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At first I was actually frightened, as if I had been transported to
the planet Jupiter and then just became giddy with the realization that I had this
incredible monitoring system in my mastering suite  it was that dramatic.

Thats how Jim DeMain described his first listening experience after Carl Tatz
implemented a new state-of-the-art PhantomFocus System 2 for Yes Master Studios in
Nashville after the facilitys ten-month post-flood renovation. Tatz had designed the
facility back in 2004 along with an early-iteration PhantomFocus System.

DeMain has been very successful, staying booked over the years with a wide array of
clients and GRAMMY awards, including most recently the GRAMMY-nominated Band of Joy
by Robert Plant.
The new system incorporates the latest PhantomFocus protocols and technologies,
including proprietary 159-band, 96k digital processing; 220 Volt Bryston SST2
amplification; new damping and isolation elements; and line level and low voltage
embellishments.

We pulled out all the stops for Jim this time, using everything weve learned over
the last decade to make Yes Master really pop, and it paid off big time, says Tatz.

DeMain commented, I took the new Vince Gill CD Ive been working on in my temporary
space and put it up on Carls new system. I was able to hear details and nuances that
I never new existed, and the low-end definition and extension are insane. I took
those new tweaks out to the car and I'm convinced that this is the best work I've
ever done.

CTD\_YesMaster\_Photo2.jpg

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