10-06-2012 08:51 PM
10-06-2012 10:37 PM
I used to feel exactly the same way. But then I started to discover some of the texturing and note combinations you can achieve by plucking combinations of strings simultaneously that just can't be accomplished with a pick. Now, for me at least, it's like anything else...I switch it up depending on what I want to accomplish. The right tool and the right technique for the task at hand.
10-06-2012 10:56 PM
Both. Not as important on electric, but on acoustics, and especially nylon strings, you can vary the tone considerably by changing the amount of nail. Go to a classical guitar site and there's probably a whole subforum dedicated to nails. How to file them, how to repair them, what to eat to strengthen them, ...
I'm am curious as to how many people use their nails when finger picking vs using the fleshy part..
10-07-2012 02:52 AM
10-07-2012 04:00 AM
10-07-2012 04:13 AM
I bite my nails, so in order to minimize that I clip them down as short as possible so I always just use the fleshy part. I have no nails to pick with!
I'm am curious as to how many people use their nails when finger picking vs using the fleshy part..
10-07-2012 04:27 AM
10-07-2012 06:43 AM
10-07-2012 08:59 AM
10-07-2012 09:57 AM
10-07-2012 10:05 AM
I have that same pick, and its a great sounding pick on electrics (acoustics not so much). When I get back into electric playing a little more it'll probably be the main reason I'm using a pick. Too bad they are like $4 a pick a quite hard to find if you drop them.
I went pickless for a while. I went back to a pick after I tried out a V-pick (the one that looks like a Jazz III). I've noticed that since I went back to a pick, I really do a ton of hybrid picking. I sometimes practice without a pick and then use one when I'm playing out or with others.
10-07-2012 10:41 AM
They are expensive, but I think I tend to be very careful with where I keep them as a result. I've never lost one. Dropping them does suck, my best way of finding them is to place my head on the ground and look parallel to the floor. One of these days I might just put a little dob of orange nail polish on one side of them.
I have that same pick, and its a great sounding pick on electrics (acoustics not so much). When I get back into electric playing a little more it'll probably be the main reason I'm using a pick. Too bad they are like $4 a pick a quite hard to find if you drop them.
10-07-2012 10:46 AM
10-07-2012 10:46 AM
Very tasty and deep in the pocket. Sounded very Gilmour-ish :thu:

10-07-2012 10:47 AM
I'm quite careful with mine, and whenever its ended up on the floor it was as a result of the cat thinking it's amusing to knock stuff over onto the floor. I've always been able to find it fortunately. They also make red and green ones that glow in the dark now, in response to complaints about how hard they are to find when dropped.
They are expensive, but I think I tend to be very careful with where I keep them as a result. I've never lost one. Dropping them does suck, my best way of finding them is to place my head on the ground and look parallel to the floor. One of these days I might just put a little dob of orange nail polish on one side of them.
10-07-2012 10:48 AM
10-07-2012 10:51 AM
10-07-2012 12:05 PM
That's the only way to properly do right-hand string muting when playing slide.
I can't fingerpick either but when I play slide I use my fingers.

10-07-2012 02:06 PM
Much appreciated. I get the Gilmour thing a lot, but he uses a pick most of the time. Is it the note choice?
Very tasty and deep in the pocket. Sounded very Gilmour-ish :thu:
10-09-2012 02:17 PM
Much appreciated. I get the Gilmour thing a lot, but he uses a pick most of the time. Is it the note choice?

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