
Originally Posted by
jenksdrummer
That backfires, unless the drummer can ONLY hear the click and knows the songs through and through. Otherwise, people will drag the drummer off the click, and like me, I'll either make a snap adjust (if it's slightly off) or I'll slow it down/speed it up noticably to get it back on tick.
not at all: what you just wrote might be your solution, but it's 100% not true for me.
I'm speaking from experience playing in an actively gigging band with tracks/sequences (and click for me)on 90% of the songs we do.
I get all 4 vocals, both guitars, bass, tracks and click in my IEMs, mixed by me to the right levels. Everybody else in the band knows that there's a click, I start the tracks and I set & keep tempo; they must play with/to & follow ME, period. As long as that's understood, and the players agree with that plan, there are no major issues.
Occasionally on a newer song we're working on, someone may play too ahead or behind on a given song/part/etc. I keep on the click, and when we've stopped playing, I make sure to point out "Hey, on the choruses, it seems you/everyone else is pulling back too much, so let's make sure to pay attention there." We make sure to get those parts happening, and move on; no issues.
Just need to have the discipline to not let the rest of the band pull you off the click. I know what that's like, it has happened to me on occasion; like anything else, the key is recognizing it as it's starting to happen and locking back in w/the click.
And before everyone jumps in on the 'couldn't play like that, it's too sterile' bandwagon...we're doing 80's alternative & new wave covers, most of which was programmed and played to a sequence/click to begin with; that's the vibe of these songs already. It works, believe me.
For cripe's sake, somebody buy that kid a freaking DICTIONARY already!
