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Pianoteq is the very first truly modelled piano, available for the VST and AudioUnit platforms.

Being a truly modelled piano, the sound is created in real time from scratch through a very sophisticated mathematical model, simulating an acoustic piano. It is responding to how the pianist is striking each key and how strings are interacting, just like a real piano does. The result is a remarkably expressive and vivid instrument.

The first generation of pianos began with Cristofori's pianoforte in 1698 which came to maturity at the end of the 19th century with the acoustic grand pianos. It was followed in the 20th century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument.

Pianoteq is the first and only piano belonging to the fourth generation, developed to go beyond the limitations of the third generation and to become a versatile and innovating tool.

Simulating acoustic pianos: Everything that characterizes an acoustic piano is there: the mechanic noises (optional), the complexity of pedals and strings in interaction, the percussion impact on staccato play, and of course the most important, the beauty of the piano sound.

New possibilities: The unique adjustable parameters result in great realism and even allow going beyond the material constraints of an acoustic piano, thus being able to create new instruments and sounds.

System friendly: Pianoteq adapts its CPU consumption dynamically to the resources available on your computer. It holds more than easily in the computer memory, and its installation is fast and easy. It can be successfully used on a modern laptop.

The current piano presets are the first instruments of a collection which will grow in the near future. Pianoteq customers are invited to exchange their best settings through the FXP corner of the Pianoteq website.

Being modelled, Pianoteq allows parameters to be stretched as long as the model permits, resulting not only in new performance styles but also in new piano sounds. The sound comes from 32-bit floating audio computation without any quantization noise, not even with the softest pianissimos. Expressivity is superior as it can handle all the 127 MIDI velocities for each note.

The high quality sound can be easily processed in a virtual studio for professional use.

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