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Born in the USA record synths. . .


cruciatus

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Hey ya. Probably a simple question, but it seems like Bruce (really Roy and Danny) usually uses synths that, although they certainly sound somewhat dated 2+ decades on, definitely still seem to be "useful" sounds.

 

I'm thinking of the sounds on "my hometown," etc. even the synths on "glory days," "dancing in the dark" and "BitUSA" are pretty decent and haven't aged as horribly as your typical 80's synth-heavy songs. (side note: perhaps b/c it somewhat predates the DX7).

 

also the pads and stuff he uses on Tunnel of Love and Ghost of Tom Joad are just. . .good. I mean you have to like pads, but they're never corny.

 

Does anyone happen to know what they used in the studio?

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I dunno, probably lots of organs or organ emulations. Personally I can't stand his type of music or his "message", it wasn't good 20 years ago and it hasn't gotten any better.

 

I guess if my goal in life was to be lower middle class and down and out he would be my hero.

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Hey ya. Probably a simple question, but it seems like Bruce (really Roy and Danny) usually uses synths that, although they certainly sound somewhat dated 2+ decades on, definitely still seem to be "useful" sounds.


I'm thinking of the sounds on "my hometown," etc. even the synths on "glory days," "dancing in the dark" and "BitUSA" are pretty decent and haven't aged as horribly as your typical 80's synth-heavy songs. (side note: perhaps b/c it somewhat predates the DX7).


also the pads and stuff he uses on Tunnel of Love and Ghost of Tom Joad are just. . .good. I mean you have to like pads, but they're never corny.


Does anyone happen to know what they used in the studio?

 

 

Hammond organ

Yamaha CS-80

Yamaha Grand Piano

Electronic Glockenspiel

Accordian

 

Live it is not much different but they use Kurzwiel gear also. Sometimes Danny uses Roland gear also. If anyone does not like Springsteen that's fine but consider he is more an artist that caters to the tri-state area. Also the E-street band is one of the tightest around and its members are still alive and doing well. Roy and Danny have some of the best phrasing around and could put most modern keyboard players in the toilet. If anyone wants more detail try to get the Keyboard Mag Interview with Roy Bittan December 1986.

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Yes I mean now he uses Kurzwiel gear but the organ piano is still the same. Sounding like him is tough. He never plays the same song the same way. Listen to bootlegs of Backstreets, Thunder Road or Jungle Land. That is not easy {censored} to play because of the phrasing and the classical influenced arppegiated stuff.

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Yes I mean now he uses Kurzwiel gear but the organ piano is still the same. Sounding like him is tough. He never plays the same song the same way. Listen to bootlegs of Backstreets, Thunder Road or Jungle Land. That is not easy {censored} to play because of the phrasing and the classical influenced arppegiated stuff.

 

 

exactly. basically you're in awe of a classically trained guy (NYU as you know) bringing those chops but pitch-perfect rock sensibilities to the instrument. it's basically unfair. too often those guys can't cross over or they sound pedantic or something. somehow he plays perfectly clean and just as busy as he needs to.

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I guess on the "baseball stadium" tour they did a few years back, all three of them came out and played "take me out to the ballgame" on accordion as the show starter.

 

Nils must be an incredible musician, really. he played piano on "after the goldrush" when he must've been around 17. if anything that's my only problem with the band, that to fit all of that talent in and still be in service of "the song" you don't necessarily get to see everyone "shine" to their fullest.

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oh granted, O-kast. "in the service of the music" is absolutely my watchword as well as theirs, clearly, but at the same time it's kind of a bummer that with so many of them up there now, a serious major talent like Nils gets only XX% of the playing "spectrum" to fill up. and there are kids in there who may not realize that, really, dude is deep.

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Yeah there are two pianos on that song. I was listening to that in the car. Apparently Danny said Sancious was not good for a long time and came back after a year as a good piano player. They did not get along that well because Sancious told him what to play all the time. I read that a few years ago. I think the synergy between Roy and him is better.

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I dunno, probably lots of organs or organ emulations. Personally I can't stand his type of music or his "message", it wasn't good 20 years ago and it hasn't gotten any better.


I guess if my goal in life was to be lower middle class and down and out he would be my hero.

 

 

+1000. Screw the working poor and those just barely hanging on to middle class status. And screw any musician who tries to tell their stories. Guthrie, Dylan, Springsteen--bunch of socialist sods.

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  • 9 years later...
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Hi all,

 

My first post...

 

I sent Outkaster a private message on this query, but I thought I'd try the forum too - does anybody know what Roy is playing in Bobby Jean?

 

I'm assuming it's the Yamaha CS-80, as the whole album seems to be laden with that synth, but does anyone now for sure?

 

Cheers.

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