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  • SEQUENCER TEMPO SYNC WHEN YOU CAN’T DO TEMPO SYNC

    By Anderton |

    The ideal—and easiest—answer might be a “MIDI LFO”

     

    By Craig Anderton

     

    Lots of effects parameters have tempo sync—like delay time, tremolo LFO rate, envelopes times, etc. But what if you want to sync, say, filter cutoff or resonance variations to tempo? Thanks to MIDI, it’s easy.

     

    The key is to use a MIDI controller to control the parameter you want to sync, and fit the controller data to tempo. For example, both Cakewalk Sonar and Steinberg Cubase let you “draw” periodic controller data whose period is quantized to tempo. If your DAW of choice doesn’t offer this option, then create a library of MIDI sequences with rhythmic controller values that you can paste in to MIDI tracks. Remember—because it’s MIDI, any controller shapes you create will work at any tempo.

     

    Here’s how to create tempo-synched modulation in Cubase and Sonar.

     

    Cubase: With the Key Editor open, in a controller lane choose your controller (this example shows controller #7—main volume) and click on the Line tool’s drop-down menu. You’ll see options for Line, Parabola, Sine, Triangle, Square, and Paint. Suppose you want the volume controller to sync to tempo with a triangular wave, with one period of the waveform equal to a sixteenth note (Fig. 1).

     

    cubase-fc55d7dd.png.dc9b35209e2e1600ba60f155f112517e.png

    Fig. 1: Steinberg Cubase allows drawing LFO shapes with MIDI controllers.

     

    Select Triangle from the Line menu, then choose the period with the Quantize drop-down menu—in this example, 1/16 is selected (make sure Snap is selected as well). The Length parameter sets the amount of space between controllers, with 1/16th or 1/32nd note being a good compromise between resolution and data density. However, choosing coarser values can give cool “step-sequenced” effects, so don’t ignore that possibility. If you choose Quantize Link, then the control signal's resolution depends on the Zoom resolution.

     

    Once everything is set up, draw as if you were drawing a line; drag the “line” up and down to set the waveform amplitude. The selected waveform will appear as the “line.”

     

    To change the duty cycle with triangle and square waves, hold down Shift-Ctrl (or with the Mac, Shift-Command) as you drag. While still holding down the mouse button and Shift-Ctrl/Cmnd, after defining the waveform’s length drag right of left to change the duty cycle. There are other keyboard shortcut options; refer to the help for details.

     

    Sonar: Sonar allows for automated envelope drawing, including MIDI controller shapes. In Track View, open up an automation lane, and choose the envelope you want to create (Fig. 2).

     

    sonar-f95a1bdc.png.ccbeb62f8ffbc817dbff40c899e2f314.png

    Fig. 2: A triangle wave is being selected as a drawing tool in Sonar.

     

    Right-click on the toolbar's Draw tool, and from the context menu, choose the desired waveform (your choices are Freehand, Line, Sine, Triangle, Square, Saw, and Random—my personal favorite). As with Cubase, the quantization value sets the waveform period.

     

    Click in the automation lane where you want the envelope to start, and also, to set its midpoint value. Drag up or from this point to set the amplitude, then drag left or right to set the waveform’s length. You don’t have to drag on a straight line; if you vary the height, you’ll vary the waveform amplitude, as shown in the screen shot.

     

     

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       Craig Anderton is Editor Emeritus of Harmony Central. He has played on, mixed, or produced over 20 major label releases (as well as mastered over a hundred tracks for various musicians), and written over a thousand articles for magazines like Guitar Player, Keyboard, Sound on Sound (UK), and Sound + Recording (Germany). He has also lectured on technology and the arts in 38 states, 10 countries, and three languages.

     

     

     

     



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