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Morley PVO PVO Volume Pedal
PVO Volume
Overall Rating: I play jazz fusion and now use this volume pedal for swellings in my solos, and for making chords grow smoothly behind a soloist. I have been playing since the mid-60s. I had a Colorsound volume pedal in the mid-70s and the volume cam...
Overall Rating: I play jazz fusion and now use this volume pedal for swellings in my solos, and for making chords grow smoothly behind a soloist. I have been playing since the mid-60s. I had a Colorsound volume pedal in the mid-70s and the volume came very early for that pedal too, so I¿¿m used to it, so to say. With the minimum volume knob it is possible to handle that, IMHO (see above). It gives a very clean sound, and no scratching so far. I have put some oil on the screws that holds the rocker, to get rid of the very silent screeching from the rocker. It also made the rocker run smoother, which made the swellings easier to handle. So, yes, I¿¿m quite happy with this pedal.
Sound Quality: I use this Morely volume PVO pedal in front of my Blues Deville 2x12, and run it only in the clean channel. I have put it last in a chain of a Boss OD3, a Boss DD3 and a Boss Chorus. The amp has a GE JAN 5751 in V1 so the amp distorsion is minimal. The signal coming into the volume pedal therefore is already "finished" and there is no change of the sound if I pull down the volume slightly with the pedal.

There are some negative reviews of this pedal here, and it seems that some of these are based on experiences of the pedal not put in front of the amp. Thats strange since it is said very clearly at Morleys homepage that "The PVO is designed for use in front input of amp only". Only Morleys PLA (Little Alligator) are to be used in loops, not this one. At Morleys homepage it can also be seen that this pedal has a very low current draw of only 2.5 mA. If this was a distorsion or chorus pedal, which that we put on and off, it is so low that there is no need a for a AC adaptor, but since this pedal is "on" all the time an adapter probably is still necessary.

I must say that this pedal sounds very good and delivers exactly what I want it to do.
Reliability/Durability: I`ve only had it for some weeks, but it seems to be reliable. I¿¿ve heard many musicians complain about their volume pedals becoming scratchy after some time, but perhaps this optic solution is the solution of that problem? Too early say, though.
Ease of Use: This is a very easy pedal to use, from a technical point of view. There is only a "minimum volume" control. The swelling technique can be difficult to handle, though, and is up to the player to control. I found that putting the minimum volume at zero (7 o¿¿clock) makes the swellings coming too fast. When put at 12 o¿¿clock the swellings are easier to control. One can then hear pick attack in the background, but the listeners don¿¿t hear them, so that¿¿s OK for me. The pedal has a very transperent and nice sound otherwise.
Customer Support: No contacts with Morley.
Gibson PAF PAF
PAF
Overall Rating: I¿¿m very happy with these pickups now. It¿¿s the best "mod" I¿¿ve ever done. Can¿¿t really understand why the original owner decided to put ceramic magnets in a guitar that sounded like this from start. Fortunately he kept the origin...
Overall Rating: I¿¿m very happy with these pickups now. It¿¿s the best "mod" I¿¿ve ever done. Can¿¿t really understand why the original owner decided to put ceramic magnets in a guitar that sounded like this from start. Fortunately he kept the original magnets and pickup covers so it was a mod that could be reversed. I¿¿ve been playing this guitar for more than 30 years now. Recently I purchased a semi-hollow Gibson Howard Roberts Fusion, since I had a need for a smoother and jazzier sound. If I instead had put back the original alnico magnets in my Les Paul-SG I could have used it for jazz and jazz fusion. It of course does heavy rock too, but that will perhaps not surprise anyone. This guitar now can sound smooth and jazzy, rough and nasty, and everything between. The change Gibson made of the Les Paul model in 1961 definitely resulted in a versatile guitar.
Features: I am reviewing two original PAF pickups, which were stock in my Gibson Les Paul-SG 1961.
Sound Quality: I expected the output level to become much lower. Alembics ceramic magnets were VERY strong: when they were put on the table after they had been removed they were attached to each other and it was difficult to separate them again. The original magnets were weaker, but the output level is still quite high. The sound is not so aggressive anymore. The neck pickup has a smooth character, it¿¿s middy and has a balanced bass, and there are less and smoother highs compared to when the pickup had ceramic magnets. With the neck pickup alone, this old SG can sound almost like a jazzy ES 335, which surprised me. The bridge pickup is very trebly; the position of the bridge pickup is very close to the bridge on early SGs so it¿¿s no surprise. There still is a more balanced sound compared to when it had a ceramic magnet, and it sounds like something I want to call "organic". With distorsion the sound in the bridge pickup alone is very rough and gives lots of pinch harmonic, but it¿¿s not harsh - like it sometimes was with the other magnet type. Before the guitar was screaming, now it sings.
Purchased From: a friend 30 years ago
Gibson Custom ARFUNAGH1 Howard Roberts Fusion III Electric Guitar
Howard Roberts Fusion-III
Overall Rating: I´ve been playing for 42 years. I have owned quite many guitars and this is my second Gibson for the moment - I also have a Gibson Les Paul-SG. In the mid 1970s I had a Gibson ES 335 1963 which I sold in the early -80s, since it was n...
Overall Rating: I´ve been playing for 42 years. I have owned quite many guitars and this is my second Gibson for the moment - I also have a Gibson Les Paul-SG. In the mid 1970s I had a Gibson ES 335 1963 which I sold in the early -80s, since it was not so often played. I was looking for a newer ES 335, but found them being quite expensive today. Since it actually was a jazz-fusion guitar I was looking for, I suddenly found that Gibson had this model, and decided to go for this one instead. And it was a total success; this guitar is more comfortable to play than a ES 335. The neck is smoother and faster, and the neck pickup is jazzier. The bridge pickup can be used for heavy rock, if put close to the strings and with a heavier distorsion pedal. And there´s no feed back, which often was a problem with my old ES 335 on heavy volume. And all this for a better price compared to a ES 335. I would definitely buy another if it was stolen.
Features: I am revieweing a black Gibson Howard Roberts Fusion III from 1997. It has a laminated maple top and back, a balsa-wood centerblock, and the neck is one-piece maple. The maple neck is probably an advantage: I originally was looking for a ES 335 on E-bay. These have mahagony necks and I found that many have neck issues: often the area above/behind the nut is injured or has been broken. This is not so often seen with maple necks? It has two humbuckers: neck 490 R and bridge 490 T. It has all gold hardware, and the specific finger tail piece for this model. The neck is slightly fat and rounded and very comfortable to play. The fingerboard is ebony. The features are not so many, but it´s enough for this type of guitar. I miss the option to split the pickups: a single-coil quack sound on a fusion guitar would have been useful. The stock pickups are according to Gibsons website not four-conductors, so it can not be modded that way.
Sound Quality: This guitar really shines sound wise, and can be used for jazz, jazz fusion, blues and heavy rock. I use a Fender Blues Deville, a Boss OD 3, a Boss Chorus and the neck pickup for smooth jazz-fusion and it sounds just wonderful - it´s like a soft ES 175 but has some nice growl when I press and bend the strings sligtly. I use both pickups for a brighter and sharper ES 335-like sound. The bridge pickup used alone with slight overdrive does not sound so well, but the bridge pickup comes alive and really shines with a RAT-pedal on heavy distorsion. It´s has a lot of agressive harmonic overtones and will probably satisfy any Billy Gibbons-wannabe. So with a overdrive and a distorsion pedal and some tweaking and switching this guitar will definitely live up to it´s "fusion" name.
Reliability/Durability: Everythings looks great on his guitar, the ebony colour is dark as a night and this all maple construction will probably last forever.
Customer Support: Never had any contacts with Gibson.
Purchased From: E-bay
Price: $1200.00 USD
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Date Registered ‎05-24-2004 04:52 AM
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