03-17-2013 08:48 AM
Ok, I know tube amps have a great reputation, but I'm told that some non-tube amps sound really good too. I'm not knowledgeable enough about that. Please name the ones you have particularly liked, and possibly the genre they'be best for. Thanks
03-17-2013 08:52 AM
mschafft wrote:Ok, I know tube amps have a great reputation, but I'm told that some non-tube amps sound really good too. I'm not knowledgeable enough about that. Please name the ones you have particularly liked, and possibly the genre they'be best for. Thanks
I love my brother's Line6 Flextone III XL. It's loud, toneful, and versatile. I believe a BIG, BIG, BIG part of the equation is that the speakers are specifically chosen/designed for digital modeling, so they don't emphasize anything that shouldn't be, like a standard guitar speakers HUGE midrange emphasis.
03-17-2013 09:04 AM
03-17-2013 09:09 AM - edited 03-17-2013 09:14 AM
Roland's JC's are probably the most well known.
Really, really nice bell-tone clean sounds and one of the best 2 speaker chorus' anywhere. They also take pedals like nobody's business.
Otherwise, to my knowledge solid state amps are mostly used for hard rock and heavy metal.
Ampeg made a lot of great solid state amps in the early 90's.
Randall, as well, and believe it or not, Marshall's solid state series is fairly well regarded in the heavy metal community.
Gallien Krueger made an amp; 250M I think it was called (?) that Iron Maiden and Chuck Schuldiner both used.
I currently own an Ampeg VH-140c. I owned three tube amps before the Ampeg-- a Peavy Ultra Plus with a Marshall 4x12 cab, a Fender Hot Rod 4x10 combo, and an Ashdown 1x12 combo.
I'm in love with the Ampeg. So simple, so nice sounding. I feel like I could drop it down a staircase and it would be fine. The tubers--especially the Ashdown--were very temperamental and inconsistent. I got fed up with the maintenance.
I'm really, really curious to see what Roland's GA series sounds like. I haven't even seen one, let alone heard one, in real life yet.
I'm sure there are other great solid states out there.
03-17-2013 09:25 AM
The Roland JC120, and it's variants have been heard on many many albums and live performances. It's an industry standard for clean tones. The name would imply that it's made for jazz (JC stands for Jazz Chorus) but it's been James Hetfield's clean tone on many albums. I used one for clean tones for a while in the 90's in an indie/alternative rock band. Not a fan of the on-board distortion, but you can get some good tones with a pedal out front.
Randall's made some great solid state amps for metal. I forget the model number, but I had to borrow one for an extended period of time once when my amp was in repair. It did some monster high-gain tones.
You can get some good tones out of some of those Fender solid state amps like the Princeton Chorus. Again, you're best off using them for cleans with a pedal out front.
03-17-2013 09:27 AM
VTEC_Dreams wrote:...
I currently own an Ampeg VH-140c. I owned three tube amps before the Ampeg-- a Peavy Ultra Plus with a Marshall 4x12 cab, a Fender Hot Rod 4x10 combo, and an Ashdown 1x12 combo.
I'm in love with the Ampeg. So simple, so nice sounding. I feel like I could drop it down a staircase and it would be fine. The tubers--especially the Ashdown--were very temperamental and inconsistent. I got fed up with the maintenance.I'm really, really curious to see what Roland's GA series sounds like. I haven't even seen one, let alone heard one, in real life yet.
I'm sure there are other great solid states out there.
There's been a VH140 for sale on my local Craigslist for a while. I've been tempted. They seem like really cool amps.
03-17-2013 09:33 AM
03-17-2013 09:57 AM
If you're not looking for a big amp, the Yahama THR series sounds really good for a desktop amp.
03-17-2013 10:07 AM - edited 03-18-2013 08:25 AM
The Yamaha G50-112ii is my favorite SS amp.
It has a great spring reverb, two channels, and a parametric eq. Best sounding warm/clean SS amp I've ever played through.
Edit: oops, the G50-112ii, not the G30.
03-17-2013 11:25 AM
Peavey Transtube Bandit 1-12. I bought 2 used from GC one was $130 shipped to my door and one was $199 shipped to my door. Check it out.
03-17-2013 11:47 AM
03-17-2013 11:51 AM
03-17-2013 12:06 PM
03-17-2013 12:31 PM
The new Blackstar ID series amps seem quite impressive based off the videos I've seen.
03-17-2013 12:51 PM
Marko wrote:
Those Roland Cubes are pretty sweet. I just have the small discontinued 30, but I really like it, and they have an 80 which should crank out a bit.
Yeah buddy. I have a cube 15 and I love little thing! Built in power soak, headdy jack and Boss distortion. Great for late jams when the wife and kiddo are conked out.
03-17-2013 01:28 PM - edited 03-20-2013 08:35 PM
I have the 60 watt head paired with a Peavey Classic 4 x 10 cabinet. I'm very happy with it so far. The base tone of the 6 preamp voicings is quite good. Between the EQ, ISF voicing control anf the TVP power tube emulation I can get just about any tone I like. While it's digitally based it's not being marketed as a modeling amp. Tthe built in effects are decent in my opinion. However, it should of had an effects loop built in. Also the dedicated footswitch should have been bundled with it. I really haven't done much with the GIU editing software though.
03-17-2013 01:42 PM - edited 03-17-2013 01:42 PM
Roland BC-60.
03-17-2013 01:51 PM
Marshall 'Lead 12.' Good enough for Billy Gibbons!
03-17-2013 03:10 PM
03-17-2013 05:22 PM
i really like my Line6 Flextone v1 combo amp that i bought when they first came out. got it at LaSalle in east hartford from Jimi Bell (he gave me a killer deal at the time). i gigged that thing for 6 years straight without a single issue. i brought it back out for a benefit show i helped out on up in Portland ME over a year ago, and it sounded great. i actually got compliments on my tone from the other bands on the bill. go figure.
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