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Jon Chappell
Posts: 3,361
Registered: ‎06-20-2006

New releases at AES 2012

Universal Audio announced two new products: the Precision K-Stereo Ambience Recovery plug-in, and the Shadow Hills Mastering Compressor plug-in.

From the press release:


Precision K-Stereo Ambience Recovery plug-in
—Created in Partnership with Famed Mastering Engineer Bob Katz, K-Stereo Plug-In Recovers and Boosts the Natural Ambience of Recorded Sources —



SCOTTS VALLEY, CA • October 26, 2012 — Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is pleased to announce the impending release of the Precision K-Stereo™ Ambience Recovery Plug-In for the UAD Powered Plug-Ins platform and Apollo Audio Interface. Created by Universal Audio in collaboration with famed mastering engineer Bob Katz, the K-Stereo Ambience Recovery plug-in extracts ambient cues from source recordings — allowing users to precisely enhance the stereo depth and imaging of mixes without unnatural artifacts.

“The K-Stereo plug-in gives mastering engineers an easy, organic-sounding solution for excessively small mixes or mixes that need more space and depth — from classical to jazz, rock, or hip-hop,” said Bob Katz. “Because we’re effectively ‘pulling out’ the ambience that’s already in the recording, the results sound much more natural. I’m happy to be working with UA to bring K-Stereo to the UAD platform.”

Designed for critical 2-track mastering or post-production applications, the K-Stereo plug-in offers a “do-no-harm” approach to adding depth and width to busy or narrow-sounding mixes. Using elements of the Haas effect and other psychoacoustic principles, the plug-in transparently enhances existing ambience and early reflections without adding artificial reverb or changing the ratio of center elements to side elements.

Precision K-Stereo Ambience Recovery Plug-In Features:
  • Unique ambience recovery and stereo processing tool, created and patented by famed mastering engineer Bob Katz
  • Extracts ambient cues from the source material, naturally adding depth and width to the stereo field
  • Perfect for fixing busy or “narrow” mixes at the mastering stage
  • 3-band Ambience Filter EQ for further shaping the effect
  • Mid/Side gain controls available to adjust the center-to-side balance
  • Left/Right Gain controls for final stereo image balancing and leveling
  • Custom user presets created by Bob Katz
Available as part of the upcoming UAD Software v6.3.2 release, scheduled for early November, the Precision K-Stereo Ambience Recovery Plug-In will be available for $199 US via UA’s Online Store.


Shadow Hills Mastering Compressor Plug-in

—Developed by UAD Direct Development Partner Brainworx, Shadow Hills Plug-In Offers Authentic Emulation of Highly Revered Hardware Mastering Compressor —


SCOTTS VALLEY, CA • October 26, 2012 — Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is pleased to announce the impending release of the Shadow Hills Mastering Compressor Plug-In for the UAD Powered Plug-Ins platform and Apollo Audio Interface. Created by UAD Direct Development partner Brainworx® and Shadow Hills Industries founder Peter Reardon, this true-to-life plug-in emulation of the hallmark Mastering Compressor expertly tempers dynamics and tames transients like no other device on the market.

“The Shadow Hills Mastering Compressor hardware is capable of delivering so much character and color, from subtle to very dramatic. It was important to me that any plug-in emulation provided the same sonic experience,” said Shadow Hills’ Peter Reardon. “Thankfully, the team at Brainworx and Universal Audio have faithfully brought this hardware product to life in the digital world.”

As the go-to compressor on recordings by Muse, Gnarls Barkley, Coldplay, John Mayer, Regina Spektor, and more, the Shadow Hills Mastering Compressor features a world-class signal path, controlling music dynamics in two stages — first with an Optical section, then with a Discrete (VCA) section. Both sections can be bypassed, providing a variety of compression sounds (Optical, Discrete, and combined) from a velvet touch to an iron fist.

Like the hardware version, the Shadow Hills Mastering Compressor plug-in offers selection of three distinct output transformers (Nickel, Iron, and Steel) — taking the signal from “clean” to “colored” and “dirty” — as if selecting from the output stages of three distinct classic analog consoles.

Whether employed on a vocal chain, drum buss, or on the master fader, the Shadow Hills Mastering Compressor’s unique control and character will inspire creativity.

Shadow Hills Mastering Compressor Plug-In Features:
  • Meticulous emulation of the Shadow Hills Mastering Compressor, licensed and endorsed by Peter Reardon
  • Created by Brainworx, developed exclusively for the UAD Powered Plug-Ins platform
  • Separate Optical and Discrete (VCA) dynamics sections for two-stage serial dynamics control
  • Transformer matrix switches between Nickel, Iron, and Steel output transformers — like selecting between 3 distinct vintage console outputs
  • 90Hz sidechain filtering for musical compression of low-frequency program material
  • Large, accurate VU meters provide Optical, Discrete, or Output gain views
  • Custom presets created by Shadow Hills founder and designer Peter Reardon
Available as part of the upcoming UAD Software v6.3.2 release, scheduled for early November, the Shadow Hills Mastering Compressor will be available for $299 US from UA’s Online Store.
Jon Chappell
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Super Contributor
Geoff Grace
Posts: 3,089
Registered: ‎07-12-2005

Re: New releases at AES 2012

Ableton has announced two products:

Live 9

Push: new Live 9 MIDI controller

http://www.youtube.com/watch?v=hF9eY065XaY

Keyboard Magazine: Ableton announces Live 9 and Push

---

Slate Pro Audio has introduced the Raven MTX Multitouch Audio Production Console featuring a multitouch display, software, and an analog monitoring system—the goal of which is to help you better interact with your DAW:

http://www.youtube.com/watch?v=4HHiXqcyu2M

---

SSD at AES:

http://www.youtube.com/watch?v=qJmV9kvqE-0

Best,

Geoff
Enthusiasm powers the world.

Craig Anderton's Archiving Article

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Community Manager
Jon Chappell
Posts: 3,361
Registered: ‎06-20-2006

Re: New releases at AES 2012

HARMAN’s AKG Continues 65-Year Anniversary Celebration with Limited Edition Classic C451 Mics and K702 Headphones

SAN FRANCISCO, California – As HARMAN’s AKG continues to grow and expand from its founders’, physicist Dr. Rudolf Görike and businessman Ing. Ernst Pless, original visions, professionals worldwide have learned to interchange the highest standards in quality, performance and dependability with the 65-year-old name of AKG.

Discovering trends has always been a strong suit for AKG, from patenting more products, designs and pieces than all of its competitors combined, to originally recognizing the need for a wider range of equipment for various levels of recording.

Celebrating its 65th anniversary, AKG is proud to introduce a line of limited edition products to commemorate its industry leading, quality and reliable audio equipment offerings to the professional market. The limited edition C451 condenser microphones and K702 headphones are now available to music enthusiasts around the globe, making their American debut at AES 2012.

Handcrafted in Vienna with the highest attention to detail, the limited editions of these prestigious products are positioned to deliver renowned AKG quality to sound engineers, producers and musicians around the world. Each are individually tested and numbered to ensure the highest quality.

AKG’s C451 65th Anniversary Edition condenser embodies sound from the legendary C451 EB with the CK1 capsule delivering stunning quality and precision accuracy. Since its introduction in 1969, the C451 has been continuously improved and has demonstrated its durability under the harshest onstage environments. The C451’s transformer-less preamp enables high sound pressure capability, allowing for close miking of high-energy sound sources up to 155 dB SPL without distortion.



The reference small-diaphragm is an excellent tool for capturing the smallest details of any instrument due to its lightweight membrane and sophisticated acoustic design, which makes it the perfect choice for accurately capturing drums, percussion, acoustic guitar and overhead miking. C451 is listed at an MSRP of $599.00.

The K702 Anniversary Edition headphones bring a new level of precision to the line with newly designed genuine leather headband and soft velour ear pads for maximum comfort during long recording or listening sessions. With its patented Varimotion two-layer diaphragm and revolutionary flat-wire voice coil, K702 delivers pristine sound with incredible impulse and treble response.



K702’s reference-style headphones boast an over-ear, open-back design, with extremely accurate response. Its sophisticated technology allows for spacious and airy sound without compromise. The K702 Anniversary edition is listed at an MSRP of $649.00.

“In our seventh decade of setting the industry standard, raising the bar in recording and live audio, AKG is proud to offer our dedicated customers an opportunity to help celebrate our milestone with the limited edition C451 and K702’s,” stated Thomas Stubics, product marketing manager, recording and broadcast, AKG. “With the limited edition C451 and K702, users with these extraordinary pieces of equipment will enjoy AKG’s ever evolving history, with a sound experience they will never forget!”
AKG’s C451 and K702 65th Anniversary Limited Edition sets both stun with a new Titan semi-gloss finish.

For more information about AKG, please visit http://www.akg.com and http://www.youtube.com/AKGacoustics.
Jon Chappell
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Community Manager
Jon Chappell
Posts: 3,361
Registered: ‎06-20-2006

Re: New releases at AES 2012


Audio-Technica Launches Flagship 50 Series with New AT5040 Cardioid Condenser Vocal Microphone


— The ultimate studio condenser vocal microphone, the AT5040 represents a milestone in design, build quality, and the depth, presence and purity of its sound quality —

133rd AES CONVENTION, SAN FRANCISCO, CA, October 27, 2012 — Audio-Technica (booth 705), a leading innovator in transducer technology currently celebrating “50 Years of Passionate Listening,” is launching its flagship 50 Series of elite studio microphones with the AT5040 Cardioid Condenser Microphone. A-T’s ultimate studio vocal microphone, the hand-built AT5040 side-address condenser offers remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound. Featuring a proprietary breakthrough element design, the AT5040 employs four ultra-thin (2 micron) rectangular diaphragms that function together providing combined surface area unachievable in a standard round diaphragm. Designed as a first-choice vocal microphone with smooth top end and controlled sibilance, the AT5040’s large-diaphragm characteristics and fast transient response also make it ideal for recording acoustic instruments such as piano, guitar, strings, and saxophone.



The first of A-T’s design criteria for the AT5040 was purity of sound. To achieve this, A-T engineers developed a four-part rectangular element, the pinnacle of recent breakthroughs in sound-capture technology. Four exquisitely matched diaphragms function together (with outputs proprietarily summed) as a single high-performance element – effectively the largest element Audio-Technica has ever created. By using four diaphragms as a single capsule, the AT5040 achieves remarkably large surface area without the increased weight and decreased transient response that are the expected limitations of expansive size.

Another key AT5040 design feature is advanced internal shock mounting that effectively decouples the capsule from the microphone body. For additional isolation, each AT5040 is also provided with Audio-Technica’s new AT8480 shock mount. Featuring a proprietary design, the AT8480 was engineered not only to isolate the microphone, but to rid the apparatus itself of any unwanted resonances and other audio aberrations that could be transmitted to the microphone. It also features a unique locking mechanism that holds the microphone securely in place.

Every AT5040 is hand-assembled and inspected for 100% quality control and is housed in an elegant case of aluminum and brass with gray chrome plating for durability and low reflectivity. Discreet components have been selected for optimized capsule performance; in fact, every aspect of microphone has been carefully considered to minimize any effects on the audio signal. To protect the AT5040, each microphone comes in a custom-designed hard-shell carrying case, padded with die-cut foam compartments for the microphone and shock mount.

The AT5040 Cardioid Condenser Microphone, the first model in Audio-Technica’s new flagship 50 Series of elite studio microphones, will be available January 2013 with a U.S. MSRP of $2,999.00. For more information, please visit www.audio-technica.com
Jon Chappell
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Community Manager
Jon Chappell
Posts: 3,361
Registered: ‎06-20-2006

Re: New releases at AES 2012

iZ Technology Corporation Launches RADAR 6

Updates flagship multi-track recorder with the ultimate sound quality, higher speed, extreme reliability, and modern flexibility

New Westminster, BC, Canada (October 27, 2012) – iZ Technology Corporation, manufacturer of innovative music and audio products, has launched RADAR 6 at the 133rd AES Convention in San Francisco. RADAR, the premier choice for hard disk multi-track recording and playback employed by recording studios, scoring stages, theaters, and post production houses around the world, has been updated with new features and improved speed, storage technology, editing, audio performance and user interface.


RADAR has long been the recording platform that offers the highest sound quality on the market. Built with world-class converters, Adrenaline DR technology, dual digital/analog power supplies, near-zero jitter, and near-zero latency up to 192kHz, RADAR systems transcend the digital barriers of sonic quality.

Thanks to RADAR 6’s new storage architecture, recording and moving files is fast and easy. You can record 24 tracks at 192 kHz to a 64 or 128 GB SD card and plug it directly into your laptop for use with your favorite DAW. Record and/or copy and deliver tracks in seconds on a USB 3.0 thumb drive. Or record directly to RADAR’s high-speed solid-state drives for maximum performance. RADAR’s open storage architecture gives you the most options.

New features of RADAR 6:
  • Sound Quality: World-class Classic 96 and Ultra Nyquist converters and the new Adrenaline DR technology
  • Speed: Direct SATA recording for over 2 times faster cueing editing and data transfers
  • Storage: Solid state SATA, USB 3.0, thumb drives and remote network access make recording and file transfer fast and flexible
  • Portability: nearly 40% shorter and 14 lbs lighter than RADAR V
  • Improved user interface: full front panel controls with tactile transport keys and a comprehensive high resolution multi-page touch screen supporting industry standard wide screen resolutions
  • Editing: Comprehensive editing from the front panel touch screen as well as a virtual meter bridge, touch-screen macro keys, multiple mark in/out markers for batch exports and audio CD creation from a single project
  • Acoustic Noise: control room ready with super quiet low speed power supply fan and all solid-state storage drives
  • Cost: RADAR 6 has a lower retail price than RADAR V

One of the best-known features of RADAR is its extreme reliability. The use of top-quality components and attention to extreme detail in the analogue domain guarantees that RADAR’s physical hardware will perform under continuous recording and last for years. There are RADAR systems still operating today after almost two decades of constant use.

Plus, recording with RADAR is as simple as it should be: Turn it on, hit the record button. That’s it. There are no layers of unintuitive technology getting in the way, just pure, unencumbered tracking. RADAR systems are also fully customizable. With choices of 3 different converter card designs available in 8, 16, or 24 channel configurations, 4 multi-channel digital I/Os, and a wide variety of backup and recording drive options, RADAR is the most configurable multi-track recorder available today.

Pricing and Availability: Starting at under $8,600 USD. Available now at www.iZcorp.com.
Jon Chappell
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Community Manager
Phil O'Keefe
Posts: 51,889
Registered: ‎07-13-2005

Re: New releases at AES 2012

Quote Originally Posted by Geoff Grace View Post

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Slate Pro Audio has introduced the Raven MTX Multitouch Audio Production Console featuring a multitouch display, software, and an analog monitoring system—the goal of which is to help you better interact with your DAW:

http://www.youtube.com/watch?v=4HHiXqcyu2M

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That looks really cool! Thanks for posting that Geoff!
**********

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