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Tech 21 CS-BL SansAmp Character Series CS-BL Blonde Distortion Guitar Effects Pedal
Tech 21 Blonde
Overall Rating: Killer pedal for tons of applications- perfect for getting an amp tone when running direct or silently recording.  Throw it in an effects loop to warm up a sterile solid state amp.  Run all of your guitars through one channel- just sh...
Overall Rating:

Killer pedal for tons of applications- perfect for getting an amp tone when running direct or silently recording.  Throw it in an effects loop to warm up a sterile solid state amp.  Run all of your guitars through one channel- just shut it off for acoustic.

Sounds infinitely better than just trying to run an overdrive pedal direct into the PA.

Features:

Great bang for the buck here.  I mainly wanted an amp simulator to use in church when I couldn't use a real tube amp due to volume or space issues.  Further, though, I wanted a pedal that could stand alone for jams or small shows.  The Blonde does it and then some.  It does take some getting used to because the controls (especially the character knob) are all interactive.  It can take you from dark Bassman-like tones all the way through cranked modern Fender amps.  Excellent!

I also like that the EQ knobs have a great deal of range.  I don't find myself deviating very far from 50% because the controls do have such a huge sweep, but every so often I need a huge boost or cut, and I never run out of knob on the Blonde- I love that feature!

Sound Quality:

Doesn't sound exactly like any of my amps, but that's okay.  It has its own character, which is nice.  My typical small church rig is Strat or Les Paul > MI Audio Blues Pro Overdrive > Line 6 M9 > Blonde > PA.  I set it to sound like an amp that's being pushed just a bit (generally have character around noon and gain around 9 o'clock).  The overdrive interacts in a very realistic way with the Blonde.  Works out really nicely to give me a big sound with a completely controllable volume.  Added bonus: when I switch to acoustic guitar, all I have to do is turn the Blonde off.  Before, I had to run a completely separate acoustic DI line because the acoustic sounded terrible through my amp.

I also discovered quite by accident that it works extremely well as a bass DI.  I brought it to a blues rock gig a while back and discovered that the stage was too small for my bass rig, but the PA was plenty to push the low frequencies.  I've never been happy with my bass direct tone (too sterile), but I grabbed the Blonde, dialed in a Bassman tone with gain pushed for just a hint of tube grind, and was perfectly happy.

Reliability/Durability:

Don't know here yet.  Seems solid enough, but the switch is very soft.  I'm sure that's by design, but I don't know how it affects longevity.  Of course, Tech 21 has been making gear for a very long time, so I have no reason to distrust their build quality.  Time will tell!

Ease of Use:

It does take a lot of getting used to.  First, the EQ knobs need to be set at noon when you're trying to get in the ballpark.  If you crank or cut any of these knobs, they get outside of the realistic range of an amplifier pretty quickly, and you'll never find the tone you want.  Find your tone with flat EQ and then tweak to taste.

The character knob is another difficult culprit, as it revoices the pedal and changes its gain stages throughout its sweep.  The far left setting starts pretty bassy, and gets increasingly bright as it moves to the right.  Also as you move to the right, the gain steps up.  The key here is to get in the ballpark with the character knob and then tweak with gain and EQ as necessary.

Took me a few days of playing with it before finally finding a couple of settings that I really really liked.  Don't get me wrong- I liked it in the store (enough to buy it, obviously), but it took several hours of tweaking to really make it shine.

Customer Support:

No experience.

Reviewer Background: Usually just use this live
Purchased From: Spencer's Music Room, Olathe KS
Price: $150.00 USD
Boss PW-10 PW-10 V-Wah Pedal
PW-10 V-Wah
Overall Rating: Perfect wah for the purpose I bought it for- a Crybaby simulator. The other settings are really pretty good, especially for an all-in-one unit. I must say, though, it's a bit of a Catch 22. If you're not sensitive enough to care abou...
Overall Rating: Perfect wah for the purpose I bought it for- a Crybaby simulator. The other settings are really pretty good, especially for an all-in-one unit.

I must say, though, it's a bit of a Catch 22. If you're not sensitive enough to care about the subtle differences between wah models, you probably won't need all the candy offered here (unless you care about the optical pot like I do). If you care about the subtle differences and want this many wahs, you'll probably be more apt to buy the real deal.

Theoretically I could use it as a multi-distortion pedal, but Boss drives have never really appealed to me. I'll use the fuzz since I don't own one (until my real Big Muff gets repaired), but that's probably it. The univibe setting is useful, but I don't know that it's an effect I need.

All in all, I'll still give it a 10 for being the perfect Crybaby wah for me. Everything else is gravy.
Sound Quality: I got this a few years ago- I had just had the pot go bad on my second Crybaby and was at Guitar Center trying to figure out a replacement. Something about the new Crybaby model (my two were both pretty old) just didn't have *that* sound- maybe they were revoiced at some point? I had already gone down the Morley route (my first wah was a Morley- great for solos, but not for that funky wah tone), already dismissed Vox as too subtle... and I was stuck.

The ever-helpful (when it comes to upselling an expensive pedal) salesman came out and suggested I try the PW-10. I had seen the pedal online and in magazines but had always dismissed it as a gimmick. Seriously- a programmable wah? Why on earth would you need that? Nonetheless, I still sat down with it and tried to dial in a classic Crybaby tone.

My mind was blown. I was able to dial in the Crybaby tone and so much more! The optical circuitry promised that I would never again have to deal with a dirty pot. That was enough for me, and I bought it on the spot.

For a long time, this was enough for me- a great Crybaby tone with silent sweeping. A few months ago, I actually sat down and explored the rest of the options.

The Morley sound is close, but not exact. The sweep is similar, but I wasn't able to get an exact match. The Vox setting was more upfront than I remembered, but is too similar to the Crybaby setting to be useful. The Univibe setting is cool, but I don't have anything to compare it to. The Voice setting is interesting, but I can't imagine a way I could use it. Advanced wah just seems to run the whole range of frequencies, but it didn't seem to be very musical. It might appeal to some, but it's not for me. I didn't spend a lot of time with the Bass Wah or the Custom settings.

The drive settings are interesting. To manually change the drive setting, one needs to access the hidden "drive select" mode (which involves resetting the unit while holding specific buttons). Instead, most users would modify the factory presets, as I did. I found a functional fuzz tone (supposedly modeled after a Big Muff fuzz), but that's all I've been able to salvage. I might dig a little deeper, but you really need the manual to help you get to it.

10 for the Crybaby tone, and no opinion on the other "candy".
Reliability/Durability: Never had an issue, aside from my ignorance of that darn drive knob.
Ease of Use: A little more complicated than your typical wah. Tons of knobs to tweak plus a bunch of presets... and it's a pedal that can easily sound bad. HOWEVER, if you spend some time with it, it can (and does) sound great.

I do have to admit that I had ignored the drive knob, and one day it got turned SLIGHTLY. Suddenly, I had slight distortion through the pedal- both on and off. Because I had never used that feature, I didn't recognize the problem and ended up collecting on the Guitar Center warranty. Before the check arrived, I was able to figure out that the drive knob was the problem... but it is an example of TOO MANY KNOBS. :-)

The advanced settings are not very user-friendly. Most involve powering down the unit, holding buttons while restarting it, and moving into convoluted modes that are not indicated on the pedal itself. The end result is that one requires the manual to even access these settings.

Basic use gets an 8 in ease, advanced use gets a 4 for being user-unfriendly.
Customer Support: No opinion.
Purchased From: Guitar Center
Price: $120.00 USD
Maestro MFSZ1A Fuzztone Reissue
Fuzz-Tone
Overall Rating: If you want your tone to sound like buzzy garbage, this is the pedal for you. If, however, you want TONE... well, look elsewhere. Sound Quality: I will admit that I'm not a fuzz fan. Despite that, I can usually get a usable tone out o...
Overall Rating: If you want your tone to sound like buzzy garbage, this is the pedal for you. If, however, you want TONE... well, look elsewhere.
Sound Quality: I will admit that I'm not a fuzz fan. Despite that, I can usually get a usable tone out of a fuzz pedal. Not here. Every setting this pedal offers is white noise.
Reliability/Durability: Who cares? It sat in my music room for ages. Then I grabbed it one day to see if I could use it at church. Nope, so it sat in the back of my church amp. Then that amp got stolen. Bummer about the amp. Don't care about the pedal.
Ease of Use: Worst piece of trash I've ever owned. I got it for free with an SG I bought new... No wonder they were giving them away.
Modtone MT-AD MT-AD Vintage Analog Delay Guitar Effects Pedal
MT-AD Analog Delay
Overall Rating: Everything was nice except for the white noise in the delay. The price is nice, but even at the low price point, you should be able to get clean delays. Sound Quality: Here's the problem- echos bring a low level of static or white noi...
Overall Rating: Everything was nice except for the white noise in the delay. The price is nice, but even at the low price point, you should be able to get clean delays.
Sound Quality: Here's the problem- echos bring a low level of static or white noise. I don't mind this so much in a vintage pedal, but a brand new delay should be SILENT. The echos themselves are nice, but unusable due to the noise.
Reliability/Durability: Don't know. Just demoed it in the store. Seemed pretty solid. Switches were nice and soft (I don't like stiff switches). I just wish it sounded cleaner.
Ease of Use: 3 knobs- easy enough.
ModTone Effects Speedbox Distortion XL Speedbox Distortion XL
Speedbox Distortion XL
Overall Rating: Not my cup of tea. I have a Visual Sound Jekyll & Hyde for my distortion needs. MUCH better interaction with the incoming signal. Sound Quality: Too fuzzy and "white noisy" for my taste. I like distortion to be rich and creamy. This p...
Overall Rating: Not my cup of tea. I have a Visual Sound Jekyll & Hyde for my distortion needs. MUCH better interaction with the incoming signal.
Sound Quality: Too fuzzy and "white noisy" for my taste. I like distortion to be rich and creamy. This pedal doesn't interact much with the signal you're sending it- no harmonic content, no overtones... just fuzziness. Tone just affects how ear-splitting the fuzz is.

I tested it in the store with a small Orange combo and a EMG-equipped guitar (don't remember what make). Not the best setup, but a good pedal sounds good under every circumstance.

Not the worst and most unusable pedal I've ever heard, and it would certainly be an interesting alternative to the Boss DS-1. Maybe not "better" or "worse" than the Boss, but different. I just don't like it.
Reliability/Durability: Seems nice enough. Soft switch feels broken in, which is nice. Don't know if that bodes well for its reliability or not, but it feels good underfoot.

Just demoed it for about 30 minutes, though, so I have no idea how reliable it is.
Ease of Use: Gain. Level. Tone. Pretty standard. Hard to get a "good tone" though... but more on that later.
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Date Registered ‎02-22-2009 06:59 PM
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