold, like it needs more low mids.

I guess just experimentation is in order?

Thanks, Dan

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IMHO, a good place to start is getting the room flat using pink noise and an analyzer. The Phonic PA-2 is a good, relatively cheap real-time analyzer.

 

After saying that I must admit that a flat system, depending on your speakers, can sound just as bad as it did before, but at least you will now have a starting point.

 

From there I would put on the best recorded and the most familiar (to you) cd that you have. Listen to the cd everywhere... Reference monitors, in your car, an existing PA, wherever... Become very familiar with it. Then, once you know how it should sound (or at least how you think it should sound) try and mimic that sound in your new venue. Go for the shiny, but not harsh, highs and the full deep lows all while keeping the low-mids tight.

 

Warning: DON'T just boost all of the low end to +12 if you need more low end. Your system may not just have it or you may need to turn up the sub amp.

 

Warning: Try and not do ALL boosting or ALL cutting... Try and "center" your changes around zero so that you are doing a roughly equivalent amount of cutting and boosting.

 

If any of this is wrong please correct me! But of course there are different philosophies... Thanks for reading.

 

Matt

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on any normal occasion i will usually run my 31 relatively flat. i will pull problem freqs as necessary.

 

some freqs i pull in the situations i am in:

 

120 (occasional)

160

680

800 (rare)

5k

 

i'll pull out 3db sometimes of these, sometimes different freqs depending on location.

 

i just dont particularly love 5k, so that usually gets dumped by 1db or so. depending on the room/system this particular freq could be 4k or 6k. beta58s can make me more aware of this situation.

 

the older i get, the flatter i run my eq and the more i arrange the system to accomodate the situation.

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usually, the least amount of eq required to do the job is best. Don't fret over the small stuff, those may be measurement anomolies.

 

Speaking of anomolies, note that a graphic eq and RTA only look in the frequency domain in that they can not correct for response issues due to time domain problems. To try to do so will usually make the system sound worse.

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Hi everyone - new to these parts and new to live sound. I'm a musician who has limited knowledge of live sound.


My question - What are the steps to EQing the FOH. Do you ring it out, or use an analyser? Or run recorded music thru? I've got a 31 band. The system is in a church - modern facility.


Right now its set flat. Am using a Mackie 2404 mixer. Just never was taught what is the best method.


Right now, the system sounds harsh, cold, like it needs more low mids.

I guess just experimentation is in order?

Thanks, Dan

 

What speakers are you using? If you think you need more low mids could be you need different speakers?? Are you running subs with this rig? Try running a CD that closely resembles the live music that will be played, then try tweaking your channel strip EQ first before you reach for your Graphic.

Jess...:thu:

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What speakers are you using? If you think you need more low mids could be you need different speakers?? Are you running subs with this rig? Try running a CD that closely resembles the live music that will be played, then try tweaking your channel strip EQ first before you reach for your Graphic.

Jess...
:thu:

Sounds backwards to me. It makes no sense, IMO, to adjust your main EQ to a tweaked channel strip.

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Thanks everyone for the suggestions so far - :thu:

I'm using 2 -JBL 18" subs and flying 2 EV 15"w/horn(don't know models off hand)

I will try the CD technique first. Sounds like the best approach to start.

The previous soundman had a BBE sonic maximizer hooked up - anybody like these? :freak:

I trust my ears to get a good quality sound, just didn't know if there was a standard EQ setup procedure to use.

Thanks, DAN

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Sounds backwards to me. It makes no sense, IMO, to adjust your main EQ to a tweaked channel strip.

 

 

That's what i said?? Maybe wrong choice of words?? What i meant was set FOH graphic flat, play CD and if any adjustments are needed to play with the channel strip eq first before using the GEQ, Otherwise what frequ may be needed on a certain instrument may not be needed on others, so adjusting your mains eq for eg may get you that extra low/mids your looking for but it may turn your vocals into sounding like a pack of wild geese a honkin .

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But when I choose that first CD, I am choosing and listening to something that allows me to hear the true response of the system hooking up to that room. I want the channel; strip flat until I feel like I've dialed in the initial main EQ.

 

Fair enough...I see your point. I guess we all have different ways we like to do things.

Jess....:thu:

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I think the channel strip EQ is a quick and dirty. It's a good way to get a rough idea of where you need what, especially for a CD.

 

I would also look at the other components of the system. Microphones, speakers other processing. Honestly, I would get rid of the sonic maximizer.

 

Then, using the channel strip, find out what your system needs to sound pleasing to your ears. Is it high end? Mids? Lows?

 

Then, use that as a basis for what you do to your graphic. Remember, just a smidgen here & there is all you will really need.

 

Once you get mics up, you'll find the needs of your graphic will change. Certain frequencies will sound good and bad to you.

 

The best thing is to start messing around. Usually a few db will do. +/-3 db for the most part.

 

Hope this helps.

 

Johnny

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Always the graphic first for system/room eq and these parameters will affect EVERYTHING passing through the system. Then use the channel eq to fine tune for each specific input.

 

I don't know anybody (successfully) eqing the room with the channel eq. That's like polishinbg an entier truck with a cotton swab. Not very effective.

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Always the graphic first for system/room eq and these parameters will affect EVERYTHING passing through the system. Then use the channel eq to fine tune for each specific input.


I don't know anybody (successfully) eqing the room with the channel eq. That's like polishinbg an entier truck with a cotton swab. Not very effective.

 

 

I agree with you, however, my suggestion is just a 'get an idea' with a few twirls vs. hunt n' peck on the GEQ. Once you get an idea of what the system needs, then, flatten the Channel strip EQ, go back to the GEQ to fine tune. It may not be "the" method, but it is an alternate that works especially for the newly initiated ones.

 

Johnny

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Always the graphic first for system/room eq and these parameters will affect EVERYTHING passing through the system. Then use the channel eq to fine tune for each specific input.


I don't know anybody (successfully) eqing the room with the channel eq. That's like polishinbg an entier truck with a cotton swab. Not very effective.

 

I THINK (I know it's dangerous :) ) what is being talked about here is using the sweepable mids on the channel strip to quickly identify the problem areas in the sound. After they are identified, use the house EQ to adjust those frequencies and set the channel strip flat. Repeat as necessary. While this is not my preferred method I have used it on occassion.

 

Les

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