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  • Yes Master Rises from the Deep with the Help of Carl Tatz Design

    By Guest |

    At first I was actually frightened, as if I had been transported to

    the planet Jupiter and then just became giddy with the realization that I had this

    incredible monitoring system in my mastering suite  it was that dramatic.

     

    Thats how Jim DeMain described his first listening experience after Carl Tatz

    implemented a new state-of-the-art PhantomFocus System 2 for Yes Master Studios in

    Nashville after the facilitys ten-month post-flood renovation. Tatz had designed the

    facility back in 2004 along with an early-iteration PhantomFocus System.

     

    DeMain has been very successful, staying booked over the years with a wide array of

    clients and GRAMMY awards, including most recently the GRAMMY-nominated Band of Joy

    by Robert Plant.

    The new system incorporates the latest PhantomFocus protocols and technologies,

    including proprietary 159-band, 96k digital processing; 220 Volt Bryston SST2

    amplification; new damping and isolation elements; and line level and low voltage

    embellishments.

     

    We pulled out all the stops for Jim this time, using everything weve learned over

    the last decade to make Yes Master really pop, and it paid off big time, says Tatz.

     

    DeMain commented, I took the new Vince Gill CD Ive been working on in my temporary

    space and put it up on Carls new system. I was able to hear details and nuances that

    I never new existed, and the low-end definition and extension are insane. I took

    those new tweaks out to the car and I'm convinced that this is the best work I've

    ever done.

     

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