02-08-2013 09:19 AM
Anybody using these?
My singer has a set and we are going to be trying them out this weeknd but I wondered if anyone has any tips on getting the most out of them since I have never used these before.
I know of a ll the pros, any cons?
02-08-2013 09:29 AM - edited 02-08-2013 09:30 AM
What's your monitor set up? Depending on what you're using and how you're using it, the pros and cons will be vastly different.
1) ideally you want separate monitor mixes for each user. Sharing a mix with other members of the band is going to be problematic.
2) you really want to invest in molded buds. The sound quality difference is enormous.
3) they take time to get used to. It's an entirely different environment from wedges. The majority of uses fall in the "once you'll use them you'll never go back" catagory, but not all. I'm in the former catagory, but it took some time.
4) the biggest 'con' is the feeling of being cut-off from the audience. There are different ways around this depending on your monitor set up.
02-08-2013 09:54 AM
guido61 wrote:
4) the biggest 'con' is the feeling of being cut-off from the audience. There are different ways around this depending on your monitor set up.
I agree. You'll need to set up a mic that can pick up the audience and put them in his ear so he will be able to interact with them. The best way I have found to do this is with a reverse gate. IWO the gate shuts off as the level rises (the song starts) and opens as it gets lower ...as in between songs.
02-08-2013 12:58 PM
I had a very difficult time being cut off from the crowd. Took the energy right out of the show for me. But, I found a solution that works for me... I go the one in, one out route - only use one of the buds. Get the FOH mix in one ear, stage and crowd in the other.
02-08-2013 05:09 PM
THX1138 wrote:I had a very difficult time being cut off from the crowd. Took the energy right out of the show for me. But, I found a solution that works for me... I go the one in, one out route - only use one of the buds. Get the FOH mix in one ear, stage and crowd in the other.
I've done this too. Or, more commonly, I leave one "cracked" open. This is always highly NOT recommended, but as near as I can figure, the only reason you should never do it would be if there were a temptation to keep turning up the IEM because the stage volume was so loud.
Our stage volume is quiet, so that really isn't an issue. And as long as you set-it-and-forget-it, then I don't see how it could cause any damage.
Another option is some IEM manufacturers will drill an "ambient" hole in the bud so you can hear better. I've read some comments saying this isn't a good thing (although I can't now remember why). Both the singers in my band have this and swear by it. But since I've never had buds with them, and they've never had buds without, there's really no way to compare.
02-09-2013 08:34 AM
Yeah, if you keep cranking it due to ear fatigue or whatever, get yourself in trouble. I do what you said, set n forget. Both of our guitarists run direct out modeling rigs, so there arent any gtr cabs on stage. Only stage noise is from the drums and my bass rig. I generally turn the IEM up just enough to balance things out.
02-09-2013 12:36 PM
Thanks for the comments!
I am going to find out exactly what we have tomorrow at rehearsal and see how it feels initially.
Then I can figure out if it will work live or not, we have a big event next month and I may give them a go depending on how they feel at rehearsal.
02-09-2013 03:01 PM
vablows wrote:I may give them a go depending on how they feel at rehearsal.
Keep an open mind. When we first tried them the decision to "go" with them was based largely on everyone being able to see the potential of how good they could be. But at first it was all REALLY WEIRD. But the potential was also pretty obvious.
I'd never go back now, but it does take some getting used to. One of my big motivators is I'm worried about preserving as much as however-much-hearing-I-have-left as possible. The fact that I haven't come home from a gig with my ears ringing in the last 2 years is a big one.
02-10-2013 08:33 AM
guido61 wrote: Keep an Open Mind
^^^ This !!!! First, just getting used to wearing my custom ear buds took a little time. If you haven't worn IEM ear buds - they're different. They're designed to be inserted a ways into your ear canal. Lots of folks (myself included!) find this to be uncomfortable at first. I had to insert / remove mine numerous times and wear them for a few hours before I got used to them. If you're planning to pull them out of the box - and jump on stage with 'em - don't! Now that I'm used to 'em - they're comfortable enough that I often forget that I'm wearing them.
It will also take you a little bit of time getting used to using them with the band. The mechanics of communicating with your bandmates when you're sonically isolated from talking to them takes some getting used to. The sense of isolation from the crowd also takes some getting used to. Resign yourself to the fact that it will feel weird when you first start using them - but do so knowing that you will get used to them - and that once you get used to them and get the mix dialed in - you'll never go back! The clarity is incredible - as is the fact that you don't have to go home with ears ringing !!!!

02-12-2013 11:12 AM - edited 02-12-2013 11:13 AM
Add me to the "give it some time and once you get used to it you'll never go back" crowd.
It took a while to get used to it. I do often wear just one bud because we don't have the drums running through the mix, and that lets me also hear the crowd.
Not having to lug monitors and extra cables around, reducing the clutter onstage, protecting your hearing, and keeping volume down are all tangible benefits.
02-12-2013 11:31 AM - edited 02-12-2013 11:34 AM
i have had a few of these , the sennheiser being the best by far .
i could not gig without them myself .
i hate the moulded type(block out TOO much) , i much prefer the earbud type and have just my vocals running thru them and a little bit of the track . .. i am solo , so dont have to put up with the noise of the back line lol .so i couldnt advise u there , if yer back line is horrendously loud for you , then moulded is the way to go .
02-12-2013 08:43 PM
02-13-2013 07:00 AM
WynnD wrote:
Personally, anyone who only thinks about curing all sound problems by turning something up isn't seeing the entire picture. 80 percent of the time, turning something down will fix the problem better.
Yah, I learned me how to mix "down" in the bad old days when you'd usually have to max out the system to cover the venue and there was no "up" left
.
02-15-2013 10:52 AM
I used them for the first time this week. Shure 425 dual drivers with the meduim foam tips. They're terrific. Great Isolation and WAY quiter than a monitor blowing at your head. I'm a drummer and am wondering if the send back to your IEMs have any "processing" on the drums. By that I mean gates or eq on the signal coming back to you earphones, similar to what is sent to FOH. I use a buttkicker and the having that without the IEMs is great, having it with them is wonderful. Any ideas would be great.
02-17-2013 03:22 PM
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