
Originally Posted by
GAS Man
On a different aspect of this topic, I generally don't like to elevate amps since I usually hear a large drop in the perceived amount of bass. I do think that may depend upon the amp. Example I have a Roland Cube 20XL that sounded more bassy to me when I plopped it on my desktop, but everything else sounds better on the floor. Now I know the point here in this thread is to help out with the neighbors, but I'm wondering what sonic advantages (other than as a stage monitor) some of you folks perceive by using stands. I mean, I gave a better one (than the one I mention above) away for a pack of strings because I didn't like the sonic affect.

For most bedroom players there isn't much of an advantage, unless you're trying to cut down on vibrations like the OP. The real advantage of an amp stand is that it points the speaker at your ear, so that you actually hear what's coming out of your amp. Guitar amps, by nature, are very directional. So, unless you're sitting across the room from your amp, you're not likely hearing the direct sound coming from the speaker. This means that you're turning it up louder than you need to, and you probably have more high end dialed in than you actually need. This mostly effects you in live situations, where others may be in the path of your too-loud ice-pick-spewing tone of death, and you may even have it mic'ed up through the PA. It also cuts down or eliminated reflections from the floor, if it's on a reflective surface, which will drastically change your tone as you hear it.
You will lose some low end. For a bedroom player this may be perceived as a problem. For somebody who plays live, it's not a big deal at all. That's what the bass player is there for. Also, low end in a guitar is more commonly referred to as "mud" when it's mixed together with all the instruments. With the amp on the floor (stage), it's exciting the resonant frequencies. These frequencies are also being excited by the drums, the bass, people jumping around, etc. The frequencies are then usually transferred through every mic on stage, creating - more mud. These are the frequencies that the sound guy will first reach for and cut out of the PA.

Originally Posted by
vcnyls
Ok, I decided I'm going to build my own out of some wood hats sitting in the loading dock of my apt building (building is an old factory turned into lofts so the loading dock is still there and people toss their crap in there). Working on a design now. Will post pics when I build.
Thanks to all or the input - I'm going to use one of these ideas in the design.
Wood hats? If you mean wire spools, it might not get the desired effect you're looking for. Both those and the fancy wooden stands that somebody posted, probably would make pretty bad stands for isolation, as they are large surfaces that will resonate from the amp's sound, and transmit more vibrations through the floor.
I would stick with one of the ultimate/on stage/hercules stands and put them on carpet and foam to eliminate as many vibrations as possible.