but they were probably sensitized at that point, and the plane wasn't full, so we took the guitars on board and they had their own seats...but they made the bassist check his bass... 
The only thing that happened was the case's custom paint job got scratched. Still have the guitar (1962 Melody Maker d-c, 2 p-up) in the same case almost forty years later...
the necks on the bolt on versions are crap...you get what you pay for. I bought one years ago for display purposes for a trade show. Of all the cheap guitars I bought for that display, that was the worst. I salvaged everything I could, the the neck was, well...split in the back. I didn't have time to replace it when I got it, and since I didn't pay for it out of my pocket, no biggie. We sold the others off to employees (a Dean, some Squiers) below cost... I still have the body and hardware...and I keep telling myself I should get a neck from Stewmac or GFS...but so far, no. So, like anything else, check it thoroughly!
Timezarrow wrote:
I would check it out to see whether it is "authentic" in term of intonation. I think the original LP Jr. had limited ability to adjust intonation. Hopefully these have a more modern system.
But, really, $129 is just way too much to spend on a guitar anyway!
The original Gibson LP jr.s had a wrap-over 'smooth' stop tailpiece (I had a '59) and yeah, intonation was iffy...I also had the 'fixed intonation' stop tail on my Melody Maker, and wound up putting a Leo Quan Badass on it.
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