About Alex_SF

Announcements

SPECIAL ANNOUNCEMENT:

Upcoming Changes to Harmony Central’s Online Community - Read the details here!

Activity Feed for Alex_SF
Alex_SF's Reviews
Fender 026-5102-506 Lite Ash Telecaster Electric Guitar
Lite Ash Telecaster
Overall Rating: This is a great $500 guitar, and the best value for the money you can get in a Fender-branded Tele, which is why I chose it -- great features and stunning looks at a price that made modifying it into something really special and uniqu...
Overall Rating: This is a great $500 guitar, and the best value for the money you can get in a Fender-branded Tele, which is why I chose it -- great features and stunning looks at a price that made modifying it into something really special and unique a no-brainer. I would hate to lose this guitar. If the unthinkable happened I would either replace it with an identical one with the exact same mods, or maybe I'd try to get one of those Crafted-in-Japan Keith Richards style '52 replicas in transparent butterscotch, if I could find one. I can afford a USA Custom Shop Nocaster if I wanted one, but this gives me literally everything I want in a Tele and lets me bank the extra $2000.

10 is Harmony Central's "Fantastic Value" rating: I would give mine that, as I got it used, in near-new condition, for $450 with a hardshell case, but I have to deduct a point because it sells new for over $600 without even a padded gig bag -- which is still a very good value, but not quite "fantastic." Send a message to my Harmony Central ID if you have any questions.
Features: It's a basic Tele, but features go a little more than basic. Lightweight swamp ash (or whatever the Korean equivalent is) body. It's in a natural finish, the way an ash-bodied guitar is supposed to be so you can see that beautiful open wood grain. Sunburst or semi-see-through butterscotch would have been acceptable second choices, but Fender doesn't offer those finish options with this model -- the other finishes for this model (Black and Vintage White) are both opaque, which simply Will Not Do.

Two-piece body, matched so well that it's hard to spot the joint running down the middle, and thick poly lacquer that seems pretty durable. Rounded body edges, which some have complained about but which I like. The birdseye maple neck (and fingerboard!) is also gorgeous, with a satin / matte finish so it's not sticky-feeling, and with abalone dot markers. This guitar is absolutely stunning-looking: very classy without being gaudy at all. Neck is fairly thick, don't know what the exact profile is called but it feels fine to me. Unbranded sealed (Schaller-style) tuners in chrome; vintage-style ashtray bridge unit with three 2-string brass barrel-style saddles instead of individual string saddles. No bridge cover, which is fine by me. Stock pickups are Seymour Duncan APTR-1 neck, APTL-1 bridge ("alnico II pro") for "warm, moderate-output single-coil" (per Seymour Duncan) tone (but don't let that description fool you -- the neck pickup can scream AND twang with the best of them through the right amp). Plastic nut. Basic Tele controls: 3-way selector switch, vol/tone knobs. One-ply black pickguard (stock, but mine had a 1-ply white pickguard when I bought it used). This last part baffled me a bit: on a guitar that looks so classy otherwise, why would they put a cheap-looking 1-ply pickguard on it? It should have a 3-ply black pickguard. Oh yeah, and this is sort of a "Nocaster," i.e. there is no "Telecaster" legend on the machine head, only the Fender logo -- but in fat CBS-era script rather than the vintage "spaghetti" script, which is strange considering some of the other vintage styling aspects of this guitar.

Note: the pickguard on this model is shaped differently from standard Tele pickguards: if you try to swap pickguards, you will need to remove some material from the new pickguard around the neck area, to make the neck notch in the pickguard both wider and deeper.

I've made a couple of significant mods to mine: I added a tortoise (3-ply - HA!) pickguard (which looks fantastic on a natural ash finish guitar with nice grain) and swapped in a GFS Dream 180 humbucker in the neck position. Routing was required. I also added a Fender Super 5-way switch, to allow a wide variety of pickup configurations (neck only in series / parallel; neck (tapped) /bridge in series / parallel; and bridge only), for a very versatile array of sounds. Oh, and a Strat switch tip, which I prefer to the Tele switch tip.

With the mods, this guitar gets a 10 from me. In stock trim, I deduct a couple of points for the 1-ply pickguard and the standard Tele basic-ness of the pickups and wiring (though that last part seems a bit unfair, like docking a Tweed Champ for not having more controls), and an additional point for not coming with a hard or soft case (though mine did come with a TKL aftermarket hardshell case from the previous owner). But I add a point back for the sheer bang for the buck that this guitar gives you at this price point. I considered taking off a point for the vintage bridge without individual saddles, but ended up not letting that affect my rating, because it is adjustable for height and intonation and also looks a little cooler than the newer bridges. And I deduct about 0.1 of a point for the CBS-style "Fender" logo rather than a spaghetti logo on the machine head.
Sound Quality: I keep this guitar tuned in Open G for playing mainly Stones and Black Crowes tunes, with some other retro-rock thrown in now and again.

Don't let the description of the pickups as "moderate output" fool you: put this guitar through a Tweed or Tweed-clone amp (my faves are a Gibson GA-5 Skylark from about 1960 that's basically the same circuit as a 5E1 Champ, and a homebrew 5E3 Deluxe clone from a kit) and that bridge pickup is full of nasty, gritty Tele twang and crunch, no OD pedal required whatsoever if you can crank the amp up.

The stock neck pickup was OK but I didn't find myself using it by itself much; I guess it's like a standard Tele neck pickup but I found it a little muddy, which frankly I find to be a fault with most neck pickups. I only used it in combo with the bridge.

With my mods, the new neck humbucker sounds fantastic in series or parallel configs, and I really, really like my new middle selector position, which is the tapped neck and bridge together in *series* -- nice and fat, with strong highs and lows but without any mud. The tapped neck and bridge together in parallel (standard Tele config) also works well, better than it did with the stock neck pickup, and the two neck settings are both useful, while being noticeably but subtly different. It's still in every way a Tele with the mods, but it's a "Tele-Plus" now, giving you a great standard Tele sound with a few really cool extras.

I love everything about how this guitar sounds now, but my rating reflects the stock sound - 10 for bridge, averaged with 5 for neck, but weighted towards the bridge, which I used more often anyway.
Reliability/Durability: This guitar ought to stay in tune through a show, and the hardware and finish ought to last for a very long time. Oversize strap buttons make Straploks unnecessary but encourage you to just leave the strap on this guitar all the time, which I do anyway. This guitar delivers performance and reliability well in excess of its price point.
Customer Support: Never needed support from Fender.
Price: $450.00 USD
Digidesign Strike RTAS Virtual Drummer Strike RTAS Virtual Drummer
Les Paul Joe Perry Boneyard
Overall Rating: I've got a few guitars; one other LP-type (actually a Zemaitis-type with smaller thinner body but LP pickup configuration); a couple Fenders; an acoustic; and a Hamer Special with P-90s - a couple guitars for standard tuning, one for ...
Overall Rating: I've got a few guitars; one other LP-type (actually a Zemaitis-type with smaller thinner body but LP pickup configuration); a couple Fenders; an acoustic; and a Hamer Special with P-90s - a couple guitars for standard tuning, one for open-G, one for slide, and this one for 1/2 step down tuning, so everything's got its niche. This one fills the LP role quite aptly, doing just about everything an LP should (except for the in-between setting - see above). Dislikes are the in-between pickup setting (see above); likes are everything else, including the great look. If this one were lost/stolen/destroyed, I'd be bummed; might replace it with another like it, or if it were around bonus time of year I might try for either a Gibbo LP Standard or Custom, a Gibbo Boneyard LP, or maybe a USA Hamer Artist for something a little different that can still do the LP thing very well.
Features: Pretty well covered by other reviews. Solid, thick 'n heavy LP body and regular LP features; Epi hardshell case. Thick neck, 22 frets, black satin finish on the back & sides, figured maple top with cool stained tiger finish. I have not taken the pickups or knobs out, so I can't tell how thick the maple cap is: I wouldn't be surprised if it were a veneer, but it's definitely not a photo-flame as I've read someone speculate in another forum, because the figuring has a very nice 3-D "chatoyancy" light-reflection effect. 2 Gibson USA Burstbucker (BB2 at neck, BB3 at bridge, I believe) pickups, in the Peter Green configuration that gets you an out-of-phase effect in the in-between position. Gold speed knobs, 2 vol / 2 tone; house-branded tuners in Kluson Deluxe style; plastic nut. The S/N indicates mine is an '04 from the Unsung factory in Korea. All the features that come with an LP standard, basically - I've been tempted to do mods to add a couple tweaks such as (1) the ability to select different pickup wiring options in the in-between position, and (2) a volume knob bypass switch (or something like Dano's "blow switch") for solos, but then it wouldn't be a standard LP, would it? Deducting a couple points because it would be nice to have upgraded tuners and a bone nut, but it's still overall a very good feature set for an intermediate-priced guitar.
Sound Quality: I keep this guitar tuned a half-step down, with D'Addario EXL115 Blues/Jazz Rock (11-49) strings, for playing everything from Social Distortion to Smashing Pumpkins to Aerosmith (natch) songs that are in that tuning. I have a collection of small tube amps ranging between 5 and 30 watts and it sounds great on all of them; occasionally I use an overdrive or fuzz but mostly it's guitar straight to amp. It's a Les Paul, so you know the drill - a great classic / southern / jam / hard / blues-rock axe, but versatile enough for anything from jazz to modern. Pickups are good strong PAF-types: the bridge can get a little twangy, and the neck can be a little dark, but adjusting pickup height and amp settings can get you right to where you need to be for either pickup at a time.

The in-between "out of phase" setting took me some getting used to, and I still have some complaints about it. With both volume knobs on 10, the output is weak due to the phase cancellation: rolling back either knob to about 8 gives you the same strong full output as either pickup by itself, but then the sound of whichever pickup remains on 10 completely dominates the other one, so you don't have a good blend. However, there is one very cool effect you can get in the in-between setting by putting the bridge volume at about 8 and the neck volume around 3.5-4.5, which gives you a very funky trebly quacky sound like a wah pedal left at one setting -- it's great for funk rhythm playing like the Joe Perry part on "Last Child" or the Lenny Kravitz part on "Always on the Run." But I'd like to add a mini-switch that allows you to have a standard LP in-between setting along with the Peter Green setting, and also another mini-switch or maybe a small pushbutton switch that would activate a bridge pickup direct to output setting, bypassing the volume and tone knobs, to allow for going directly from the quacky in-between rhythm setting to a setting for solos and then back. Taking off a couple points for the limited versatility of the in-between setting in stock config, but overall a great-sounding guitar.
Reliability/Durability: I'm just starting to play in groups so I haven't gigged this guitar yet, but it seems like it will hold together pretty well once I do. Hardware and finish seem durable; strap buttons have been replaced with straplocks.
Customer Support: Haven't needed support; don't know what the warranty is/was.
Contact
Online Status
Offline
Date Last Visited
‎01-11-2013 03:08 AM
Public Statistics
Date Registered ‎06-25-2007 07:21 PM
Date Last Visited ‎01-11-2013 03:08 AM
Total Messages Posted 1,861
Total Tags