Not a lot of features which means set and forget. I also have an Ibanez AF-9 which sounds great but not as good for live/ loud and I find that I'm always tweaking it to get it to sound like the MXR.
I've used and owned lots of envelope filters /wah /auto wahs and touch wahs. For me, this is the most useable envelope because of its warm subtle nature. Most envelope filters fall short for chords because they take over from the guitars tone by adding too much effect. This filter has heaps of useable range and really loves chords as well as single note rhythms. The pedal only dials in at about 1/2 the threshold (sensitivity) knob unlike many others(suitable for single coil and hums). The envelope itself is long and slow in the sweep, and when used before a boss oc-2 sounds straight out of the seventies, reminiscent of Starsky and Hutch tones. The quack can be easily dialed out by reducing the attack. The main reason this pedal works best is for live use. When your amp gets loud the envelope doesn't glass your ears or bass out annoyingly and isn't tempremental. These pedals are getting rare now and knock offs are appearing on line. There are sites highlighting the differences. I'm sure aftermarkets with the same circuit would sound just as good because of their simplistic design but should be cheaper than the vintage counterparts. By the way, great for reggae!
mine is a 1979 model and works perfectly, even the MXR CTS pots aren't scratchy
10 out of ten!!!!!!!!!!
A steal at $200 US for the quality.
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