04-18-2013 10:50 PM
I had a Roland SDE-330. Tons of different delays. I had to sell it to start a pedal board, but at times I wish I had kept it. Not very knobby, but still pretty easy to get around on and you can save lots of your own settings.
04-19-2013 12:01 AM
04-19-2013 01:15 AM
One of my favourites is the Boss GX-700. Does fantastic LCR tap delays that can get real grimey sounding if you want.
04-19-2013 02:30 AM
used T.C. Electronic...
04-19-2013 06:45 AM
04-19-2013 08:14 AM
04-19-2013 09:00 AM
if you want analog, ad202.
That sounds incredible! They usually sell for like $500?
i think they sell closer to $200. ebayer's list em at $500 but they dont' sell.
04-19-2013 10:00 AM - edited 04-19-2013 10:01 AM
04-19-2013 04:34 PM
04-20-2013 02:43 PM
This thread is making me want to play my AD-202 so bad. I lent my 202 to a friend so I can't play it right now. I feel like a crack addict needing to score... (Searches in closet for AD-190...)
04-20-2013 03:58 PM
something something something Olympic gymnastic athletes....
04-20-2013 06:13 PM
That AD-202 is sexy.
Yeah, I'm sure most of us felt our heart skip a beat when we saw that Ibanez.
04-20-2013 06:28 PM
Tim, what kind of budget are you working with here?
There are lots of rackmount multieffects that work fine as delay units. Does it have to be strictly a "delay", or can it do other things too? For example, I use a SPX900 primarily for early reflections, delays, and dual pitch shifting stuff, and hardly ever use the reverbs, compression, or the modulation effects on it. If all you wanted it for was the delays, it would work fine for that.
What features and capabilities are important to you in a rack delay?
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