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Issue 192
I talked a bit about last year’s event in issue #145, and if you saw that article, you know my takeaway was extremely positive. Second-year events are dicey—there’s always the danger of a “sophomore slump”—but once again, the company pulled it off. And if you want to know why, just look at the picture: PreSonuSphere was all about music.
Sure, it was PreSonus-centric in the sense that workshops and clinics used PreSonus gear, but the primary goal was a two-way street where users could learn more about how to apply their gear, and PreSonus could learn more about their users. Although I’ve always joked that the typical PreSonus focus group is an employee saying “Hey, I have a gig tonight, it would be really cool if there was a box that could...,” it seems not only is that actually pretty close to the truth, but for the company, PreSonuSphere was one giant, celebratory focus group-meets-party.
Though that’s all cool, there’s definitely more to the story. As I looked out over the audience and talked to several of the PreSonus execs, I realized that the takeaway from this year's event was something considerably more important, and potentially far more earth-shaking for musicians, than anything that happened at the event itself.
Review

by Craig Anderton
Reverb is often the "weak link" with pedals—but when TC gets involved, it's a whole other story

by Phil O'Keefe

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by Phil O'Keefe
Hot Tip

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by Craig Anderton
USB-powered, 25-key USB portable keyboard with arpeggiator
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