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agedhorse

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    Music Industry Product Development Engineer

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  1. For those of you old guys wondering what I've been up to, I've been working for Mesa Boogie, developing the Subway amp/cabinet line and now that Mesa is owned by Gibson, I'm also working on some Gibson projects. My second to last pro audio event client threw in the towel this year, my last one is questionable. These were two large gigs that could provide enough income to life off of... oh well. Best place to get hold of me is at Talkbass
  2. A little late I know, but I have these switches in stock. While the company is "gone", those corporate entities who owned the brand set me up to continue the factory service program.
  3. It's amazing how far this mixer platform has evolved in essentially 20 years!
  4. I haven’t seen one of those amps in well over 20 years, don’t have any docs. Sorry.
  5. Haven’t been here for a while either, glad you guys are still kicking!
  6. Hanging in there, have my first gig in almost 2 years coming up and it's been scaled down to less than 1/2 of what it was before. Sure is quiet over here...
  7. See my post above, which references my other post farther above. It's generally not an easy repair unless a solo switch is pushed down that you didn't notice.
  8. Read my previous posts, your question has been answered.
  9. Well, did you learn anything from the previous posts? There is not enough value in this product to justify a proper (ie qualified) service technician's time. The cost of repair far exceeds the mixer's value. I have repaired these 20 years ago, they were tricky and not worth the time or the hassle. It requires a thorough understanding of how the cue/mute/display circuits work because you will be analyzing as you go. What's your experience level?
  10. Better tools for the job beat trying to use a crescent wrench as a hammer IMO.
  11. They are all worth about zero unfortunately. Same for most analog consoles of the era including some $10k+ consoles that I have taking up shop space.
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